Читать книгу The Poisoned Pen - Arthur B. Reeve - Страница 11
ОглавлениеMaloney regarded Craig with the air of an expert who could afford to patronise a good amateur—but after all an amateur. Kennedy said nothing, and of course I took the cue.
"Yes," agreed Blake, "you see, our original hypothesis was a pretty good one. Meanwhile, of course, the police are floundering around in a bog of false scents."
"It would make our case a good deal stronger," remarked Kennedy quietly, "if we could discover some of the stolen jewellery hidden somewhere by Mrs. Branford herself." He said nothing of his own unsuccessful search through the house, but continued: "What do you suppose she has done with the jewels? She must have put them somewhere before she got the yeggman to break the safe. She'd hardly trust them in his hands. But she might have been foolish enough for that. Of course it's another possibility that he really got away with them. I doubt if she has them at Grattan Inn, or even if she would personally put them in a safe deposit vault. Perhaps Delarue figures in that end of it. We must let no stone go unturned."
"That's right," meditated Maloney, apparently turning something over in his mind as if it were a new idea. "If we only had some evidence, even part of the jewels that she had hidden, it would clinch the case. That's a good idea, Kennedy."
Craig said nothing, but I could see, or fancied I saw, that he was gratified at the thought that he had started Maloney off on another trail, leaving us to follow ours unhampered. The interview with Blake was soon over, and as we left I looked inquiringly at Craig.
"I want to see Mrs. Branford again," he said. "I think we can do better alone today than we did last night."
I must say I half expected that she would refuse to see us and was quite surprised when the page returned with the request that we go up to her suite. It was evident that her attitude toward us was very different from that of the first interview. Whether she was ruffled by the official presence of Blake or the officious presence of Maloney, she was at least politely tolerant of us. Or was it that she at last began to realise that the toils were closing about her and that things began to look unmistakably black?
Kennedy was quick to see his advantage. "Mrs. Branford," he began, "since last night I have come into the possession of some facts that are very important. I have heard that several loose pearls which may or may not be yours have been offered for sale by a man on the Bowery who is what the yeggmen call a 'fence.'"
"Yeggmen—'fence'?" she repeated. "Mr. Kennedy, really I do not care to discuss the pearls any longer. It is immaterial to me what becomes of them. My first desire is to collect the insurance. If anything is recovered I am quite willing to deduct that amount from the total. But I must insist on the full insurance or the return of the pearls. As soon as Mr. Branford arrives I shall take other steps to secure redress."
A boy rapped at the door and brought in a telegram which she tore open nervously. "He will be here in four days," she said, tearing the telegram petulantly, and not at all as if she were glad to receive it. "Is there anything else that you wish to say?"
She was tapping her foot on the rug as if anxious to conclude the interview. Kennedy leaned forward earnestly and played his trump card boldly.
"Do you remember that scene in 'The Grass Widower,'" he said slowly, "where Jack Delarue meets his runaway wife at the masquerade ball?"
She coloured slightly, but instantly regained her composure. "Vaguely," she murmured, toying with the flowers in her dress.
"In real life," said Kennedy, his voice purposely betraying that he meant it to have a personal application, "husbands do not forgive even rumours of—ah—shall we say affinities?—much less the fact."
"In real life," she replied, "wives do not have affinities as often as some newspapers and plays would have us believe."
"I saw Delarue after the performance last night," went on Kennedy inexorably. "I was not seen, but I saw, and he was with——"
She was pacing the room now in unsuppressed excitement. "Will you never stop spying on me?" she cried. "Must my every act be watched and misrepresented? I suppose a distorted version of the facts will be given to my husband. Have you no chivalry, or justice, or—or mercy?" she pleaded, stopping in front of Kennedy.
"Mrs. Branford," he replied coldly, "I cannot promise what I shall do. My duty is simply to get at the truth about the pearls. If it involves some other person, it is still my duty to get at the truth. Why not tell me all that you really know about the pearls and trust me to bring it out all right?"
She faced him, pale and haggard. "I have told," she repeated steadily.
"I cannot tell any more—I know nothing more."
Was she lying? I was not expert enough in feminine psychology to judge, but down in my heart I knew that the woman was hiding something behind that forced steadiness. What was it she was battling for? We had reached an impasse.
It was after dinner when I met Craig at the laboratory. He had made a trip to Montclair again, where his stay had been protracted because Maloney was there and he wished to avoid him. He had brought back the camera, and had had another talk with O'Connor, at which he had mapped out a plan of battle.
"We are to meet the Gay Cat at the City Hall at nine o'clock," explained Craig laconically. "We are going to visit a haunt of yeggmen, Walter, that few outsiders have ever seen. Are you game? O'Connor and his men will be close by—hiding, of course."
"I suppose so," I replied slowly. "But what excuse are you going to have for getting into this yegg-resort?"
"Simply that we are two newspaper men looking for an article, without names, dates, or places—just a good story of yeggmen and tramps. I've got a little—well, we'll call it a little camera outfit that I'm going to sling over my shoulder. You are the reporter, remember, and I'm the newspaper photographer. They won't pose for us, of course, but that will be all right. Speaking about photographs, I got one out at Montclair that is interesting. I'll show it to you later in the evening—and in case anything should happen to me, Walter, you'll find the original plate locked here in the top drawer of my desk. I guess we'd better be getting downtown."
The house to which we were guided by the Gay Cat was on a cross street within a block or two of Chatham Square. If we had passed it casually in the daytime there would have been nothing to distinguish it above the other ramshackle buildings on the street, except that the other houses were cluttered with children and baby-carriages, while this one was vacant, the front door closed, and the blinds tightly drawn. As we approached, a furtive figure shambled from the basement areaway and slunk off into the crowd for the night's business of pocket-picking or second-story work.
I had had misgivings as to whether we would be admitted at all—I might almost say hopes—but the Gay Cat succeeded in getting a ready response at the basement door. The house itself was the dilapidated ruin of what had once been a fashionable residence in the days when society lived in the then suburban Bowery. The iron handrail on the steps was still graceful, though rusted and insecure. The stones of the steps were decayed and eaten away by time, and the front door was never opened.
As we entered the low basement door, I felt that those who entered here did indeed abandon hope. Inside, the evidences of the past grandeur were still more striking. What had once been a drawing-room was now the general assembly room of the resort. Broken-down chairs lined the walls, and the floor was generously sprinkled with sawdust. A huge pot-bellied stove occupied the centre of the room, and by it stood a box of sawdust plentifully discoloured with tobacco-juice.
Three or four of the "guests"—there was no "register" in this yeggman's hotel—were seated about the stove discussing something in a language that was English, to be sure, but of a variation that only a yegg could understand. I noted the once handsome white marble mantel, now stained by age, standing above the unused grate. Double folding-doors led to what, I imagine, was once a library. Dirt and grime indescribable were everywhere. There was the smell of old clothes and old cooking, the race odours of every nationality known to the metropolis. I recalled a night I once spent in a Bowery lodging-house for "local colour." Only this was infinitely worse. No law regulated this house. There was an atmosphere of cheerlessness that a half-blackened Welsbach mantle turned into positive ghastliness.
Our guide introduced us. There was a dead silence as eight eyes were craftily fixed on us, sizing us up. What should I say? Craig came to the rescue. To him the adventure was a lark. It was novel, and that was merit enough.
"Ask about the slang," he suggested. "That makes a picturesque story."
It seemed to me innocuous enough, so I engaged in conversation with a man whom the Gay Cat had introduced as the proprietor. Much of the slang I already knew by hearsay, such as "bulls" for policemen, a "mouthpiece" for a lawyer to defend one when he is "ditched" or arrested; in fact, as I busily scribbled away I must have collected a lexicon of a hundred words or so for future reference.
"And names?" I queried. "You have some queer nicknames."
"Oh, yes," replied the man. "Now here's the Gay Cat—that's what we
call a fellow who is the finder, who enters a town ahead of the gang.
Then there's Chi Fat—that means he's from Chicago and fat. And Pitts
Slim—he's from Pittsburgh and—"
"Aw, cut it," broke in one of the others. "Pitts Slim'll be here to-night. He'll give you the devil if he hears you talking to reporters about him."
The proprietor began to talk of less dangerous subjects. Craig succeeded in drawing out from him the yegg recipe for making "soup." "It's here in this cipher," said the man, drawing out a dirty piece of paper. "It's well known, and you can have this. Here's the key. It was written by 'Deafy' Smith, and the police pinched it."
Craig busily translated the curious document:
Take ten or a dozen sticks of dynamite, crumble it up fine, and put it in a pan or washbowl, then pour over it enough alcohol, wood or pure, to cover it well. Stir it up well with your hands, being careful to break all the lumps. Leave it set for a few minutes. Then get a few yards of cheesecloth and tear it up in pieces and strain the mixture through the cloth into another vessel. Wring the sawdust dry and throw it away. The remains will be the soup and alcohol mixed. Next take the same amount of water as you used of alcohol and pour it in. Leave the whole set for a few minutes.
"Very interesting," commented Craig. "Safeblowing in one lesson by correspondence school. The rest of this tells how to attack various makes, doesn't it?"
Just then a thin man in a huge, worn ulster came stamping upstairs from the basement, his collar up and his hat down over his eyes. There was something indefinably familiar about him, but as his face and figure were so well concealed, I could not tell just why I thought so.
Catching a glimpse of us, he beat a retreat across the opposite end of the room, beckoning to the proprietor, who joined him outside the door. I thought I heard him ask: "Who are those men? Who let them in?" but I could not catch the reply.
One by one the other occupants of the room rose and sidled out, leaving us alone with the Gay Cat. Kennedy reached over to get a cigarette from my case and light it from one that I was smoking.
"That's our man, I think," he whispered—"Pitts Slim."
I said nothing, but I would have been willing to part with a large section of my bank-account to be up on the Chatham Square station of the Elevated just then.
There was a rush from the half-open door behind us. Suddenly everything turned black before me; my eyes swam; I felt a stinging sensation on my head and a weak feeling about the stomach; I sank half-conscious to the floor. All was blank, but, dimly, I seemed to be dragged and dropped down hard.
How long I lay there I don't know. Kennedy says it was not over five minutes. It may have been so, but to me it seemed an age. When I opened my eyes I was lying on my back on a very dirty sofa in another room. Kennedy was bending over me with blood streaming from a long deep gash on his head. Another figure was groaning in the semi-darkness opposite; it was the Gay Cat.
"They blackjacked us," whispered Kennedy to me as I staggered to my feet. "Then they dragged us through a secret passage into another house. How do you feel?"
"All right," I answered, bracing myself against a chair, for I was weak from the loss of blood, and dizzy. I was sore in every joint and muscle. I looked about, only half comprehending. Then my recollection flooded back with a rush. We had been locked in another room after the attack, and left to be dealt with later. I felt in my pocket. I had left my watch at the laboratory, but even the dollar watch I had taken and the small sum of money in my pocketbook were gone.
Kennedy still had his camera slung over his shoulder, where he had fastened it securely.
Here we were, imprisoned, while Pitts Slim, the man we had come after, whoever he was, was making his escape. Somewhere across the street was O'Connor, waiting in a room as we had agreed. There was only one window in our room, and it opened on a miserable little dumbwaiter air-shaft. It would be hours yet before his suspicions would be aroused and he would discover which of the houses we were held in. Meanwhile what might not happen to us?
Kennedy calmly set up his tripod. One leg had been broken in the rough-house, but he tied it together with his handkerchief, now wet with blood. I wondered how he could think of taking a picture. His very deliberation set me fretting and fuming, and I swore at him under my breath. Still, he worked calmly ahead. I saw him take the black box and set it on the tripod. It was indistinct in the darkness. It looked like a camera, and yet it had some attachment at the side that was queer, including a little lamp. Craig bent and attached some wires about the box.
At last he seemed ready. "Walter," he whispered, "roll that sofa quietly over against the door. There, now the table and that bureau, and wedge the chairs in. Keep that door shut at any cost. It's now or never—here goes."
He stopped a moment and tinkered with the box on the tripod. "Hello!
Hello! Hello! Is that you, O'Connor?" he shouted.
I watched him in amazement. Was the man crazy? Had the blow affected his brain? Here he was, trying to talk into a camera. A little signalling-bell in the box commenced to ring, as if by spirit hands.
"Shut up in that room," growled a voice from outside the door. "By God, they've barricaded the door. Come on, pals, we'll kill the spies."
A smile of triumph lighted up Kennedy's pale face. "It works, it works," he cried as the little bell continued to buzz. "This is a wireless telephone you perhaps have seen announced recently—good for several hundred feet—through walls and everything. The inventor placed it in a box easily carried by a man, including a battery, and mounted on an ordinary camera tripod so that the user might well be taken for a travelling photographer. It is good in one direction only, but I have a signalling-bell here that can be rung from the other end by Hertzian waves. Thank Heaven, it's compact and simple.
"O'Connor," he went on, "it is as I told you. It was Pitts Slim. He left here ten or fifteen minutes ago—I don't know by what exit, but I heard them say they would meet at the Central freightyards at midnight. Start your plain-clothes men out and send some one here, quick, to release us. We are locked in a room in the fourth or fifth house from the corner. There's a secret passage to the yegg-house. The Gay Cat is still unconscious, Jameson is groggy, and I have a bad scalp wound. They are trying to beat in our barricade. Hurry."
I think I shall never get straight in my mind the fearful five minutes that followed, the battering at the door, the oaths, the scuffle outside, the crash as the sofa, bureau, table, and chairs all yielded at once—and my relief when I saw the square-set, honest face of O'Connor and half a dozen plainclothes men holding the yeggs who would certainly have murdered us this time to protect their pal in his getaway. The fact is I didn't think straight until we were halfway uptown, speeding toward the railroad freight-yards in O'Connor's car. The fresh air at last revived me, and I began to forget my cute and bruises in the renewed excitement.
We entered the yards carefully, accompanied by several of the railroad's detectives, who met us with a couple of police dogs. Skulking in the shadow under the high embankment that separated the yards with their interminable lines of full and empty cars on one side and the San Juan Hill district of New York up on the bluff on the other side, we came upon a party of three men who were waiting to catch the midnight "side-door Pullman"—the fast freight out of New York.
The fight was brief, for we outnumbered them more than three to one. O'Connor himself snapped a pair of steel bracelets on the thin man, who seemed to be leader of the party.
"It's all up, Pitts Slim," he ground out from his set teeth.
One of our men flashed his bull's-eye on the three prisoners. I caught myself as in a dream.
Pitts Slim was Maloney, the detective.
An hour later, at headquarters, after the pedigrees had been taken, the "mugging" done, and the jewels found on the three yeggs checked off from the list of the Branford pearls, leaving a few thousand dollars' worth unaccounted for, O'Connor led the way into his private office. There were Mrs. Branford and Blake, waiting.
Maloney sullenly refused to look at his former employer, as Blake rushed over and grasped Kennedy's hand, asking eagerly: "How did you do it, Kennedy? This is the last thing I expected."
Craig said nothing, but slowly opened a now crumpled envelope, which contained an untoned print of a photograph. He laid it on the desk. "There is your yeggman—at work," he said.
We bent over to look. It was a photograph of Maloney in the act of putting something in the little wall safe in Mrs. Branford's room. In a flash it dawned on me—the quick-shutter camera, the wire connected with the wall safe, Craig's hint to Maloney that if some of the jewels were found hidden in a likely place in the house, it would furnish the last link in the chain against her, Maloney's eager acceptance of the suggestion, and his visit to Montclair during which Craig had had hard work to avoid him.
"Pitts Slim, alias Maloney," added Kennedy, turning to Blake, "your shrewdest private detective, was posing in two characters at once very successfully. He was your trusted agent in possession of the most valuable secrets of your clients, at the same time engineering all the robberies that you thought were fakes, and then working up the evidence incriminating the victims themselves. He got into the Branford house with a skeleton key, and killed the maid. The picture shows him putting this shield-shaped brooch in the safe this afternoon—here's the brooch. And all this time he was the leader of the most dangerous band of yeggmen in the country."
"Mrs. Branford," exclaimed Blake, advancing and bowing most profoundly, "I trust that you understand my awkward position? My apologies cannot be too humble. It will give me great pleasure to hand you a certified check for the missing gems the first thing in the morning."
Mrs. Branford bit her lip nervously. The return of the pearls did not seem to interest her in the least.
"And I, too, must apologise for the false suspicion I had of you and—and—depend on me, it is already forgotten," said Kennedy, emphasising the "false" and looking her straight in the eyes.
She read his meaning and a look of relief crossed her face. "Thank you," she murmured simply, then dropping her eyes she added in a lower tone which no one heard except Craig: "Mr. Kennedy, how can I ever thank you? Another night, and it would have been too late to save me from myself."