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1. Jacques Derrida, “This Strange Institution Called Literature,” interview with Derek Attridge, in Derrida, Acts of Literature, ed. Attridge (New York: Routledge, 1992), p.37

2. Ibid.p.55.

3. Jacques Derrida, seminar on “Future Deconstructions,” University of California Jumanities Research Institue, Irvine, CA, May 1992.

4. Jacques Derrida, “Passions: ‘An Oblique Offering,’ ” Derrida: A Critical Reader, ed. David Wood (Oxford: Blackwell, 1992), p.23.

5. Derrida, “This Strange Institution. . .,” p.38.

6. Northrop Frye, Anatomy of Criticism (Princeton: Princeton University Press, 1957), pp. 249–250; Paul de Man, The Rhetoric of Romanticism (New York: Columbia University Press, 1984), p.261.

7. Charles Baudelaire, Oeuvres complètes (Paris: Gallimard, 1976) II. 164.

8. Paul de Man, “Hypogram and Inscription,” in The Resistance to Theory ( Minneapolis: University of Minnesota Press, 1986), and The Rhetoric of Romanticism, particularly “Anthropomorphism and Trope in the Lyric,” but also “Wordsworth and the Victorians.” Barbara Johnson, “Apostrophe, Animation, and Abortion” in A World of Difference (Baltimore: Johns Hopkins University Press, 1986). Jonathan Culler, “Apostrophe,” in The Pursuit of Signs (Ithaca: Cornell University Press, 1981); and “Reading Lyric,” Yale French Studies 69 (1985), pp. 98–108.

9. Henry Fielding, “The Tragedy of Tragedy, or The Life and Death of Tom Thumb the Great,” Works (London, 1821), vol. 1, p.472.

10. Baudelaire, Oeuvres, I, 49.

11. Percy Bysshe Shelley, Complete Poetical Works (London: Oxford University Press, 1943), p.577

12. Martin Heidegger, “The Origin of the Work of Art,” Poetry Language, Thought (New York: Harper, 1971), p.72. For apostrophe and embarrassment, see Culler, “Apostrophe.”

13. Gerard Manley Hopkins, “That Nature is a Heraclitean Fire and of the Comfort of the Resurrection,” Poems (Oxford: Oxford University Press, 1970), p.l05.

14. Jacques Derrida, “Che cos’ è la poesia?” Points de suspension (Paris: Galilee, 1992), p.304.

15. Jean Giraudoux, Electre (Paris: Grasset, 1937), pp. 33–37.

16. Derrida, “This Strange Institution. . .,” p.72.

17. Paul de Man, “Shelley Disfigured,” The Rhetoric of Romanticism, p.117.

18. Culler, “Apostrophe,” The Pursuit of Signs, first published in Diacritics 7:4 (Winter 1977)

19. Alphonse de Lamartine, Oeuvres poétiques (Paris: Gallimard, 1963), p.392.

20. Culler, “Apostrophe,” pp.153–154.

21. de Man, The Rhetoric of Romanticism, p.261.

22. Ibid., p.261.

23. Ibid., pp.261–262.