Читать книгу The Outrage - Annie Vivanti - Страница 5

The young girls in their muslin frocks and satin shoes sped homeward like a flight of startled butterflies. Did they dream it, or was there really, as they ran over the bridge, a booming, rumbling sound like distant thunder? They stopped and listened. Yes.... There it was again, the deep booming noise reverberating through the starlit night.

"Jésus, Marie, St. Joseph, ayez pitié de nous," whispered Jeannette, and the others repeated the invocation. Then they ran over the bridge and reached their homes.

Louise, Chérie, and Mireille were left alone in the deserted house.

Frieda's room, when they went upstairs to look for her, was empty. Her clothes were gone. There were only a few of her books—"Deutscher Dichterschatz," "Der Trompeter von Säkkingen," and Freiligrath's "Ausgewählte Lieder"—lying on the table; and the plaster bust of Mozart was still in its place on the mantelpiece.

"She must have slipped out while we were talking with Florian," said Chérie, turning a pale face to Loulou, who gazed in stupefaction round the vacant room.

"She was a snake," said Mireille, slipping her hand through her mother's arm and keeping very close to her. "And so was Fritz."

At the mention of Fritz, Louise shivered. "I do not suppose Fritz has come back," she said, dropping her voice and glancing through the open window at the darkened outbuilding across the courtyard. "He is surely not in his room."

There was a moment's silence, and they all looked at those lightless windows over the garage. The thought of Fritz lurking there, waiting perhaps in the dark to do some fiendish work, was very disquieting.

"We must go and look," said Chérie. So holding each other very close and carrying a lantern high above their heads they went across the quiet courtyard up the creaky wooden stairs to Fritz's room.

Fritz was not there. But his trunk was in its place and all his belongings were scattered about.

"It looks as if he intended to come back," said Chérie; and they trembled at the thought. Then they went downstairs across the yard and into the house again. They were careful to slam the heavy front door which thus locked itself; but when they tried to push the bolt they found it had been taken away. It was at this moment that the distant booming sound fell also on their ears.

"What was that?" asked Mireille.

Chérie put her arm round the child. "Nothing," she said. "Let us go up and pack our things." And as Louise still stood like a statue staring at the door with the lantern in her hand she cried, "Loulou, go up to your room and collect what you will take with you in the morning."

And Loulou slowly, walking like a somnambulist, obeyed.

How difficult to choose, from all the things we live among, just what we can take away in our two hands! How these inanimate things grow round the heart and become through the years an integral part of one's life!

What? Must one take only money and a few jewels, and not this picture? Not these letters? Not this precious gift from one who is dead? Not the massive silver that has been ours for generations? Not the veil one was married in? Not the little torn prayer-book of one's first communion? Not one's father's campaign-medals, or the packet of documents that prove who we are and what is ours?

What! And the bird-cage with the fluffy canaries asleep in it? Are they to be left to die? And the dog–

"Of course we must take Amour," said Chérie.

"Of course," said Loulou, going through the rooms like a wandering spirit, picking things up and putting them down in a bewildered manner.

A clock struck eleven. Mireille, still in her pink frock, had clambered upon her mother's bed and was nearly asleep.

Boom! Again that low, long sound, rumbling and grumbling and dying away.

"It is nearer," breathed Louise. And even while she said it the sound was repeated, and it was nearer indeed and deeper, and the windows shook. Mireille sat up with wide, shining eyes.

"Is that a thunderstorm?… Or the Germans?"

"It is our guns firing to keep the Germans away," said Louise, bending over her and kissing her. "Try to sleep for an hour, my darling."

Mireille lay back with her silken hair tossed on the pillow.

"Are the Germans trying to come here?" she asked.

There was silence. Then Chérie said, "I don't think so," and Louise added, "Of course not."

"But—might they want to come?" insisted Mireille, blinking to keep her eyes open.

"Why should they come here?" said her mother. "What would they want in this little out-of-the-way village?"

"What indeed?" said Chérie.

Mireille shut her eyes and thought about the Germans. She knew a great deal about them. Frieda had taught her—with the aid of a weekly paper from Munich called Fliegende Blätter—all the characteristics of the nation. The Germans, Mireille had gathered, were divided into two categories—Professors and Lieutenants. The Professors were old men, bald and funny; the Lieutenants were young men, aristocratic and beautiful. The Professors were so absent-minded that they never knew where they were, and the Lieutenants were so fascinating that girls fainted away and went into consumption for love of them. Frieda admitted that there were a few other Germans—poets, who were mostly dead; and housewives, who made jam; and waiters, who were sent to England. But obviously the Germans that had got into Belgium this evening were the Lieutenants and the Professors. Mireille nestled into her pillow and went to sleep. She dreamed that they had arrived and were very amiable and much impressed by her pink dress.

She was awakened by a deafening roar, a noise of splintering wood and falling glass. With a cry of terror she started up; then a flash blinded her, another roar filled the air, and it seemed as if the world were crashing to pieces.

"Mireille!" Her mother's arms were around her and Chérie had rushed in from her room with an ashen face.

"Loulou, let us go at once—let us go to the Bourgmestre or to the Curé! We cannot stay here alone!"

"Yes … let us go …" stammered Louise. "But who will carry our things?"

"What things? We take no things. We are fugitives, Loulou! Fugitives!… Quickly—quickly. Take your money and your jewels—nothing else."

"Quickly, quickly," echoed the whimpering Mireille.

"If we are fugitives," sobbed Louise, looking down at her floating chiffon gown, "we cannot go out into the world dressed like this."

"We cannot stop to change our clothes … we must take our cloaks and dark dresses with us," cried Chérie. "Only make haste, make haste!"

But Louise seemed paralysed with fear. "They will come, they will come," she gasped, gazing at the shattered window; the throbbing darkness beyond seemed to mutter the words Florian had spoken: "Outrage, violence, and slaughter … outrage, violence, and slaughter...."

Suddenly a sheaf of flame rose up into the sky, illuminating the room in which they stood with a fantastic yellow glare. Then a terrific explosion shook the foundations of the house.

Louise catching Mireille in her arms stumbled down the stairs followed by Chérie. They knew not where they were going. Another explosion roared and shattered the coloured staircase window above them to atoms, driving them gasping and panic-stricken into the entrance-room.

Did hours or moments pass? They never knew.

Now there were voices, loud hoarse voices, in the street; short guttural commands and a clatter of hoofs, a clanking of sabres and spurred heels.

"Let me look—let me look out of the window," gasped Chérie, tearing herself free from Louise's convulsive grasp. She stumbled to the window, then turned a haggard face: "They are here."

Mireille shrieked, but her piping voice was drowned by the noise outside.

"They will murder us," sobbed Louise.

"Don't cry! don't cry," wailed Chérie. "The gate is open but the door is locked. They may not be able to get in." But even as she spoke she knew the fallacy of that hope.

"Wait," she whispered. "They are trying the door." Louise had followed her to the window, clutching at the curtains lest she should fall. "Look, some one is trying to open the door...."

Louise bent forward and looked out. "It is Fritz...." she shrieked, and staggered back. "Fritz! He has opened the door to them!"

Now there was the tramp of many feet on the stairs, and loud voices and the clanking of spurs and sword.

As if the imminence of their fate had suddenly invested her with new strength and dignity, Louise stood up, tall and tragic, between the two trembling girls. She crossed herself slowly and devoutly; slowly and devoutly she traced the sign of the cross on Chérie's forehead and on Mireille's. Then with arms entwined they stood motionless. They were ready to die.

The door was kicked open; military figures in grey uniforms thronged the passage and crowded noisily forward.

They stopped as they caught sight of the three entwined figures, and there was an instant's silence; then an officer—a lean man with a grizzled moustache—stepped forward into the room.

Those behind him drew up stiff and straight on the threshhold, evidently awaiting orders.

"Tiens, tiens, tiens!" said the officer, looking the three feminine figures up and down, from glossy head to dainty feet, and his grey eyes twinkled. "A charming tableau. You have made yourselves beautiful to receive us?" His French was perfect; his tone, though slightly contemptuous, was neither rude nor unkind; his eyes were intelligent and humorous. He did not look like a hell-hound. He did not evoke the idea of violence, outrage, and slaughter.

In a sudden reaction from the supreme tension of terror a wave of faintness overwhelmed Louise. Her soul seemed to melt away. With a mighty throb of thankfulness and relief she felt the refluent blood stream to her heart once more.

The man had turned to the soldiers behind him—two seemed to be junior officers, the other six were men—and gave them a short, sharp order in German. They drew themselves up and saluted. The two younger officers stepped forward and stood beside him.

One of them—a tall young man with very light eyes—held a paper in his hand, and at the request of his superior officer read it aloud. The older man while he listened seemed to be surveying the apartment, looking round first at one door, then at the other, then at the upper floors.

Chérie and Mireille were amazed. They who had learnt German with Frieda understood what was being read.

It was a brief, precise description of the house and its occupants. This was the house of Claude Leopold Brandès, doctor, and reserve officer, age thirty-eight, married. His wife, his child—a daughter—and his sister lived with him. There were twelve rooms, three attics, a basement; kitchen, scullery, wash-house, harness-room, stable. There was a landaulet, a small motor-car, and two horses; all requisitioned.

"Das ist alles, Herr Kapitän."

"No other adult males?" asked the Herr Kapitän.

No. Nothing but these women.

Where had the man Brandès gone to?

He had left on the night of July 31st.

For the frontier?

No, for the capital, it was believed. "But," added the young officer casting a fleeting glance at the three women, "that will be easy to ascertain."

"Any one of ours here?" asked the older man.

"Yes. A certain Fritz Müller, of Löhrrach."

Chérie quivered and tightened her grasp on Louise's hand.

"Where is this Fritz Müller?" asked the captain, looking about him.

"Downstairs," answered the lieutenant. "He was the man who opened the door for us."

"Well, put him in charge of the billets and see that he provides for twenty men," said the captain. "Now, as for us–" he took the paper from the other's hand. He turned it round and looked at the plan of the house roughly drawn on the back of the sheet. "Let me see … three rooms on this floor … four on the next … Glotz?" to the other and youngest officer standing silent and erect before him. "Come with me, Glotz. And bring an orderly with you." Then he glanced at Louise and Chérie. "Von Wedel"—the light-eyed officer stood at attention—"you stay here." The captain turned on his heel and marched up the stairs, followed by the second lieutenant whom he had called Glotz and two of the soldiers. The other four stood in the hall drawn up in a row, stiff and motionless as automatons.

Von Wedel shut the door in their faces; then he turned his gaze on the three women left in his charge. He moved slowly, deliberately towards them and they backed away from him, still holding each other's hands and looking up at him with starry, startled eyes. He was very tall and broad, and towered above them. He gazed at them a long time, his very light eyes roving from Louise to Chérie, from Chérie to Mireille and back to Chérie again.

"Well, turtle-doves," he said, at last, and laughed, "did you expect us?" The three pairs of startled eyes still looked up at him. "Is it really in our honour that you put on all this finery?"

He moved a step nearer, and again all three drew back. "Well, why don't you answer?"

Louise stepped a little in front of the other two as if to shield them; then she spoke in low and quavering tones—

"Monsieur.... I hope … that you and your friends … will be good enough to leave this house very soon.... We are alone here–"

"Permit us then to keep you company," said Von Wedel, and added, in a tone of amiable interrogation, "Your husband is not here?"

"No," said Louise, and at the thought of Claude her underlip trembled; she looked like a child who is about to cry.

"Too bad," said Von Wedel, putting one foot in its muddy boot on a chair and leaning forward with his elbow resting on his upraised knee. "Too bad. Well; we must await his return."

"But," stammered Louise, "he will not return tonight."

"Won't he?" His insolent light eyes that had been fixed on Chérie during this conversation now wandered with effrontery over the charming trepidant figure of Louise. "Why, what an ungallant husband to be sure! And may I ask where he has gone to?" He tossed the question at her carelessly while he drew a gold coroneted cigarette-case from his pocket and took from it the solitary cigarette it contained. "Your man told me he had been ordered to Namur."

"No—to Mons," said Louise.

"Ah yes, Mons. Interesting town"—he tapped one end of his cigarette on the palm of his hand, "fine old Cathedral of St. Waudru … four railway lines … yes. Did he go alone?"

Mireille pinched her mother's arm.

"Don't say," she whispered.

The officer heard it and laughed. He took hold of the child's arm and drew her gently away from her mother's side. "Na! sieh doch einmal!" he said. "Are we not sly? Are we not knowing? Are we not diplomatic? Eh?" Holding her by her small arm he backed her away across the room, then giving her a little push he left her and turned his attention to the other two again. Louise had turned deathly pale, but Mireille, unharmed and undaunted, signalled to her from the other end of the room, signifying defiance by shrugging her shoulders and sticking her tongue out at the spruce, straight back of the enemy.

He now stared at Chérie again, and under his insistent insolent gaze she trembled like an aspen leaf.

"Why do you tremble?" he asked. "Are you afraid of me?"

"Yes," murmured the girl, drooping her head.

He laughed. "Why? I'm not a wild beast, am I? Do I look like a wild beast?" And he moved a step nearer.

Louise stepped in front of Chérie. "My sister-in-law is very young," she said, "and is not used to the attention of strangers."

"My good woman," replied Von Wedel with easy insolence, "go and find some cigarettes for me." And as Louise stared at him with an air of dazed stupefaction he spoke a little louder. "Cigarettes, I said. Surely in your husband's study you will find some. Preferably Turkish. Quick, my good soul. Eins, zwei, drei—go."

After a moment's hesitation Louise turned and left the room; Mireille ran after her. Chérie darted forward to follow them, but Von Wedel took one long stride and caught her by the arm. "Halt, halt!" he said, laughing. "You stay here, my little turtle-dove, and talk to me."

The girl flushed and paled and trembled. "What a shy dove!" he said, bending over her. "What is your name?"

"Chérie," she murmured almost inaudibly.

"What? 'Chérie'?" he laughed. "Did you say that to me? The same to you, Herzchen!" He sat down on a corner of the table quite close to her. "Now tell me what you are afraid of. And whom you are afraid of.... Is it of Captain Fischer? Or of me? Or of the soldiers?"

"Of everybody," stammered Chérie.

"Why, we are such good people," he said, blowing the cigarette-smoke in a long whiff before him, then throwing the cigarette on the carpet and stamping it out with his foot. "We would not hurt a cat—nor a dog," he added, catching sight of Amour, who came hopping down the stairs limping and yelping, "let alone such an adorable little angel as you."

The dog came whining piteously and crouched at Chérie's feet; she bent down and lifted him up in her arms. He was evidently hurt. Von Wedel said "Good dog!" and attempted to pat him, but Amour gave a long, low growl and the officer quickly withdrew his hand.

Louise reappeared bringing boxes of cigars and cigarettes, which she placed on the table. Mireille, who followed her, caught sight of Amour in Chérie's arms and heard him whine.

"What have you done to him?" she said, turning fiercely on Von Wedel.

He laughed. "Well, well, what a little vixen!" he said. Then he added, "You can take the dog away. I don't like dogs." Chérie moved at once towards the staircase, but he stopped her again. "No, no; give the dog to the vixen. You stay here."

Chérie obeyed, shrinking away from him to Louise's side, while Mireille ran upstairs with Amour and took him to Chérie's room. She kissed him on his rough black head and patted his poor paws and put him down on a cushion in a corner. Then she ran down again to see what was going on. Amour left alone whined and howled in hideous long-drawn tones of indignation and suffering. When a few minutes later Captain Fischer, followed by Lieutenant Glotz and the two soldiers on his round of inspection, came downstairs, he stopped on the landing.

"What is that noise? Who is crying?" he asked.

"The dog, sir," said Glotz, "whom you kicked downstairs before."

"Hideous sound!" said Captain Fischer; "stop it."

And one of the soldiers went in and stopped it.

Captain Fischer went downstairs, followed by Glotz. When they entered the room Von Wedel turned away from Chérie and stood at attention.

Outside the boom of the cannon had ceased, but there were loud bursts of firing in the distance, sudden volleys which ceased as abruptly as they began. The three officers seemed to pay no heed to these sounds; they stood speaking together, the captain issuing brief orders, Von Wedel asking a question or two, and Glotz saying "Ja, Herr Kapitän—ja, Herr Leutnant" at brief intervals, like a mechanical toy. Glotz was round-faced and solemn. He never once looked at Louise, Chérie, or Mireille, who stood in a corner of the room watching the men with anxious eyes.

"What are they saying?" asked Louise in an undertone.

Chérie listened. So far as she could understand they were making arrangements as to where they should sleep.