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Table of Contents

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Preface

INTRODUCTORY REMARKS.

Sketching FROM NATURE

A LESSON IN DRAWING.

THE EFFECTS OF THE DRAWING IN DIFFERENT POSITIONS OF THE HORIZONTAL LINE.

Colors in NATURE .

PEN AND PENCIL DRAWING,

THE USE OF THE PENTAGRAPH.

COPYING WITH TRANSPARENT PAPER.

PASTEL PAINTING,

PORTRAITS.

Landscape Painting WITH CRAYON COLORS.

MATERIALS FOR PASTEL DRAWING.

DIRECTIONS FOR DOING THE MONOCHROMATIC DRAWING.

WATER COLORS.

INSTRUCTIONS.

THE ART OF LANDSCAPE PAINTING IN OIL COLORS.

MATERIALS USED.

MIXED TINTS.

THE OIL-PHOTO MINIATURE.

IMPROVED METHOD.

DIRECTIONS FOR COLORING.

SECOND METHOD. IVORY-TYPE OR MEZZOTINT.

THE ART OF COLORING PHOTOGRAPHS IN WATER COLORS.

RUSSIAN, OR EGYPTIAN METHOD

HOW TO MAKE PHOTOGRAPHS BY THE Gelatine Dry-Plate Process

DRAUGHTSMEN’S SENSITIVE PAPER, FOR COPYING DRAWINGS.

THE NEW WOOD PAINTING.

TRANSPARENCIES.

THE Crystal, or Oriental Painting.

INSTRUCTION.

ANTIQUE Italian Landscape Painting

THE GRECIAN OIL PAINTING.

ORNAMENTAL GLASS SIGN WORK.

VITREMANIE.

FOR THE EASY AND INEXPENSIVE DECORATION OF WINDOWS, CHURCHES, PUBLIC BUILDINGS, AND PRIVATE HOUSES.

DIAPHANIE.

PAINTING ON SILK, SATIN AND VELVET,

Staining Wood AND IVORY.

TO PRODUCE A CRYSTALLINE SURFACE ON PAPER, WOOD AND GLASS .

CHINA PAINTING.

Colors Used, and the Process of Burning them in.

MONOCHROME PAINTING ON PORCELAIN OR EARTHENWARE.

INSTRUCTION.

China Painting.

PAINTING THE HEAD IN COLORS ON PORCELAIN.

CHINA PAINTING.

STYLE OF BOUCHER.

DIRECTIONS FOR PACKING DECORATED CHINA,

FIRING GENERALLY DONE TWICE A WEEK.

TERRA-COTTA PAINTING.

ENAMEL PAINTING ON TERRA-COTTA.

OIL PAINTING ON TERRA-COTTA.

WATER-COLOR PAINTING ON TERRA-COTTA.

BURNING IN, OR MINERAL DECALCOMANIE.

DIRECTIONS.

PRESERVATION OF NATURAL FLOWERS.

PAPER-FLOWER MAKING.

THE ARRANGEMENT OF BOUQUETS, MATERIALS USED, ETC.

CRIMSON RHODODENDRON.

WHITE CAMELLIA.

ROSE.

PINK FUCHSIA.

ARRANGEMENT OR GROUPING OF FLOWERS.

LIST OF MATERIALS, TOOLS, &c.

THE FRENCH ART.

A BEAUTIFUL AND PRACTICAL PROCESS FOR DECORATING WOOD, LEATHER, SILK AND OTHER FABRICS.

WAX ART. Flowers and Fruit

WITH INSTRUCTIONS FOR MAKING THE WAX AND MOLDS, MATERIALS USED, ETC.

THE NEW SPRINKLE WORK

FOR THE BEAUTIFUL DECORATION OF WOOD AND CHINA ORNAMENTS.

Pearl Embroidery

FEATHER FLOWERS,

LUSTRAL BRONZE PAINTING.

GILDING.

JAPANESE ART.

THE ART OF PAINTING —OR— STAINING GLASS.

GILDING THE BORDERS OF GLASS,

ETCHING ON COPPER.

KENSINGTON PAINTING.

ARRASENE AND RIBBON EMBROIDERY.

PORTRAITURE IN BLACK CRAYON.

ANALYSIS OF COLORS

THEIR NATURE AND QUALITY.

TAXIDERMY

SKINNING.

SKINNING, PRESERVING AND MOUNTING BIRDS.

SKINNING, PRESERVING, AND SETTING UP REPTILES, AND MOLLUSCOUS ANIMALS, ETC.

PRESERVING SPIDERS, GALLY-WORMS, AND INSECTS.

SHELL FISH, TO PRESERVE—AND THE ART OF POLISHING SHELLS.

THE CHASE AND MANNER OF COLLECTING ANIMALS.

RECIPES

SOLUTION OF CORROSIVE SUBLIMATE.

ARSENICAL SOAP.

SOLUTION OF PEARL-ASHES.

ANNEALED IRON WIRE.

CEMENT.

GUM PASTE.

FLOUR PASTE.

SOLUTION OF GUM-ARABIC.

PAPER PASTE, GUMMED.

POLLEN POWDER.

RED VARNISH.

LUTING FOR RENDERING BOTTLES AIR TIGHT.

TOW AND FLAX SLIVERS.

METHOD OF MAKING ENAMEL-EYES FOR ANIMALS.

ARTICLES REQUIRED FOR SKINNING AND MOUNTING QUADRUPEDS, BIRDS, REPTILES, AND FISHES.

Ladies' manual of art; or, profit and pastime

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