Читать книгу The Nest, The White Pagoda, The Suicide, A Forsaken Temple, Miss Jones and the Masterpiece - Anne Douglas Sedgwick - Страница 5

Table of Contents

Two facts stood clear before Holland's eyes. He had been culpably blind and Kitty was in danger. He asked himself if he had not been culpably selfish too, for Kitty's summing up of his attitude towards her would have hurt had he not been beyond such hurts; but, looking back, he could not see that he had ever pushed Kitty aside nor relegated her to the place of plaything. No; the ship of his romance, all its sails set to fairest, sweetest hopes, had been well-ballasted by the most serious, most generous of modern theories as to the right relations of man and wife. And the shock and disillusion had been to find, day by day, that it was, so to speak, only the sails that Kitty cared for. The cargo, the purpose of their voyage, left her prettily, vaguely indifferent. Again and again, he remembered, it had been as if he had led her down into the busy heart of the ship, explained the chart to her, pointed out all the interesting wares. Kitty had shown a graceful interest, but with the manner of a lovely voyager, brought down from sunny or starlit contemplations on deck to humour the dry tastes of the captain. She didn't care a bit for the cargo, or the purposes; she didn't care a bit for any of his interests nor wish to share them; his interests, in so far as specialized and unrelated to their romance, were, she intimated, by every retreating grace—as of gathered-up skirts and a backward smile for the captain in his prosy room—the captain's own particular manly business; her business was to be womanly, that is, to be charming, to feel the breeze in the sails, and to gaze at the stars. And though, now for the first time he saw it, Kitty was not the happy, facilely contented woman he had thought her, it was really as if the ship, with weightier cargoes to carry, more distant ports to reach, had undergone a transformation; throbbing and complicated machinery moved instead of sails, and on its workaday decks Kitty strolled wistfully, missing the sails, missing the romance, but missing only that.

He had accepted, helplessly, her interpretation of their specialised existences, hoping only that hers might assume the significance that would, perhaps, justify the old-fashioned separation of interests; but no children came after the first, the child that died at birth, the child that his heart ached over still; and he could not believe that Kitty felt the lack, could hardly believe that she shared his hope for other children. She had suffered terribly in the birth of the one, more, perhaps, than in its death—though that had temporarily crushed her—and she had been horribly frightened by the cruelties and perils of maternity. So, though he had come to think of her as essentially womanly, it was in a rather narrow sense; the term had by degrees lost many, even, of its warm, instinctive associations, and as he now sat thinking, near the summer-house, it took on its narrowest, if most piteous meaning. Kitty was essentially womanly. She needed some one to be in love with her. Her husband had ceased to be in love—though he had not ceased to be a loving husband—and she responded helplessly to a lover's appeal. Sir Walter's appeal was very persuasive. A ship of snowy, wing-like sails, a fairy ship, rocked on the waves at the very edge of Kitty's sheltered life. Only a shutting of the eyes, a holding of the breath, and she would be carried across the narrow intervening depth to the deck, to freedom, to safety—she would believe—to sails trimmed for an immortal romance. Would Kitty's cowardice, and Kitty's prayers—they were interwoven he felt sure—keep her for one month from running away with Sir Walter? In only a month's time she could respond and not be shattered: in only a month's time the ship of romance would be really safe, she might walk on board with no shutting of the eyes or holding of the breath. Holland gazed, and the facts became clearer and more ominous. For the lack of a knowledge that was his, Kitty and Sir Walter might wreck their lives. All the motives for the concealment of his secret, the vanity, the bravery, the cherishing tenderness that had inspired him, were scattered to the winds. The nest was a tattered, wind-pierced ruin. And he, already, was a ghost. Kitty should not lack the knowledge.

The dew was falling, and he had grown chilly. He walked back quickly to the house that he had left a little while ago so vividly aware of the sweetness that the shallow cup might hold. The cup was empty. Not a drop of self was left to hope or live for.

He waited till the next day to tell her. He did not feel a tremor, he felt too deep a fatigue.

Their meeting at dinner was a placid gliding over the depths; two hooded gondolas floating side by side, each with its shrouded secret. But skill and vigilance were his. Kitty's gondola drifted with the current, knowing no need of skill, secure of secrecy. The eyes she quietly lifted to her husband were unclouded. He guessed the inner drama that held her thoughts, the tragically beautiful role that she herself played in it. It was as a heroine that she saw herself. Why not, indeed. No heroine could have played her part more gracefully and worthily, and a heroine's innocent eyes could not be expected to see as far as his "ironic" ones.

It was the sense of distance, from her, from everything, that grew upon him during the long intervals of the night when he lay awake and watched the stars slowly cross his open window. He was no longer divided from himself, no longer groping, as in the train, to find a clue between the doomed man and the watcher. The self that he had found was adrift upon a sea, solitary indeed, and saw pigmy figures moving in the shifting lights and shadows of the shore. His mild preoccupation was with one figure, light, fluttering, foolish: she was walking near the verge of the cliff and her foothold might give way. He intended to signal to her and to point out a safe road through the cornfields, before he turned himself again to loneliness, the sky, and the sea that was soon to engulf him.

This self-obliterating immensity of mood was contracted and ruffled next morning by the trivial difficulties that stood in the way of his determination. He went to Kitty's boudoir—and, in spite of immensities, he knew that his heart beat heavily under the burden of its project, how careful he must be, how delicate—to find her interviewing the cook. In the garden, she was talking to the gardener, and afterwards, in her room, she was trying on a tea-gown before the mirror. Actually he felt some irritation.

"When can I see you, Kitty?" he asked.

Her eyes in the glass met his with surprise at his tone; but surprise was all. "See me? Here I am. What is it?—No, Cécile, the sash must knot, so; tie it more to the side."

"I want to talk over something with you."

"I'm rather busy this morning. Will after lunch do? Don't you see, Cécile, like this."

"No, it won't. I must see you now," said Holland, almost querulously.

She turned her head to look at him and a shadow crossed her face. Suddenly, he saw it, she was a little frightened.

"Of course, directly. I'll come to the library."

Seeing that fear, and smitten with compunction, a rather silly impulse made him smile at her and say:—"Don't bother to hurry. I can wait." But he did want her to hurry. He felt that he could wait no longer.

He walked up and down the library. The weariness of the day before was gone; the sweetness, of course, was gone, and the inhuman immensity was gone too. He felt oddly normal and reasonable, detached yet implicated; almost like a friendly family doctor come to break the fatal news to the ignorant wife. It was just the anxiety that the doctor might feel, the grave trouble and the twinge of awkwardness.

He had only waited for ten minutes when Kitty appeared in the doorway.

Kitty Holland was still a young woman and looked younger than her years. The roundness and blueness and steady gaze of her eyes, the bloom of her cheeks and innocent lustre of her golden hair gave an infantile quality to her loveliness. She was not a vain woman, but she was conscious of these advantages and the consciousness had touched the childlike candour and confidingness with a little artificiality, for long apparent to her husband's kindly but dispassionate eye. To other people Mrs. Holland's manner, the whispering vagueness of her voice, the wistful dwelling of her glance, was felt to be artificial only as the gold embroideries and serrated edges on the robes of a Fra Angelico angel are felt as something added and decorative. Kitty was far too intelligent to try to look like a Fra Angelico angel; she was picturesque as only the extremely fashionable can be picturesque; but Holland knew she was conscious that she reminded people of an angel, and of a child, and that she reminded herself continually of all sorts of exquisite things, partly because she was dreamily self-conscious and keenly aware of exquisiteness, and partly because he had, in their first year, the year of sails and breezes, so impressed these things upon her attention.

He himself had grown accustomed to—perhaps a little tired of—the lily poise of the head, the long, gentle hands, the floating step, quite the step of an angel aware of flower-dappled grass beneath its feet and the flutter of embroidered draperies. But Kitty, though accustomed to these graces, in herself, had not grown tired of them, they had, indeed, more and more filled the foreground of her delicate and decorative life, so that he could guess at how much his own indifference had helped to alienate her.

And now, as he turned to look at her, these half ironic, half affectionate impressions hovered as a background, and, sharply drawn upon it, with the biting acid of his new perceptions, he saw something else in Kitty's face that he had never seen before.

Already he had seen her as a womanly woman, as that in its narrowest sense. He saw her now as a type of the woman who live in and through and for their affections, and this with their sensations rather than with their intelligences. Vividly his memory struck them out;—the faces of the satisfied women, taking on, as years pass over them, as experience detaches from the craving, sentimental self, and frees the instincts to push, climb, cling in roots and tendrils for other selves, a vegetable serenity and simplicity;—and, more vividly, with discomfort in the memory, the faces of the unsatisfied; the womanly married woman whose romance is over, the spinster who has missed romance; faces chiselled to subtlety by dreams and frustration.

On Kitty's face he saw it now, that look of a subtlety childlike, innocent, of flesh rather than of spirit, yet, in its very unconsciousness, almost sinister. For a moment, as the lines of the sharp new perception etched themselves, lines gossamer-like in fineness, floating, transforming shadows rather than lines, he was afraid of his wife, afraid of the alien, mysterious force he guessed in her.

For the delicately sinister subtlety was remote from his understanding, was a subtlety that no man's face can show, capable as it is of a grossness and corruption merely animal by contrast; open and obvious. Kitty's subtlety did not make her animal: it made her more than ever like an angel; but an ambiguous angel; and to feel that he did not understand her made her strange. It was no clue to feel that she did not understand herself; it was only a further depth of mystery.

He was ashamed of his own folly in another moment, ashamed of an insight distorted and distorting, so he told himself. Over and above all such morbidities was the fact that Kitty was looking at him with the eyes of a frightened child—a real child.

The reaction from his fear, the recognition of her fear, stirred in him a love more personal than any of the vast benevolences that he had felt. He went to her and led her to the window-seat where, sitting down himself, holding both her hands in his and looking up at her standing before him, he said with the quiet of long-prepared words: "Kitty, dear, I have something that I want to tell you and that will make you, I think, a little sad. We have had happy times together, haven't we? It isn't all regret. You and I are going to part, Kitty."

She gazed at him and terror widened her eyes. She could not speak. She did not move. Her hands in his hands seemed dead.

He saw in a moment what the fear was that showed itself in this torpor of apprehension, and he hastened on so that she should not, in her dread, reveal the secret that need never be spoken.

"I'm going to die, Kitty," he said, "I had my sentence yesterday, from Dr. Farebrother. I never dreamed that it was anything serious, that complaint of mine, you know—never dreamed it even when it began to trouble me a good deal, as it has of late. But it's not what I thought. It's fatal; and it will gallop now. He gives me one month—at the very most, two months." He spoke deliberately, though swiftly, and, as he finished, he smiled up at her, a reassuring smile. His wife's dilated eyes, fixed on him, made him flush a little in the ensuing pause. He felt that the smile had been inept. He had spoken too much from the height of his detachment, and the placidity of his words might well seem horrible to her.

She was finding it horrible. She seemed to be breathing the icy air of a vault that he had opened before her; heavy, slow, painful breaths, those of a sleeper oppressed by nightmare; the sound of them, the sight of her labouring breast hurt him. He put his arms around her and smiled now, as one smiles at a child to console it. "I've frightened you," he said; "forgive me. You see, one gets used to it, so soon, for oneself. Dear little Kitty, I'm so sorry."

Still she did not speak. Still it was that torpid terror that gazed at him. And the terror was not for what he had thought it was; it was for what he had said. It was a contagious terror. She cared. In some unexplained, unforeseen way she cared terribly; and his projects crumbled beneath her gaze; bewilderment drifted in his mind; her fear gained him.

"What is the matter? What is it?" he asked.

The change and sharpness in his voice brought them near at last. Kitty seized his hands and lifted them from her; yet grasping, clinging as she held him off. He would not have thought her face capable of such fierceness and demand. She was hardly recognisable as she said: "Do you want to die? Don't you mind dying?"

"Mind?—I should rather not, of course. I care for my life. But one must face it; what else is there to do?—And—what is it Kitty? What have I done to you?"

And now, her head fallen back, her eyes closed, tears ran down her face, as piteously, agonised and stricken, she asked:

"Don't you love me at all? Don't you mind leaving me at all?"

His astonishment was so great that for a moment it bereft him of words. He had risen and was holding her; her eyes were closed and she sobbed and sobbed, her head fallen back. And her passion of sorrow and despair, her loveliness, too, and youth, seized and shook him; so that all the things he had not felt yet, all the hovering, dreadful things, the dark forms of the cavern, encompassed, pressed upon him; despair and longing, the horror of annihilation, the agonising sweetness of life. It was as if a hidden wound had been opened and that his blood was gushing forth, not to peace, but to pain and torment. He felt his own sobs rising; she cared; how much she cared. It was as if her caring gave him back the self that yesterday had blotted out; in her pain he knew his own; in her self he saw and mourned his own doomed and piteous self. His head leaned to hers and his lips sought hers, when, suddenly, a furious memory came, and indignation suffocated him.

He thrust her violently away, holding her by the shoulders. "How dare you! how dare you!" he cried. "You don't love me. You don't mind my dying. How dare you torture me like this—when it's not real—when I was at peace."

It was like a wild, impossible dream. Their faces stared at each other; their hands seized each other; they spoke, their voices clashing, and shaken by strangling sobs.

"How dare you say that to me! You have broken my heart! You haven't cared for years—for years!" Kitty cried. "I've longed—longed. It is too horrible. How dare you come and tell me that you are going to die and that it will make me a little sad. Oh! I love you—and you are horrible to me."

"You are lying, Kitty—you are lying!"

"That too! You can say that! To me! To me!"

"It's true. You know you lie. I haven't loved you as I did. But I've cared—good God! I see now how much.—It is you who have ceased to care."

At these words Kitty was transfigured. Joy, joy unmistakable, flamed up in her. It mounted to her eyes and lips, revivifying her ravaged face, beaming forth, inundating him, unfaltering, assured, absolute. "Darling—darling—you love me? you do love me?—Oh, you shan't die—I won't let you die. My love will keep you with me. We will forget all these years when we haven't understood—when we've forgotten. We will forget everything—except that we love each other and that that is all there is to live for in the world."

"And—Sir Walter?—" he said, simply and helplessly.

Kitty's arms were about his neck, her transfigured face was upturned to him. Worshipped by those eyes, held in that embrace, his words, in his own ears, were absurd. Yet he hadn't been dreaming yesterday. Kitty might make the words seem absurd; but even Kitty's eyes and Kitty's arms could not conjure away the facts of the sunlit summer-house, the tears, the parting kiss. What of Sir Walter? What else was there left to say?

But after he had said them, and stood looking at her, it was as if his words released the last depths of her rapture. She did not flush or falter or show, even, any shock or surprise. Her arms about him, her eyes on his, it was a stiller, a more solemn joy that dwelt on him and enfolded him.

"You know?" she said.

"I heard you last evening," Holland answered. "I was sitting outside the summer-house. You said you loved him. You let him kiss you."

"You will forgive me," said Kitty. They were looking at each other like two children. "I thought I loved him, because I was so unhappy, and he is so dear and kind and loves me so much. I must love some one. I must be loved. I was so lonely. And you seemed not to care at all any more. You were only my husband, you weren't my lover.—And you don't know all. He doesn't know it. But I know it now. And I must tell you everything—all the dreadful weakness—you must understand it all. Perhaps, if this hadn't come, perhaps, if you hadn't been given back to me like this, I might have gone away with him, Nicholas. It wasn't that I had ceased to love you; it was that I had to be loved and was weak before love. It is dreadful;—I believe all women are like that. And I did struggle, oh, I did. Nicholas, you will forgive me?"

"I knew it, dear, and I forgave you."

"You knew it? You loved me so much that you forgave?"

"That was why I told you, Kitty. I hadn't meant to tell you; I had meant to keep it from you, this sadness, and to make our last month together a happy one for you. I was coming back to you with such longing, dear. And then I heard; and then I was afraid that you might go away before you would be free."

"You loved me so much? You did it because you loved me so much?—Oh! Nicholas—Nicholas!"

"That was why I said those horrible things. I wanted you to be happy. I didn't think you could be more than a little sad when you knew that you were going to be free. Foolish, darling Kitty—you are sure it's me you do love?"

Again she could not speak, but it was her joy that made her silent. She was no more to be disbelieved than an angel appearing in the vault, irradiating the darkness. Flowers sprang beneath her footsteps; her smile was life. And the memory of his own cynical vision of her smote him with a self-reproach that deepened tenderness. She was only subtle, only sinister, when shut away, unloved. She was womanly, meant for love only, and her folly made her the more lovable. Love was all that was left him. One month of love. His hands yielded to her hands; his eyes answered her eyes. The fragrance of the flowers was in the air, the flutter of heavenly garments. One month of life; but how flat, how mean, how dusty seemed the arduous outer world of the last years; how deep the goblet of enchantment that the unambiguous angel held out to him.