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An earlier version of chapter 4 appeared as “Poe’s Visual Tricks,” Poe Studies / Dark Romanticism 38, nos. 1–2 (2005): 53–63.

An earlier version of chapter 5 appeared as “Poe’s Responses to Nineteenth-Century American Painting,” in Edgar Allan Poe (1809–2009): Doscientos años después, ed. Margarida Rigal Aragón and Beatriz González Moreno (Cuenca: Ediciones de la Universidad de Castilla–La Mancha, 2010), 111–20.

Library of Congress Cataloging-in-Publication Data

Cantalupo, Barbara, author.

Poe and the visual arts / Barbara Cantalupo.

p. cm

Summary: “Explores visual allusions in the writings of Edgar Allan Poe to paintings and sculptures he saw in Philadelphia and Manhattan. Examines how his writings relate to the visual culture of his time”—Provided by publisher.

Includes bibliographical references and index.

ISBN 978-0-271-06309-6 (cloth : alk. paper)

1. Poe, Edgar Allan, 1809–1849—Knowledge—Art.

2. Poe, Edgar Allan, 1809–1849—Criticism and interpretation.

3. Poe, Edgar Allan, 1809–1849—Aesthetics.

4. Poe, Edgar Allan, 1809–1849—Technique.

5. Art and literature—United States—History—19th century.

6. Art in literature.

I. Title.

PS2642.A66C36 2014

818’.309—dc23

2013046957

Copyright © 2014 The Pennsylvania State University

All rights reserved

Printed in the United States of America

Published by The Pennsylvania State University Press,

University Park, PA 16802-1003

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It is the policy of The Pennsylvania State University Press to use acid-free paper. Publications on uncoated stock satisfy the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Material, ANSI Z39.48–1992.

This book is printed on paper that contains 30% post-consumer waste.

Poe and the Visual Arts

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