Читать книгу The Clayhanger Trilogy (Consisting of Clayhanger + Hilda Lessways + These Twain) - Arnold Bennett - Страница 117

On the Saturday afternoon of Janet Orgreave’s visit to the shop, Edwin went up to Bleakridge to inspect the house, and in particular the coloured ‘lights’ in the upper squares of the drawing-room and dining-room windows. He had a key to the unpainted front door, and having climbed over various obstacles and ascended an inclined bending plank, he entered and stood in the square hall of the deserted, damp, and inchoate structure.

The house was his father’s only in name. In emotional fact it was Edwin’s house, because he alone was capable of possessing it by enjoying it. To Darius, to Bursley in general, it was just a nice house, of red brick with terra-cotta facings and red tiles, in the second-Victorian Style, the style that had broken away from Georgian austerity and first-Victorian stucco and smugness, and wandered off vaguely into nothing in particular. To the plebeian in Darius it was of course grandiose, and vast; to Edwin also, in a less degree. But to Edwin it was not a house, it was a work of art, it was an epic poem, it was an emanation of the soul. He did not realise this. He did not realise how the house had informed his daily existence. All that he knew about himself in relation to the house was that he could not keep away from it. He went and had a look at it, nearly every morning before breakfast, when the workmen were fresh and lyrical.

When the news came down to the younger generation that Darius had bought land and meant to build on the land, Edwin had been profoundly moved between apprehension and hope; his condition had been one of simple but intense expectant excitement. He wondered what his own status would be in the great enterprise of house-building. All depended on Mr Orgreave. Would Mr Orgreave, of whom he had seen scarcely anything in seven years, remember that he was intelligently interested in architecture? Or would Mr Orgreave walk right over him and talk exclusively to his father? He had feared, he had had a suspicion, that Mr Orgreave was an inconstant man.

Mr Orgreave had remembered in the handsomest way. When the plans were being discussed, Mr Orgreave with one word, a tone, a glance, had raised Edwin to the consultative level of his father. He had let Darius see that Edwin was in his opinion worthy to take part in discussions, and quite privately he had let Edwin see that Darius must not be treated too seriously. Darius, who really had no interest in ten thousand exquisitely absorbing details, had sometimes even said, with impatience, “Oh! Settle it how you like, with Edwin.”

Edwin’s own suggestions never seemed very brilliant, and Mr Orgreave was always able to prove to him that they were inadvisable; but they were never silly, like most of his father’s. And he acquired leading ideas that transformed his whole attitude towards architecture. For example, he had always looked on a house as a front-wall diversified by doors and windows, with rooms behind it. But when Mr Orgreave produced his first notions for the new house Edwin was surprised to find that he had not even sketched the front. He had said, “We shall be able to see what the elevation looks like when we’ve decided the plan a bit.” And Edwin saw in a flash that the front of a house was merely the expression of the inside of it, merely a result, almost accidental. And he was astounded and disgusted that he, with his professed love of architecture and his intermittent study of it, had not perceived this obvious truth for himself. He never again looked at a house in the old irrational way.

Then, when examining the preliminary sketch-plan, he had put his finger on a square space and asked what room that was. “That isn’t a room; that’s the hall,” said Mr Orgreave. “But it’s square!” Edwin exclaimed. He thought that in houses (houses to be lived in) the hall or lobby must necessarily be long and narrow. Now suddenly he saw no reason why a hall should not be square. Mr Orgreave had made no further remark about halls at the time, but another day, without any preface, he reopened the subject to Edwin, in a tone good-naturedly informing, and when he had done Edwin could see that the shape of the hall depended on the shape of the house, and that halls had only been crushed and pulled into something long and narrow because the disposition of houses absolutely demanded this ugly negation of the very idea of a hall. Again, he had to begin to think afresh, to see afresh. He conceived a real admiration for Osmond Orgreave; not more for his original and yet common-sense manner of regarding things, than for his aristocratic deportment, his equality to every situation, and his extraordinary skill in keeping his dignity and his distance during encounters with Darius. (At the same time, when Darius would grumble savagely that Osmond Orgreave ‘was too clever by half,’ Edwin could not deny that.) Edwin’s sisters got a good deal of Mr Orgreave, through Edwin; he could never keep Mr Orgreave very long to himself. He gave away a great deal of Mr Orgreave’s wisdom without mentioning the origin of the gift. Thus occasionally Clara would say cuttingly, “I know where you’ve picked that up. You’ve picked that up from Mr Orgreave.” The young man Benbow to whom the infant Clara had been so queerly engaged, also received from Edwin considerable quantities of Mr Orgreave. But the fellow was only a decent, dull, pushing, successful ass, and quite unable to assimilate Mr Orgreave; Edwin could never comprehend how Clara, so extremely difficult to please, so carping and captious, could mate herself to a fellow like Benbow. She had done so, however; they were recently married. Edwin was glad that that was over; for it had disturbed him in his attentions to the house.