Читать книгу The Essential Jung: Selected Writings - Anthony Storr - Страница 24

Let us take as an example one of the greatest thoughts which the nineteenth century brought to birth: the idea of the conservation of energy. Robert Mayer, the real creator of this idea, was a physician, and not a physicist or natural philosopher, for whom the making of such an idea would have been more appropriate. But it is very important to realize that the idea was not, strictly speaking, “made” by Mayer. Nor did it come into being through the fusion of ideas or scientific hypotheses then extant, but grew in its creator like a plant. Mayer wrote about it in the following way to Griesinger, in 1844:

I am far from having hatched out the theory at my writing desk. [He then reports certain physiological observations he had made in 1840 and 1841 as ship’s doctor.] Now, if one wants to be clear on matters of physiology, some knowledge of physical processes is essential, unless one prefers to work at things from the metaphysical side, which I find infinitely disgusting. I therefore held fast to physics and stuck to the subject with such fondness that, although many may laugh at me for this, I paid but little attention to that remote quarter of the globe in which we were, preferring to remain on board where I could work without intermission, and where I passed many an hour as though inspired, the like of which I cannot remember either before or since. Some flashes of thought that passed through me while in the roads of Surabaya were at once assiduously followed up, and in their turn led to fresh subjects. Those times have passed, but the quiet examination of that which then came to the surface in me has taught me that it is a truth, which can not only be subjectively felt, but objectively proved. It remains to be seen whether this can be accomplished by a man so little versed in physics as I am.^*

In his book on energetics,^† Helm expresses the view that “Robert Mayer’s new idea did not detach itself gradually from the traditional concepts of energy by deeper reflection on them, but belongs to those intuitively apprehended ideas which, arising in other realms of a spiritual nature, as it were take possession of the mind and compel it to reshape the traditional conceptions in their own likeness.”

The question now arises: Whence this new idea that thrusts itself upon consciousness with such elemental force? And whence did it derive the power that could so seize upon consciousness that it completely eclipsed the multitudinous impressions of a first voyage to the tropics? These questions are not so easy to answer. But if we apply our theory here, the explanation can only be this: the idea of energy and its conservation must be a primordial image that was dormant in the collective unconscious. Such a conclusion naturally obliges us to prove that a primordial image of this kind really did exist in the mental history of mankind and was operative through the ages. As a matter of fact, this proof can be produced without much difficulty: the most primitive religions in the most widely separated parts of the earth are founded upon this image. These are the so-called dynamistic religions whose sole and determining thought is that there exists a universal magical power^** about which everything revolves. Tylor, the well-known English investigator, and Frazer likewise, misunderstood this idea as animism. In reality primitives do not mean, by their power-concept, souls or spirits at all, but something which the American investigator Lovejoy has appropriately termed “primitive energetics.” This concept is equivalent to the idea of soul, spirit, God, health, bodily strength, fertility, magic, influence, power, prestige, medicine, as well as certain states of feeling which are characterized by the release of affects. Among certain Polynesians mulungu – this same primitive power-concept – means spirit, soul, daemonism, magic, prestige; and when anything astonishing happens, the people cry out “Mulungu!” This power-concept is also the earliest form of a concept of God among primitives, and is an image which has undergone countless variations in the course of history. In the Old Testament the magic power glows in the burning bush and in the countenance of Moses; in the Gospels it descends with the Holy Ghost in the form of fiery tongues from heaven. In Heraclitus it appears as world energy, as “ever-living fire”; among the Persians it is the fiery glow of “haoma,” divine grace; among the Stoics it is the original heat, the power of fate. Again, in medieval legend it appears as the aura or halo, and it flares up like a flame from the roof of the hut in which the saint lies in ecstasy. In their visions the saints behold the sun of this power, the plenitude of its light. According to the old view, the soul itself is this power; in the idea of the soul’s immortality there is implicit its conservation, and in the Buddhist and primitive notion of metempsychosis – transmigration of souls – is implicit its unlimited changeability together with its constant preservation.

So this idea has been stamped on the human brain for aeons. That is why it lies ready to hand in the unconscious of every man. Only, certain conditions are needed to cause it to appear. These conditions were evidently fulfilled in the case of Robert Mayer. The greatest and best thoughts of man shape themselves upon these primordial images as upon a blueprint. I have often been asked where the archetypes or primordial images come from. It seems to me that their origin can only be explained by assuming them to be deposits of the constantly repeated experiences of humanity. One of the commonest and at the same time most impressive experiences is the apparent movement of the sun every day. We certainly cannot discover anything of the kind in the unconscious, so far as the known physical process is concerned. What we do find, on the other hand, is the myth of the sun-hero in all its countless modifications. It is this myth, and not the physical process, that forms the sun archetype. The same can be said of the phases of the moon. The archetype is a kind of readiness to produce over and over again the same or similar mythical ideas. Hence it seems as though what is impressed upon the unconscious were exclusively the subjective fantasy-ideas aroused by the physical process. Therefore we may take it that archetypes are recurrent impressions made by subjective reactions. Naturally this assumption only pushes the problem further back without solving it. There is nothing to prevent us from assuming that certain archetypes exist even in animals, that they are grounded in the peculiarities of the living organism itself and are therefore direct expressions of life whose nature cannot be further explained. Not only are the archetypes, apparently, impressions of ever-repeated typical experiences, but, at the same time, they behave empirically like agents that tend towards the repetition of these same experiences. For when an archetype appears in a dream, in a fantasy, or in life, it always brings with it a certain influence or power by virtue of which it either exercises a numinous or a fascinating effect, or impels to action.

Jung’s conception of archetypes and the collective unconscious sprang not only from his observation of patients, but from his own experience. After the break with Freud, Jung passed through a period of mental upheaval which was so intense that he decided that he was “menaced by a psychosis.” Part of this upheaval was connected with Jung’s need to develop his own, independent point of view.