Читать книгу Home Life on an Ostrich Farm - Annie Mrs. Martin - Страница 8

Table of Contents

Building operations — A plucking — Ugliness of Cape houses — Our rooms — Fountain in sitting-room a failure — Drowned pets — Decoration of rooms — Colonist must be Jack-of-all-trades — Cape waggons — Shooting expeditions — Strange tale told by Boer.

On our first arrival in the Karroo we were unable to take up our abode at once on our own farm; the best of the three small Dutch houses on it being little better than a hut, and consisting but of two small and badly-built rooms; with mud floors and smoke-blackened reed ceilings, as far removed from the horizontal as the roughly-plastered walls, which bulged and retreated in all unexpected directions, were from the perpendicular—the whole architecture, if so pretentious a term may be used, being entirely innocent of any approach to a straight line or correct angle. We at once commenced building operations; in the meanwhile renting a little house which happened to be vacant on the next farm, about an hour's rough, but pretty ride from our own. Now came a busy time for T——, and for his manager—the latter already installed, uncomfortably enough, in the old Dutch house—for besides the brick-making and building, and the deepening of the well near the house, there was, as must always be the case on starting a new farm, much to be done, and everything required to be done at once. T—— spent most of his time at "Swaylands," as we named our farm; and very enjoyable for me were the days when I could spare a few hours from household duties to ride over with him, to watch the progress of the new rooms, or to be initiated into some of the mysteries of ostrich-farming, all delightfully new and strange to me.

The first sight of a plucking interested me especially; and it was not without a proud feeling of ownership that I sat on the ground in one corner of the kraal, or small temporary enclosure, helping to tie up in neat bundles our own first crop of soft, white, black, or grey feathers while watching the busy scene. It all comes back to me now with the clearness of a photograph—the bright, cloudless, metallic-looking South African sky above us; and for a background the long range of rocky mountains, each stain on their rugged sides, each aloe or spekboom plant growing on them, sharply defined in that clear atmosphere as if seen through the large end of an opera-glass. In the foreground a forest of long necks, and a crowd of foolish, frightened faces, gaping beaks, and throats all puffed out with air—the latter ludicrous grimace, accompanied sometimes by a short, hollow sound, half grunt, half cough, being the ostrich's mode of expressing deepest disgust and dejection. There is a constant heavy stamping of powerful two-toed feet; an occasional difference of opinion between two quarrelsome birds eager to fight, craning their snake-like necks hissing savagely, and "lifting up themselves on high," but unable, owing to the closeness with which they are packed, to do each other any injury; and the real or fancied approach of a dog causes a sudden panic and general stampede of the silly birds into one corner of the kraal, threatening to break down its not very substantial hedge of dry bush—one commotion scarcely having time to subside before another arises.

And through it all, T——, Mr. B——, and our Kaffirs are calmly going in and out among the struggling throng; all hard at work, the two former steadily and methodically operating with their shears on each bird as in its turn it is tugged along, like a victim to the sacrifice, by three men; two holding its wings, and the third dragging at its long neck till one fears that with all its kicks, plunges, tumbles, and sudden wild leaps into the air, its flat, brainless little head will be pulled off. One extra-refractory bird, when finally subdued, and helpless in the hands of the pluckers, avenges his wrongs upon the ostrich standing nearest to him in the crowd; and, for every feather pulled from his own tail, gives a savage nip to the head of his unoffending neighbour, a mild bird, who does not retaliate, but looks puzzled, his own turn not yet having come. It is amusing to watch the rapid retreat of each poor denuded creature when set free from his tormentors. He goes out at the gate looking crestfallen indeed, but apparently much relieved to find himself still alive.

How we enjoyed that day! and how delightful was our ride back to "Hume Cottage" in the evening, with the proceeds of the plucking tied up in two large white bags, and fastened to our saddles; making us look as if we were taking our clothes to the wash. My bundle, by the way, came to grief en route, and suddenly—somewhat to the discomposure of my horse—we found ourselves enveloped in a soft snowstorm of feathers, which went flying and whirling merrily away across the veldt; many of them, in spite of our prompt dismounting to rush madly hither and thither in pursuit, quite evading all our efforts to catch them.

The modern houses on Cape farms are all built entirely on utilitarian principles, with no thought of grace or beauty; indeed, the square and prosaic proportions of the ordinary packing-case seem to have been chosen as the model in the construction of nearly every room. Even if the inmates had any idea of comfort, or feeling for the picturesque—of both of which they are quite innocent—it would be impossible ever to make such rooms look either home-like or pretty. As it is, they are most often like very uncomfortable schoolrooms.

Our first plan on coming to South Africa was the ambitious one of setting our fellow-colonists a brilliant example by striking out something entirely new in farm architecture; and many times during our stay at Walmer would we talk over the white Algerian house, with the comfort and loveliness of which our ostrich-farm, wherever it might be, was to be transformed into a little oasis in the desert. T—— covered many sheets of writing-paper with designs for the horse-shoe arches; and with neatly-drawn plans for the long, cool Oriental rooms, surrounding the square open court; in the centre of which was to be a fountain with bananas, ferns, blue lotus, and other water-loving plants.

Alas! however; when we did take a farm, we found ourselves obliged after all to sacrifice beauty to usefulness, just like our neighbours. The unlovely Dutch house, incapable as it was of adapting itself to Moorish arches, had to be utilized; the press of other work allowing us no time for pulling down and re-building, neither for indulging in any artistic vagaries; and the two first rooms which—to meet immediate requirements—were added as soon as bricks could be made for them, were, for greater haste, built straight and square, in the true packing-case style. They were the same size as the two old Dutch rooms; flat-roofed like them, and built on to them in a straight line—the four, each with its alternate door and window, reminding us of the rows of little temporary rooms which form the dwellings of railway workmen when a new line is being made, and which are moved on as the work progresses.

After this unpromising beginning, it is needless to say that our idea of building an Algerian house was given up; and though in time we improved the outward appearance of our dwelling; breaking the straightness of its outlines by the addition of a pretty little sitting-room projecting from the front, and of a large bedroom and store at the back; and plastering and whitewashing the dirty old bricks and the too-clean new ones; nothing can ever make it anything but an ugly house as far as the outside is concerned. With the interior, however, we have been more successful; and our sitting-room, now consisting of a T-shaped arrangement of three small rooms thrown into one, is really—considering the roughness of the materials with which we started—a very bright and cosy little nook. It is most quaint and irregular, for one end of it is a room of the crookedly-built Dutch house; and when the strong old wall, three feet thick, dividing the latter from the new part, was knocked away, the old ceiling and floor turned out to be considerably lower than the new. We dignify the deep step thus formed by the name of "the dais."