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Preface to the Second Edition

Listening for the Mediated Voices of the Southern African Khoisan in Hendrik’s Dwaalstories: Ironies and Wonders

Marecheran Postmodernism: Mocking the Bad Joke of “African Modernity”

Anomy and Agony in a Nation in Crisis: Soyinka’s Season of Anomy

Finding Foundations for Change in Bessie Head’s The Cardinals

Blood Gets a Voice: Unity Dow’s The Screaming of the Innocent

Two Late Apartheid-Era Novels: Balancing the Books in the South African Present

Mongane Serote’s To Every Birth Its Blood: Painting the True Colours of Apartheid

Shakespeare, (Fanon,) Salih: Can the Black Man Love the White Woman? Can the White Woman Love the Black Man?

A. C. Jordan’s Tales From Southern Africa

Memory, Power and Bessie Head: A Question of Power

Patterns of Leadership in Bessie Head’s Maru and A Bewitched Crossroad: An African Saga

“Barbarism” and “Civilisation” in Shakespeare’s Titus Andronicus and in Marechera’s Black Sunlight

Farah’s Sweet and Sour Milk: The Noise in the Dictator’s Ear

Performances, Ethics and Aesthetics of Wealth in African Literary Depiction

Three Takes on Somali Womanhood in the Eddiesof the Contemporary Black Atlantic Context

Achebe’s Children: Resonance, Poignance and Grandeur

Acknowledgements