Читать книгу In the Forbidden Land - Arnold Henry Savage Landor - Страница 37

Touching Shoka farewell—Feelings curiously expressed—Sobs and tears—The start—A funereal procession—Distressed father and mother—Kachi and Dola the worse for drink—Anxious moments—The bridge destroyed.

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The day of my departure came. It was after dark. Outside my dwelling a crowd of Shokas had assembled. I bade farewell to my host Zeheram and to his wife and children, who with tears in their eyes wished me God-speed.


Kachi and his Relations

"Salaam, sahib, salaam!" repeated Zeheram, sobbing and bringing his hand respectfully to his forehead. "You know, sahib, that a horse goes to a horse, a tiger to a tiger, a yak to a yak, and a man to a man. A man's house is another man's house, no matter whether the colour of our skin differs or not. Therefore I thank Heaven that you have accepted shelter under my humble roof. You must have been uncomfortable, for all you sahibs are rich and accustomed to luxury. I am only a trader and a cultivator. I am poor, but I possess a heart. You, unlike other sahibs, have always spoken kindly to me and to all of us Shokas. We feel that you are our brother. You have given us presents, but we needed them not. The only present we wish for is that, when you reach the end of your perilous journey, you will send us a message that you are well. We will all pray day and night for you. Our hearts are sore at your leaving us."

This from the rough old boy, whom I had got really to like, was touching, and I told him I hoped I might some day be able to repay him for his kindness. When I descended the steps there was quite a crowd in the yard. Every one wished to bid me farewell. The men took my right hand in both theirs and brought it up to their foreheads, muttering words of grief at my leaving. The women gently caressed my face and bade me "Niku tza" ("Go well," "Farewell"). These are the Shoka fashions of taking leave of friends who are departing for distant lands.


The Patan Summoning my Coolies from the Roof of his House

Led by the hand by a really grieving company, I moved towards the narrow, steep descent to the Chongur bridge, cut into the slope of the high cliffs of clay. On the way I called at Kachi's house, but he had gone ahead. A more mournful procession could not be imagined. The faint rays of a new moon gave an added melancholy to the scene, and that peculiarly impressive sound of sad steps, if I may thus express the pathetic cadence of people's gait when afflicted, made me feel as if I were attending my own funeral. I begged them to return to their homes, and one after the other they came to embrace my feet and to hold my fingers. Then, hiding their faces in the palms of their hands, they one by one made their way up the grey track cut into the lofty cliff, and like phantoms, gradually becoming smaller and smaller, vanished in the distance. Still some twenty or thirty insisted on escorting me down to the stream. Farther on I came upon the excited figure of an old woman tearing her hair and crying pitifully. She threw herself at my feet, imploring me to take care of her son. It was Kachi's distressed mother. I comforted her as best I could, and also the desolate father (good old Junia), who was there with tears streaming down his cheeks, to bid me an affectionate farewell.

"Where is your son?"

"You will find him a little farther down, sahib."

I did—together with four other people lying on the ground all in a heap. One of them who tried to stand up, called out: "Kachi, get up, here is the sahib," and then collapsed again on the top of the others. Neither Kachi nor the others gave any sign of life, and when I spoke to them I discovered that they were in a state of hopeless intoxication, arm-in-arm as they had fallen and slept.

By the side of Kachi was Dola, his uncle, supposed to be employed by me in the quadruple capacity of interpreter, carrier, Kachi's valet, and cook, in which latter art, after Shoka fashion, he was quite an adept, his fame having spread all over Bias. He was, therefore, a treasure not lightly to be abandoned, and yet, now that I wanted to act quickly and decisively, I had to weigh whether I should proceed with two of the most important characters in my play disabled. Should I, hampered by these semi-corpses, be able to pass unseen the watchful Tibetan guard at the Chongur bridge, only a few hundred yards farther on? I decided to try. Seizing one on each side under their arm-pits, I supported them and kept them erect. It was no easy job, and I felt our speed increase at every step as I moved with my staggering mates down the steep and slippery track. We reached the bottom of the hill at a breakneck rate, and as the track was narrow along the water's edge, it was a wonder that we did not all three of us land in the river. As it was, in coming suddenly to a stop, my two men utterly collapsed again, and I was so exhausted that I had to sit down and rest.

Kachi Ram had a lucid interval. He gazed round and saw me for the first time that night.

"Sahib!" he exclaimed, with long pauses between each word, "I am drunk!"

"That is quite true," said I.

"We Shokas have this bad habit," he continued. "I had to drink chökti with all my relations and friends prior to leaving for this long journey. They would have been offended if I had not divided with each a cup of wine. I now see everything go round. Please put my head into cold water. Oh! the moon is jumping about, and is now under my feet!"


The Chongur Bridge Previous to being Destroyed

I complied with his request, and gave both his head and Dola's a good ducking in the freezing Kali River.

This had the unfortunate effect of sending them to sleep so soundly that I thought they would never wake again. Some of the sober Shokas offered to carry the two helpless men on their backs. We were wasting valuable time and the sky was getting clouded. When the moon had disappeared behind the high mountain, I went ahead to reconnoitre. All was darkness but for the glimmer of a brilliant star here and there in the sky. I crawled to the bridge and listened. Not a sound, not a light on the opposite bank. All was silence, that dead silence of nature and human life asleep. I stopped on the bridge. This structure spans the river, a huge boulder in the centre of the stream serving as a pillar, and forms, in fact, two separate bridges joined on the opposite sides of this central boulder. I walked cautiously across the first portion, stood to listen again on the rock dividing the foaming waters, and tried to penetrate the obscurity. There was not a soul to be seen, nor a sound to be heard. I went over the rock and proceeded towards the second half of the bridge, when I found to my horror that this second half of the bridge had been cut down. The entire section had collapsed, and with the exception of a long beam still swinging to and fro with one end in the turbid stream, and a plank or two, the whole material had been washed away.

I returned to my men.

"We must continue our way on this side of the river," I whispered to them. "The Tibetans have destroyed the bridge."

"The track is traced," they replied, "but it is impassable at night."

"Never mind; we must go. Come." And I headed the silent procession.

We went about a mile. Yet another dilemma. Kachi and Dola were still fast asleep. The others, tired and worn out with the fatigue of carrying them, wished to turn back. The sky was now clouded all over and rain was coming on.

I felt that it was useless to persist. Having seen the two drunken creatures laid flat under a shed, and well covered with blankets, I therefore returned to Garbyang, with the intention of making a fresh start shortly before sunrise, when the drunkards would probably be fit to walk by themselves, and found shelter under the ever hospitable roof of Dr. Wilson.

In the Forbidden Land

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