Читать книгу At the Sign of the Silver Flagon - B. L. Farjeon - Страница 4

CHAPTER II. HOW BABY OBTAINED HER SHARE IN THE STAR DRAMATIC COMPANY.

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Silver Creek could soon boast of its newspaper, of course; and equally as a matter of course, it could almost as soon boast of its rival newspaper. It is strange that in communities where one newspaper would languish, two are almost sure to flourish; and the Silver Creek Herald and the Silver Creek Mercury were not an exception to the rule. They led a prosperous and noisy life, and were conducted upon the usual abusive principles, with great vigour and some ability. Their establishments were in the High Street, where there were also sale-rooms, banks, hotels and restaurants, billiard-rooms, clothes and provision stores, and a store with "Pie-office" written over it. This was almost as good as the peripatetic vendor of baked potatoes, upon whose tin can was painted "The Universal Baked Potato Company (Limited)." The stores drove a roaring trade; flags waved gaily over them; a continual stream of people was flowing up and down. It was like a fair. Here were two Chinamen bearing a pole on their shoulders, in the centre of which dangled, head downwards, a pig at the end of a rope, with its four feet tied in one knot. (When the Chinaman gets to Paradise he hopes to eat roast pig for breakfast, dinner, teas and supper, through all eternity.) Here were half-a-dozen gold-diggers in great thigh-boots, dragging a jibbing-horse along for their puddling machine, cracking their whips and leaping here and there in sympathy with the antics of their wild purchase. Here were American wagons, with handsome teams of horses, and bullock-drays yoked by patient long-suffering cattle, the drivers of which were unloading their stores. Here was a negro, with his gleaming teeth, and his face alight with humour, badgering a perplexed Mongolian, and a crowd of noisy gold-diggers around them egging him on and laughing. The negro was proving by the most absolute and logical of arguments that he had a perfect right to enjoy the privileges of Silver Creek township, and that the Mongolian was an interloper--"A foreigner, sah!" and had no right there at all. The contest was an unequal one. All the sympathies of the Europeans were with the negro, whose amazing flow of natural spirits would have borne down far greater obstacles than were presented in the distressed actions and thin voice of the Mongolian. It was a peculiar feature of the goldfields that the African was everywhere welcomed, and the Mongolian everywhere scowled at. Here was a great dray creaking along, loaded with portions of the first quartz-reefing machine which Silver Creek could boast of; and all along the road were men buying boots and clothes, and picks and long and short-handled shovels, and bars of steel, and powder and fuse, calling out to one another heartily the while. It was a scene filled with life and colour.

Among the new arrivals, of whom thousands flocked into the township every day, were some dozen men and women, who came in dusty and weary with the toils of the road. They had travelled more than a hundred and fifty miles, being attracted to Silver Creek township by the news of its wonderful prosperity. They were a common-enough troop in outward appearance, and did not look like traders or gold-miners. They had with them a dray drawn by one horse--a poor weak-kneed creature, to whom existence seemed to be a burden as he toiled painfully along with his load behind him. What this load was could not be seen, for the dray had a tarpaulin over it. Upon the tarpaulin were seated three women. The first who calls for notice by virtue of her position was a stately person, probably about thirty-five years of age; her complexion was dark, and in her face was an expression, which might be said to be stamped upon it, and which represented all the tragic passions in little; she bore herself loftily in more senses than one. Her mind was a storehouse, filled with tragedy queens, intermixed with heroines of tenderer sentiment--which latter, however, were somewhat out of place; but you would have roused her to great indignation had you said so in her hearing. The second, about twenty-three years of age, was a nice-looking saucy widow, with a pretty baby in her arms. The third was a beautiful girl, of some eighteen or nineteen summers. The men, who were all much sunburnt, walked along by the side and in the rear of the dray, and when they entered High Street, peered curiously about them, and then at each other, with an air of "This will do." The eyes of one of the party, the eldest, a man of over sixty years of age, were expressive of something more than curiosity: anxiety was plainly there, but presently this vanished, and bright twinkles took their place. He rubbed his hands joyously, and smiled upon one and another.

"It looks well," he said.

He was the chief of the party, which was nothing less than a company of actors and actresses come to open the first theatre at Silver Creek. Before they started from Melbourne, they had formed themselves into a joint stock company, and agreed to divide profits in proportion to their abilities. There were twelve in the party, not reckoning the baby, and the number of shares were thirty-six. These, after much anxious discussion and deliberation, and some display of the peacock's chief attribute, were distributed as follows:--

Shares.
1. Tragedian, light comedian, and stage-manager, playing the lead in everything
2. Heavy man3
3. First old man
4. Second old man
5. First low comedy3
6. Second low comedy2
7. Walking gentleman and treasurer3
8. Supernumerary1
9. Juvenile lead and general utility, scene painter, acting-manager, and general director
10. Leading lady
11. First old woman3
(There was no second.)
12. Chambermaid (who could sing and dance)

These proportions being settled, they jogged along comfortably, dreaming of full purses; but on the second day the First Old Man drew attention to the circumstance that although there were thirty-six shares in the company, only thirty-five had been allotted. The Walking Gentleman, who, as treasurer, was looked upon as the arithmetician of the company, and was, therefore, the great authority in figures, instantly began to reckon up, for the fifty-seventh time, and made the number of shares thirty-seven: he tried again and made them thirty-four; tried again, and made them thirty-eight. Then, in desperation, he said that the First Old Man had "discovered a mare's nest," and that the figures were right--thirty-six shares in the company, and thirty-six allotted. Hurt in a tender point, the First Old Man began again to pencil and reckon, and after achieving a dozen different results, came back to his original discovery, and stuck to his guns like a man. Thereupon high words ensued between the Walking Gentleman and the First Old Man, and the matter was referred to the arbitration of the other ten, who immediately set to work to settle the dispute. The results they produced were extraordinary, varying from seventeen to fifty-two, the highest and the lowest totals being accomplished by the First Old Woman (who, to prove the general fitness of things, should have been the First Old Man's wife, but in proof of the general unfitness of things, wasn't) and the singing and dancing Chambermaid.

"I make it fifty-two," said the First Old Woman, in a despondent tone, "and what's to become of us, I'm sure I don't know."

She said this in a tone which denoted that the salvation of the Company was imperilled by this arithmetical crisis.

"Fifty-two!" exclaimed the singing and acting Chambermaid, with a melodious laugh. "Why, my dear, its only seventeen!"

The matter was so serious, and everybody became so positive, that in a very short time they were all wrangling and disputing. Nothing was clear but one thing, that if these actors and actresses were a fair sample of the profession they represented, then very few actors and actresses are blessed with a genius for figures.

"This is a bad commencement," frowned the Heavy Man, as was becoming in him: frowns were his special privilege.

The Supernumerary was the only indifferent person; his being the lowest share and represented by the simple figure 1, he considered himself safe. Besides, he was a neophyte, who had fully made up his mind to rival the elder Kean one of these fine days; he was content, in the meantime, to wait and suffer. Suffering is the badge of all his tribe.

Those were most uneasy and perplexed who held fractions of shares, such as the Tragedian and Stage-manager, and the Leading Lady of the company.

A happy thought entered the mind of the eldest man of the party, whose shares, represented by 4½, were set against No. 9, General Utility, Scene-painter, Acting-manager, etc.

"I have it!" he cried, slapping his thigh with the vigour of a younger man.

The others looked doubtful, but listened with attention, for he was one whom they all respected and regarded with affection.

"It is easily arrived at," he continued; "let us take thirty-six shillings, which will represent the thirty-six shares, and give each his proportion. Then, if there is no money left, no mistake has been made."

This proposal was received with laughter and applause, the largest demonstrations coming from those whose pockets were bare of shillings. For, truth to tell, these heroes and heroines of the sock and buskin were impecunious. This circumstance is not uncommon; the condition is almost chronic in the Profession.

"Contributions!" cried the Acting-manager, pulling out of his own pocket no fewer than seventeen shillings: a very Crœsus he.

Others gave timidly, hesitatingly, grudgingly, doubtfully, for the risk was not small. The Heavy Man had nothing to give; the Second Old Man the same contribution; the Supernumerary the same. The Treasurer, as became a "Walking Gentleman," was light of heart as he was of pocket; he looked forward with hope, rich argosies were before him. The First Old Woman produced a plethoric purse, which proved, however, to be stuffed, not with bank notes, but with critical notes of her abilities as the first of First Old Women. She managed to get together a sixpence and two fourpenny-pieces, which she handed to the Acting-manager, asking for twopence change. He gave her the demanded twopence, and was haunted by visions of future complications. The Leading Lady assumed an air of scornful indifference. The Leading Tragedian contributed three shillings, the whole of his wealth. The First Old Man produced four shillings, saying, "I give thee all--I can no more," but he had money concealed. "Who steals my purse, steals trash," observed the Low-Comedy Man, tossing a bad shilling to the Acting-manager. In due time the full complement of thirty-six shillings, representing thirty-six shares, lay in the Acting-manager's palm. He apportioned them to the cry of "The Ghost walks!" Four and sixpence to the Acting-manager, three shillings to the Heavy Man, and so on and so on, until each had received his share. Then he found he had a shilling left, and by this primitive arithmetic the First Old Man was proved to be right.

The next thing to be accomplished was the difficult task of collecting and re-distributing the shillings which had been advanced. This occasioned some comically-distressing scenes. The responsibility fell upon the Acting-manager, who had advanced seventeen shillings. When everybody was satisfied, he had only fourteen shillings left (a bad one among them which they all repudiated) which he pocketed with a grimace, amid general laughter.

Then,

"What's to be done with the other share?" was asked.

It never occurred to these Bohemians that the matter might rest where it was, and that the company could be carried on as well with thirty-five shares as thirty-six.

"O! I'll take it," said First Low-Comedy, "rather than it should cause disturbances."

"Will you?" from other throats. "But I'll take it!"

"And I!"

"And I!"

It threatened to become a bone of desperate contention.

Another happy thought occurred to the Acting-manager. Again he slapped his thigh.

"I have it!" he cried. "Give it to the baby."

"Bravo!" cried the other ten; the mother remained silent. "Bravo! Give it to the baby!"

"Agreed!" sang the First Low-Comedy Man, in the character of one of "Macbeth's" witches.

"Agreed!" sang the Second Low-Comedy Man, in the character of another of "Macbeth's" witches.

And,

"Agreed!" they all broke out in full chorus.

Then they filled the woods with the music from "Macbeth," and danced round an imaginary cauldron.

Thus the baby became a shareholder.

It was not the worst of small comedies this that was played in the Australian woods on a blazing summer's day in January. Many passions and emotions were represented in it in a small way. The curtain falls down as the mother tosses her baby in the air, and as the child is passed from one to another to be kissed.

If in response to the general applause, which I hope will not be wanting, the curtain is drawn aside again, the weak-kneed horse will be seen shambling leisurely along, and the Heavy Man will be taking great strides in advance of the others, with the baby on his shoulders, crowing and laughing and flourishing her dimpled fists in the air.



At the Sign of the Silver Flagon

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