Читать книгу The Golden House - Baker Sarah Schoonmaker - Страница 5

Time slipped away rapidly at the golden house. There had been many pleasant family scenes, both within and around the cottage, since Nono had been so tenderly welcomed there, eight years before.

It was a bright July morning. The bit of a rye-field on the other side of the road stood in the summer sunshine in tempting perfection. The harvesting had begun, in a slow though it might be a sure manner. A tall, spare old man, his hat laid aside, and his few scattered gray locks fluttering in the gentle breeze, was the only reaper. His shirt sleeves rolled up above the elbows showed his meagre, bony arms. His thin neck and breast were bare, as he suffered from heat from his unwonted labour. The scythe moved slowly, and the old man stopped often to draw a long breath. Near him stood a fair-haired, sturdy little girl, who held up her apron full of corn flowers, as blue as the eyes that looked so approvingly upon them. They were in the midst of a chat in a moment of rest, when a figure, strange and interesting to them both, came along the road with a light, free step.

The new-comer was a tall young girl, with a white parasol in her hand, though her wide-brimmed hat seemed enough to keep her fair face from being browned by the glad sunshine. She stopped suddenly when she came in front of the cottage, and fixed her eyes on the old man and the child with an expression of astonished delight. "Charming! beautiful! I must paint them," she said to herself.

The stranger put down the camp-stool she had on her arm, and screwed into its back her parasol with the long handle. She sat down at once and opened her box, where paper and pallet and all manner of conveniences for amateur painters were admirably arranged. "Please, please stand still," she said; "just as you are. I want to paint you."

"I have to stop often to rest; but I must work while I can. I don't want to be idle if I am old. I can't do a real day's work; but I can get something done if I am industrious," said the gray-haired labourer hesitatingly.

The child seemed to notice something sorrowful in the tone of her companion's voice, and she came quickly to his aid, saying, —

"Uncle Pelle is the best man in the world. Mother says he'll never teach us anything that isn't just right. He does a good bit of work, father says, and he knows."

The little girl was evidently accustomed to be listened to, and did not stand in awe of this stranger or any other.

"I shall pay you both if you hold still awhile and let me take your picture; and that will be just as well for Uncle Pelle as cutting grain, and lighter work, too. You can talk if you want to, but you must not stir while I am making a real likeness of you."

"As the young lady pleases," said the old man, with a look of resignation. "I want to be useful."

"Is that your uncle, child?" asked the young artist. "I thought, of course, it was your grandfather." Then looking towards the old man she added, "Do you live here?" and she nodded towards the golden house.

"I don't live anywhere," said the old man sorrowfully. "The poorhouse in Aneholm parish and the poorhouse in Tomtebacke, some way from here, can't agree which should keep me, and now they are lawing about it. I've had a fever, and I seem to be broke down. I don't belong anywhere just now, but Karin there in the house says I'm a kind of relation of hers, though it puzzles me to see how. She wants me to stay with them till all is settled; and Jan, who mostly lets her have her way, tells me he hasn't anything against it. So you see I like to do a turn of work if I can, if it's only to show I'm thankful. Karin says she's used to a big family, and it seems lonesome since her oldest son went to America, and I must take his place. I don't live in the cottage. There are enough of 'em there without me. They've fixed me up a place alongside of Star – that's the cow."

"It's a dear little room," said the child, "and we all like to be there; but Uncle Pelle shuts the door sometimes, and won't let us in."

"Old folks must have their quiet spells," said the old man apologetically.

"It isn't just to be quiet, you know, Uncle Pelle. Mother says Uncle Pelle reads good books when he is alone, and makes good prayers, too; and he's a blessing to the family," said the little girl, who seemed to consider herself the friend and patron of her companion.

"She's a bit spoiled. The only girl, you see. There were six boys before, not counting Nono or the two boys that died."

"Nono!" exclaimed the stranger. "That was the name of the little brown baby I saw baptized in Aneholm church, eight years ago, when I was at home before, just for a few days."

"It is a queer name," said Uncle Pelle. "The pastor said it meant the ninth, as the Italians talk; and so when this little girl came, he said Karin and Jan might as well call her Decima, which was like the tenth, in Swedish. And they did. They about make a fool of her in the family; and I ain't much better. That's Nono behind you."

A slight dark boy had been standing quietly watching the young stranger while she skilfully handled her brushes. He now stepped forward, took off the little straw hat of his own braiding, and bowed, without any sheepish confusion.

"Here's Nono!" said Decima, placing herself beside him, as if she had a special right to exhibit him to the stranger.

"And so you are Nono," said Alma. "I have always felt as if you belonged in a way to me. Where did the people who live here find you?"

"They didn't find me at all; they took me, and have brought me up as if I was their own child," said Nono, his eyes sparkling.

The story of the Italians and the bear was told by Nono, as usual, and the scene most vividly described by word and gesture. Decima did not pretend that she knew more than he did on this subject, and indeed he was quite her oracle in all matters. She thought Nono a pink of perfection; and well she might, for he had been her playmate and guardian ever since she could remember. It was confidently affirmed in the family that Nono could, from the first, make her laugh and show her dimples as she would not for any one else. Nono had soon learned that he could be a help to Karin with the baby, and was always more willing than were her rough brothers to be tied to the child's little apron-string.

Nono had hardly finished his story when the young lady took out the smallest watch imaginable and looked hastily at it. She gathered up her painting apparatus in a great hurry, and was off with a hasty good-bye, saying her father would be expecting her home to dinner, but she would see them again soon and finish her picture. She had almost forgotten in her hurry the money she had promised, but she suddenly remembered that part of the transaction, and left in the old man's hand, as he said, "more than enough to pay for a whole day's work, just for standing still, that little bit, to be painted."

Alma was soon out of sight of Pelle and Decima, who followed her with their wondering eyes as she sped along the road towards her pleasant home. The one thing about which her father could be severe with her was being late at meals. But for this severity, he would often have dined without her; for Alma was full of absorbing hobbies, and when anything interested her, food and sleep were to her matters of no consequence. Now her brain was revolving a new scheme. Alma had been for years in a Swiss boarding-school, and there, among many accomplishments, had acquired a thorough knowledge of the English language. She had been charmed with the accounts she had read of the work of the English ladies among the cottagers on their large estates. She had determined to "do just so" when she was fairly settled at home. She would now begin at once with Nono. She felt she had a kind of charge over him. Had not her own dear mother died in Italy, where his mother came from? That baptism, too, she could never forget! He should not grow up like a heathen in Sweden if she could prevent it. She would have him up at "the big house" every day for a Scripture lesson. She wanted to paint him too; how lovely he would be in a picture! She must have the old man with him. How charming it would be to sketch youth and age working in the garden together! She could pay them for their time, and they would look up to her as a kind of guardian angel. Alma flitted along, almost as if she had wings already, as these pleasant thoughts floated through her mind.

The angel seemed suddenly to change to a fury as a shout arose from behind a dark evergreen, and a nondescript-looking individual, ragged and dirty, came out upon her, exclaiming, —

"I suppose I must not come near your highness, looking as I do!"

Streaked with mud on face and clothing, his feet bare, and his trousers rolled up to his knees, her brother stood before her, his eyes gleaming with delight in spite of her evident displeasure.

"I've got a basket of polywogs, and some delicious bugs, and a big caterpillar that would make your mouth water if you were addicted to vermicelli. See here!"

He moved as if he were about to open up his treasures for her inspection.

"Do keep away, Frans!" exclaimed Alma, as she drew her befrilled and beflounced skirt about her, as if to escape dangerous contagion.

At this moment she swept in at the gate that led to the house, and shut it hastily behind her.

"I'm going in the back way, anyhow," said Frans, with a merry laugh. "Your grace and my grace cannot well make our entrée together."

"The most troublesome boy in the world!" said Alma to herself, and she expressed her sincere conviction.

At this moment Alma saw the bent form of her father riding slowly before her. Her whole expression changed again, and she quickened her steps into a run, and was soon at his side.

"Are you very tired, papa, after your little ride?" she said tenderly.

"No, darling. But how fresh and rosy you look! The air of old Sweden suits you, I see."

How happy the two were together! how gentle and loving were they both! Alma really looked like the guardian angel she meant to be to Nono and Uncle Pelle.