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1. The Manuscripts

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Among the German epic poems of the Middle Ages the Nibelungenlied 4 enjoyed an exceptional popularity, as is evident from the large number of manuscripts—some thirty, either complete or fragmentary—that have been preserved from the centuries immediately following its appearance. Three are of prime importance as texts, namely, those preserved now in Munich, St. Gall, and Donaueschingen, and cited as A, B, and C respectively. Since the time when Lachmann, about a century ago, made the first scientific study of the poem, a whole flood of writings has been poured forth discussing the relative merits of these texts. Each in turn has had its claims advocated with warmth and even acrimony. None of these three principal manuscripts, however, offers the poem in its earliest form; they all point to a still earlier version. It is now generally admitted that the St. Gall manuscript (B), according to which the present translation has been made, contains the best and most nearly original text.

The Song of the Nibelungs (Medieval Literature Classic)

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