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Two Difficulties.

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There are two principal difficulties which beset the path of the beginner in composition. The first difficulty is the smallness of his vocabulary. He cannot express his meaning with exactitude, because at the moment of writing he cannot think of the precise word needed; he may be acquainted with the word, but it refuses to occur to him. Reading, including the perusal of dictionaries, will gradually conquer this difficulty. A more instant palliative of it is that wonderful collection of synonyms, Roget’s Thesaurus of English Words and Phrases, Classified and Arranged so as to Facilitate the Expression of Ideas and Assist in Literary Composition, published by Messrs. Longman at half a guinea. Every writer should possess this volume, which by its ingenious index will enable him to recover any lost word, and by presenting him with a complete series of words relating to any given idea will help him to a final nicety of expression. I sang the virtues of Roget with some enthusiasm in my book Journalism for Women, and a leader-writer in the Daily News censured my song. An indiscreet use of Roget may, I admit, lead to verbosity and other affectations; but all indiscretions lead to mischief. My opinion that Roget’s Thesaurus is the most useful of all mechanical aids to good writing remains unchanged. I have seen the tattered tome on the desks of some of the most distinguished authors in England, and, for myself, nothing would induce me to part with my Roget except the publication of a revised and enlarged edition of him.

The second and more serious difficulty is the instinctive tendency of the young author to compose in phrases instead of in single words. In accounting for the tediousness of second-rate authors, Schopenhauer said that owing to their lack of clearly defined thought, their writing was “an indefinite, obscure interweaving of words, current phrases, worn-out terms of speech, and fashionable expressions.” And he added: “It is only intelligent writers who place individual words together with a full consciousness of their use, and select them with deliberation.” This sentence is the utterance of practical wisdom. The first sign of unintelligent writing, the first cause of tediousness, is the presence of ready-made, trite phrases. From an entirely respectable book, by an author of repute, which has just passed through my hands, I cull at random a handful of these phrases: Joined the majority [for “died”], strong-minded female, needless to say, terra firma, fondly imagined, absolutely non-plussed, deaf old party, respect due to the cloth, beat a hasty retreat, called into requisition, graciously volunteered, par excellence. Now it is obvious that this author was content largely to use secondhand, worn-out material for the expression of his ideas; that even if his ideas were originally distinct, they must have lost much of their distinctness in being thus forced into an old mould.

Avoid the use of ready-made phrases. When they present themselves, as they will do, reject them. Define your thought clearly, and you will discover that its expression demands a new phrase, invented word by word specially for it Your business is to invent that phrase, simply and naturally. Besides leading to dulness and banality, the use of trite proverbial phrases leads also to exaggeration and misstatement When Boswell told Johnson of the earthquake shock at Leek, Johnson remarked: “Sir, it will be much exaggerated in public talk: for, in the first place, the common people do not accurately adapt their thoughts to the objects; nor, secondly, do they accurately adapt their words to their thoughts: they do not mean to lie; but, taking no pains to be exact, they give you very false accounts. A great part of their language is proverbial. If anything rocks at all, they say it rocks like a cradle; and in this way they go on.” And in this way the careless, unintelligent author goes on, too.

When a sentence has been written, every word in it should be interrogated separately, and made to justify the position which it occupies.

The Selected Works of Arnold Bennett: Essays, Personal Development Books & Articles

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