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Foreword

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The news of Penny Halsall’s illness came as a great shock. I had been her editor for a number of years at HarperCollins and she was one of my favourite authors. I’d worked with Penny both on the books that she wrote as Annie Groves and on some of the ones that she had written as Penny Jordan – she really was a joy and was much loved by everyone here. Her books were special, they were full of heart and it was impossible not to fall in love with the characters she created. It felt like a great honour to be working on her novels; her books had sold millions and millions of copies all around the globe and she was a legend. It was such a thrill when a new, complete manuscript landed in my inbox and I was eagerly anticipating the next book that she was due to send to me in a few months’ time.

Penny had been working on the Annie Groves Article Row novels, all of which are set in and around the Holborn area of London and all featuring the hopes and heartaches of Tilly, Dulcie, Sally, Olive and Agnes. We had just published My Sweet Valentine, the third in a planned series of five books, it had been a bestseller and there was lots of excitement about the future. Penny and I had recently had a long and fruitful conversation about what she was planning next for the girls of Article Row and I couldn’t wait to read the next instalment. Penny was completely rooted in her characters and had very definite ideas about where they were all going. She spent an awful lot of time researching all of her books and one of my abiding memories of Penny is watching her head off determinedly on a research mission to Holborn after a business lunch in town. Penny constantly thought about her characters and was always playing around with ideas about what the war would hold in store for them all. I was full of anticipation.

When her sister, Prue, broke the news about Penny’s advanced illness, it came completely out of the blue. Penny was such a consummate professional and had never given any indication that she was ill, despite living with cancer for some time. There was little chance to digest this information properly when the devastating news came shortly after that she had died over the Christmas holidays in late December 2011.

At Penny’s funeral, the church was completely packed, not just with family but also with fellow writers, friends, fans and publishing colleagues. But despite the sadness there was laughter too. Penny loved a party and when her favourite song was played – The Maverick’s, ‘I Just Want to Dance the Night Away’ – we were reminded of what a wonderfully happy and positive person she was.

Once back at my desk in London, my mind turned to the difficult issue of what would happen now. My Sweet Valentine was in the middle of the series and Annie Groves’ fans would be desperate to know what was going to happen to those much-loved characters. I had many long talks with Penny’s brilliant agent, Teresa Chris, and both of us agreed that Penny would have wanted nothing more than to have the series completed – she really had put her heart and soul into every page and it would have meant so much to her. Teresa approached Penny’s wonderful sister, Prue, and to our delight, she was a keen supporter of getting the series completed. She allowed me the great privilege of access to Penny’s files, so early one spring morning in 2012, I made the trip up to Prue’s house in Cheshire to see what I could find. We already had some idea of what Penny had in mind, but it wasn’t a complete picture and I knew there were some big gaps. Penny couldn’t have left things in better shape – not only was there a large chunk of manuscript in her files but there were also detailed notes and plot outlines that would help us to complete the puzzle. Penny was such a trouper!

The last piece to be put in place was to find somebody who would be able to marry all of the pieces together and to turn all of this into a narrative that was worthy of Penny. We were almost running out of ideas when Teresa discovered the writer Sheila Riley. Not only did Sheila have something of Penny’s style, but she also hailed from Penny’s beloved Merseyside – without her, this book could never have existed – thank you, Sheila. We were also lucky enough to have the services of Susan Opie, copy editor extraordinaire, and someone who knows the Annie Groves books inside out.

So, some months later and after quite a lot of effort from many marvellous people, I’m sitting here writing this and explaining how this book, and the one to follow it, have come about.

Penny was an amazing person for so many reasons. There was an old-fashioned dignity and modesty about her, and one of the reasons she was so successful was that she knew, instinctively, that although life can sometimes deal you a rotten hand, with guts, determination and plenty of love and kindness, everyone has the power to change their fate. Only a Mother Knows and A Christmas Promise (publishing autumn 2013) really deliver the authentic Annie Groves experience, and I know that you, Reader, won’t be disappointed.

HarperCollins would like to extend their heartfelt thanks to Sheila Riley, Teresa Chris, Susan Opie and especially to Prue Burke and the Halsall estate for their tremendous help in finishing the Article Row series. They have all done Penny proud.

Kate Bradley

Editor

Only a Mother Knows

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