Читать книгу The Complete Clayhanger Family Novels (Clayhanger + Hilda Lessways + These Twain + The Roll Call) - Arnold Bennett - Страница 29

The Clayhanger sitting-room, which served as both dining-room and drawing-room, according to the more primitive practices of those days, was over one half of the shop, and looked on Duck Square. Owing to its northern aspect it scarcely ever saw the sun. The furniture followed the universal fashion of horse-hair, mahogany, and wool embroidery. There was a piano, with a high back-fretted wood over silk pleated in rays from the centre; a bookcase whose lower part was a cupboard; a sofa; and a large leather easy-chair which did not match the rest of the room. This easy-chair had its back to the window and its front legs a little towards the fireplace, so that Mr Clayhanger could read his newspaper with facility in daytime. At night the light fell a little awkwardly from the central chandelier, and Mr Clayhanger, if he happened to be reading, would continually shift his chair an inch or two to left or right, backwards or forwards, and would also continually glance up at the chandelier, as if accusing it of not doing its best. A common sight in the sitting-room was Mr Clayhanger balanced on a chair, the table having been pushed away, screwing the newest burner into the chandelier. When he was seated in his easy-chair the piano could not be played, because there was not sufficient space for the stool between the piano and his chair; nor could the fire be made up without disturbing him, because the japanned coal-box was on the same side of the hearth-rug as the chair. Thus, when the fire languished and Mr Clayhanger neglected it, the children had either to ask permission to step over his legs, or suggest that he should attend to the fire himself. Occasionally, when he was in one of his gay moods, he would humorously impede the efforts of the fire-maker with his feet, and if the fire-maker was Clara or Edwin, the child would tickle him, which brought him to his senses and forced him to shout: “None o’ that! None o’ that!”

The position of Mr Clayhanger’s easy-chair—a detail apparently trifling—was in reality a strongly influencing factor in the family life, for it meant that the father’s presence obsessed the room. And it could not be altered, for it depended on the window; the window was too small to be quite efficient. When the children reflected upon the history of their childhood they saw one important aspect of it as a long series of detached hours spent in the sitting-room, in a state of desire to do something that could not be done without disturbing father, and in a state of indecision whether or not to disturb him. If by chance, as sometimes occurred, he chose to sit on the sofa, which was unobtrusive in the corner away from the window, between the fireplace and the door, the room was instantly changed into something larger, freer, and less inconvenient.