Читать книгу Imperial Palace - Arnold Bennett - Страница 30

II

Then in the orchestra a drum rolled solemnly, warningly, even menacingly; and everyone looked towards the orchestra, expectant. The orchestra, having for more than an hour drawn out of a series of Hungarian melodies the last wild, melancholy sweetness, began to play Russian dance music. The high curtains at the end of the room moved mysteriously apart, revealing a blaze of light behind. In the midst of this amber radiance stood a dark woman, half-clad or quarter-clad in black and white: costume of an athlete, ceasing abruptly at the arm-pits and the top of the thighs. She was neither beautiful nor slim nor elegant as she stood there, nor was her performer’s smile better than good-natured.

“So you’ve fallen for it,” said Gracie, under the loud applause which welcomed the apparition.

“Fallen for what?” asked Evelyn.

“Cabaret.”

“We’ve had a cabaret here for two years,” said Evelyn.

It was true, however, that for a very long time the Imperial Palace had set its face against cabaret. The Palace had been above cabaret, was too refined and dignified for cabaret, needed no cabaret, flourishing as it did on its prestige, its food, and the distinction of its clientèle. But Evelyn had recognised that the Time-Spirit was irresistible, and cabaret had come to the Palace. Of course not the ordinary run of cabaret. Inconceivable that the Palace cabaret should be that!

Soup and hock were unobtrusively delivered at Sir Henry’s table. Waiters on the edges of the room were unobtrusively inserting new tables between tables.

The woman stepped into the centre of the dancing-floor with all the mien of a victor; for, although this was only her third evening, she knew that she was a success. Everybody knew that she was a success. Waiters glanced aside at her as they did their work. In the distances guests were standing up to watch. In two days the tale of Volivia’s exhibition of herself had spread like a conflagration through what is called the town—without the help of the press. When she opened Volivia had been nobody. Now, because she had so unmistakably succeeded at the Palace, she could get contracts throughout the entire western world of luxury. Her muscles knew it as they contracted and expanded, making ripples on her olive skin.

She flowed into a dance, which soon developed into a succession of abrupt, short, violent motions. Ugly! Evelyn was witnessing the turn for the first time. He was puzzled. “The public is an enigma,” he thought. “They like it; but what do they like in it? I wouldn’t look twice at it myself.” Nevertheless the woman held his gaze. He snatched a glance at Gracie, who was completely absorbed in the spectacle, her vermilion lips apart; at Sir Henry, whose eyes were humid. Then his gaze was dragged back to the dancer. She was now beginning to circle round the floor; faster and faster, in gyrations of the body, stoopings, risings, whirlings: arms uplifted, disclosing the secrets of the arm-pits. In her course, she came close to the tables, so close to Sir Henry’s table that Evelyn could have touched her. He saw her rapt face close; he heard her breathing. The sexual, sinister quality of her body frightened and enchanted him. She passed along. His desirous thought was: “She will be round again in a moment.” He understood then why she was a success, why the rumour of her ran from mouth to mouth through the town. Faster and faster. Someone applauded. Applause everywhere, louder and louder. Waiters stood still. Faster and faster. Her face was seen alternately with her bare back: swift alternations that sight could hardly follow. Louder and louder applause. A kind of trial of endurance between Volivia and the applause. At last she manœuvred herself into the centre of the floor, and suddenly dropped on to the hard floor in a violent entrechat. And kept the pose, smiling, her bosom heaving in rapid respirations, her tremendous legs stretched out at right-angles to her torso. And, keeping the pose, ugly as in itself it was, she now appeared graceful, elegant, beautiful and young. The applause roared about the great room, every wave of it responding to every invisible wave of conquering sensual sexuality which effused powerfully from her accomplished body.

Sir Henry applauded loudly; Gracie applauded without any reserve. Evelyn wanted to applaud, but he restrained himself; he did not want to be seen applauding—not that anyone would have noticed him in the excited din.

Volivia rose, bowed and retired: Aphrodite, Ariadne, Astarte. The applause persisted. Volivia returned, and, with her, two male dancers, boyish, said by the learned to be her brothers, and by the more learned to be her nephews, or even her sons. They came into the category of the grotesque, dancing on their ankles, on the outer sides of their calves, with their knees seldom unbent. They had a reception whose enthusiasm was little less warm than that of Volivia’s. Then Volivia, whose departure from the floor had hardly been observed, returned again, for a final trio or ensemble with the youths. This conclusion was the apogee of the number. Nothing whatever of the anti-climax about it. Call it a tumult, a typhoon, a tangled dervish confusion, so sensational in its mingling of two sexes that diners neglected to dine and forgot to breathe.

“The roof’ll be off in a minute,” shouted Sir Henry, furiously clapping, in the deafening clamour. Again Evelyn did not applaud. After the three had retired, Volivia reappeared alone, to accept that which was hers. The curtains joined their folds and hid her. The diners breathed, but did not yet eat. They were sorry that the number was over, but also relieved that it was over.

The next and last number was a clown, who translated the classical tradition of the English music-hall droll into French. He was an artist in the comic, and the diners laughed, but with more amiability than sincerity. And they ate.

Evelyn thought:

“What on earth has Jones-Wyatt been thinking about? This clown fellow has been set an impossible task. It’s not fair to him. He must come before Volivia, not after. I’ll have it altered for the midnight performance.”

“You know, really,” said Sir Henry, while the clown was clowning. “Those boys were better than the girl.” Evelyn nodded carelessly, reflecting: “Does he mean it? Or is he just pretending to be judicial, saving his face for us and for himself too? After the exhibition he’s been making of himself!” If Sir Henry was trying to save his face there were others in the restaurant making a similar attempt.

“Where did you pick her up?” Sir Henry continued, as if indifferently curious.

“Prague, I believe. Praha’s its new name, isn’t it? I have a man always running about the Continent after really good turns. They’re not so easy to find.”

“Cost you a lot?”

Evelyn hesitated. He was on the point of saying “Oh! A goodish bit. I don’t remember the exact figure.” Just to keep Sir Henry in his place! Then he changed his mind. There was a more effective way of keeping Sir Henry in his place. The way of the facts. “Yes. Volivia and Co. stand us in for eighty pounds a week. The other turn forty or fifty. Bands and cabaret come to not a penny less than twelve hundred a week.” And he added to himself: “Get that into your head, my friend.”

“Bands so much?” Sir Henry gave an excellent imitation of imperturbability.

“Yes.”

“How many bands?”

“Three.”

“One’s American?”

“Yes. Here they are.” Evelyn waved towards the bustle and the glitter of new instruments on the bandstand.

“I knew they got biggish money in New York,” said Sir Henry.

“They get biggish money in London,” Evelyn retorted. “Why! I happened to be going out by the Queen Anne entrance the other day, and the whole alley was blocked with cars. I asked the porter about it—he’s a waggish sort of a chap. He told me they were the cars of ‘the gentlemen of the orchestra’!”

“By Jove!” Sir Henry exclaimed, glancing round. “There’s Harry Matcham. The very man I want to see. That big round table.”

“Lord Watlington?”

“Yes. Gracie, I think I’d better step over to him now and fix a date. Excuse me, Orcham—one second.”

Mahomets go to mountains.

During this interlude of chat, Gracie had not uttered one word. Nor had she eaten. She was playing, meditative, with the chain of her vanity-case.

“Step over, daddy,” she said.

“Lord Watlington hasn’t had a dinner-party here for quite a long time,” said Evelyn. “Cappone was beginning to think he’d deserted us.” Gracie did not speak. Evelyn went on: “I see Mrs. Penkethman with him, and Lady Devizes and the two Cheddars. Rather Renaissance young men, those Cheddars, don’t you think?” Gracie still did not speak. Evelyn went on: “I don’t recognise any of the others.”

“You know,” said Gracie suddenly, looking up into Evelyn’s eyes with a soft smile. “That wouldn’t do in a drawing-room.”

“What wouldn’t do?”

“That Volivia show.”

“No. Scarcely,” Evelyn agreed. “A drawing-room would be a bit too intimate for it. But if it pleases people in a restaurant—well, there you are; it pleases them. Volivia’s the biggest cabaret success we’ve ever had here. Now before the war that turn wouldn’t have been respectable. I do believe it would have emptied any restaurant—or filled it with exactly the sort of person we don’t want. But we give it now, and the Palace is just as respectable as ever it was. More, even. Look at the people here!”

“It was shameless,” said Gracie.

“Perhaps too shameless,” Evelyn replied. “I admit I should have had my doubts about it if I’d seen it on the first night. But the proof of the pudding is in the eating. It’s audiences that make a show respectable—or not. I’ve heard our Cabaret-manager say it takes two to settle that point—the show and the audience. But I don’t think so. The audience settles it. I’m sure some of these variety artists start out to be—well, questionable.” He was choosing his words so as to avoid abrading Gracie’s girlish susceptibilities. He meant ‘indecent.’ “But sufficient applause, frank, unreserved applause, will make them feel absolutely virtuous with the very same show.”

He was defending his Imperial Palace against the delicious girl who had used the adjective ‘shameless.’ She had changed now from the invader of the cocktail bar.

“I’m sorry you think it was shameless,” he said.

Gracie smiled at him still more exquisitely and more softly.

“I loved it for being shameless,” she said, not with any protest in her rich, dark voice, but persuasively. “Why shouldn’t it be shameless? We aren’t shameless enough. What’s the matter with the flesh anyway? Don’t we all know what we are? If I could give a performance like Volivia’s, wouldn’t I just go on the stage! Nobody should stop me, I tell you that.” Some emphasis in the voice. Then she restrained the emphasis, murmuring: “I’m rather like Volivia. Only she was born to perform, and I wasn’t.”

Evelyn was very seriously taken aback, partly by the realisation that he had completely misjudged her attitude, and partly by the extraordinary candour with which she had revealed herself. If she had averted her gaze, if her voice had been uncertain, he would have been less disconcerted. But she had continued to face him boldly, and her tones, though low, had given no sign of any inward tremor. And she had not made a confession, she had made a statement. She was indeed as shameless as Volivia. But how virginally, and how unanswerably!

Evelyn thought:

“I suppose this is the modern girl. I mustn’t lose my presence of mind.” He said, trying to copy her serenity: “And yet you say Volivia wouldn’t do in a drawing-room! Why not?”

“Simply because in a drawing-room she’d make me feel uncomfortable. If I feel uncomfortable I always know something’s wrong. But here I didn’t feel a bit uncomfortable. You did, and so did daddy. But not me. Besides, you wouldn’t agree that what can’t be done in a drawing-room oughtn’t to be done at all. A big restaurant’s much the same as a bedroom. You see what I mean?”

“Not quite.”

“Well, you will,” said Gracie with gentle assurance. “Aren’t you going to ask me to dance?”

“In the middle of dinner?”

“Why not? What a question, from you!”