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Text message from Karli, April 19, 10.40 a.m.: U never told us yr house swapper is seriously hot.

To: Karli Henderson <hendo86@flowermail.com>

From: Molly Cooper <molly.cooper@flowermail.com>

Subject: House swap

Hi, Karli. Sorry—I can’t afford to reply to an international text message, so I’m resorting to e-mail. I must say your text came as a surprise. After all, the whole house swap idea came from you, and you knew I was swapping with a guy called Patrick Knight. As you also know, I only ever saw pictures of his house. I still have no idea what he looks like, so I couldn’t tell you anything about his appearance.

Actually, the lack of photos lying about here (not even an album that I can take a sneaky peek at) made me think that Patrick was shy about his appearance.

Is he seriously good-looking?

Honestly?

I’m having a ball here—not on the guy front (sigh), just exploring London. But I’m eventually going to have to get some work. The mortgage must be paid. As you know, Pandanus Cottage is my one and only asset, my key to getting ahead.

Have you spoken to Patrick? Does he have a sexy English accent? I’ve discovered that not many Londoners actually speak like Jeremy Irons or Colin Firth, which is a bit of a disappointment for me, but I suppose others wouldn’t agree. Beauty is in the ear of the receiver, after all.

How’s Jimbo?

Molly x

To: Molly Cooper <molly.cooper@flowermail.com>

From: Karli Henderson <hendo86@flowermail.com>

Subject: Re: House swap

Glad you’re having a great time, Mozza, but I’m not sure that I should give you too many details about your swapper’s looks. You might come racing home.

Be fair, girl. You’re over there in London with millions of Englishmen and we have just one here. Not that your Patrick has shown any signs of wanting to mix with the locals. He’s a bit aloof. Dare I say snooty? He brushed off Jodie Grimshaw. He was ever so polite, apparently, but even she got the message—and you know what that takes.

Our news is that Jimbo’s applying for a job with a boat builder in Cairns, so it could turn out that we won’t be on the island for much longer.

Have I told you lately that I’m very proud of you, Molly? I think you’re so brave to be living in a huge city on the far side of the world. All alone.

You’re my hero. Believe it.

Karli x

To: Karli Henderson <hendo86@flowermail.com>

From: Molly Cooper <molly.cooper@flowermail.com>

Subject: House swap

Karli, I’m sending positive thoughts to Jimbo for the job interview in Cairns, although I’m sure you know I’m going to really miss you guys if you leave the island. You’ve been my best friends my whole life!

But I can’t be selfish. I know how much you’d like Jimbo to have a steady job that pays well, and you’ll be able to start planning your future (including that trip to Vegas), so good luck!!

Re: Patrick Knight. I hope he’s not being too standoffish and stuck up, or the islanders will give him a hard time.

I’m sure he’s not really snooty. He and I have been swapping e-mails and he seems a bit reserved, but quite nice and helpful. Actually, he’s probably keeping to himself because he simply hasn’t time to socialise. He’s very busy writing a book, and he only has three months off, so he’ll have his head down, scribbling (or typing) madly.

Just the same, I think you’re mean not telling me more about him. He’s in my house, sleeping in my bed. Really, that’s a terribly intimate relationship, and yet I have no idea what he looks like!

Why are you holding back? What are you hiding about him? Maybe you could find time to answer a few quick questions?

Is Patrick tall? Yes? No?

Dark? Yes? No?

Young? Like under 35? Yes? No?

Is he muscular? Yes? No?

Good teeth? Yes? No?

All of the above?

None of the above?

M x

To: Molly Cooper <molly.cooper@flowermail.com>

From: Karli Henderson <hendo86@flowermail.com>

Subject: Re: House swap

Chillax, girlfriend.

All of the above.

K

To: Patrick Knight <patrick.knight@mymail.com>

From: Molly Cooper <molly.cooper@flowermail.com>

Subject: FYI

Progress report on the tube assault by Ms Molly Elizabeth Cooper:

A preliminary reconnaissance of Sloane Square Tube station was made this afternoon at 2.00 p.m.

• Thirty minutes were spent in the forecourt, perusing train timetables and observing Londoners purchasing tickets and passing through turnstiles

• Names of the main stations on the yellow Circle Line between Sloane Square and King’s Cross were memorised—South Kensington, Gloucester Road, Notting Hill Gate, Paddington, Baker Street. Ms Cooper didn’t cheat. She loved learning those names and letting them roll off her tongue!

• Ms Cooper acknowledged that people emerging from the Underground did not appear traumatised. Most looked bored, tired or in a dreadful hurry. A handful of passengers almost, but not quite, smiled. One was actually laughing into a mobile phone.

• Ms Cooper purchased a day pass, which she may use some time in the near future.

Ms Cooper’s next challenge:

• To actually enter the Underground.

To: Molly Cooper <molly.cooper@flowermail.com>

From: Patrick Knight <patrick.knight@mymail.com>

Subject: Re: FYI

Dear Molly

Congratulations! I’m very proud of you for taking such positive steps. I feared you’d miss another great London experience. In no time you’ll be dashing about on the Underground and reading racy novels to conquer your boredom instead of your fear.

Speaking of novels—you’ve expressed concern about the progress of mine, but I can assure you it is well in hand. It’s a thriller, set in the banking world. It has an intricate plot, so I want to plan every twist and turn very carefully in advance. To this end, I’ve been taking long walks on the island. I walked from Alma Bay to The Forts and back yesterday. A group of Japanese tourists pointed out a lovely fat koala asleep in the fork of a gum tree.

While I’m walking, I think every aspect of my novel through in fine detail. The plotting is almost complete, and I plan to start the actual writing very soon.

Regards

P

To: Patrick Knight <patrick.knight@mymail.com>

From: Molly Cooper <molly.cooper@flowermail.com>

Subject: Re: FYI

That is such a brilliant idea—to set your novel in the banking world. Don’t they always say you should write about what you know? And a thriller! Wow! I’d love to hear more.

Go, you!

M x

Private Writing Journal, April 27th.

Working hard or hardly working? Ha-ha-ha-ha-ha-ha.

I’m attacking the novel from a different angle (away from the window—views can be too distracting). I’ve gone about as far as I can with planning the plot, so I’m creating character charts now. A good story is all about the people in it, so once I have a firm grip on the lead characters the story will spring to life on the page.

Here goes …

Hero: Harry Shooter—nearing forty, former intelligence officer with MI5, hired by the Bank of England specifically to hunt down spies who pose as bank employees then hack into the systems and siphon off funds. Harry’s a tough guy—lean and stoic, hard-headed but immaculately dressed, with smooth, debonair manners. A modern James Bond.

Female lead: Beth Harper—mid-twenties. Innocent bank teller. Shoulder-length curly hair, lively smile, great legs, sparkling eyes … Mouthy—and nosy—yet smarts …

That’s as far as I’ve got. For the past half-hour I’ve been staring out of the frigging window again.

This is hopeless. Writing down a few details hasn’t helped. I’m no closer to actually starting my novel. I can’t just dive into the fun bits, the action. What I need is to work out first what these characters would actually say to each other, how they’d think, how they’d feel! What I really need is a starting situation—something that will grab the reader.

It won’t come.

I’m still blocked.

I have a sickening feeling that this whole house swapping venture has been a huge, hideous mistake. The strangeness and newness of everything here is distracting rather than helpful. I can’t concentrate and then I procrastinate and the cycle continues.

I guess this is what happens when you’re desperate and you choose a holiday destination by spinning the globe. Normally I would have given such a venture much more thought. Thing is, apart from enjoying the beautiful scenery on this island there’s not a lot else to do. That was supposed to be a plus.

If the writing was flowing everything would be fine.

But if it’s not, what have I got? There are a few cafés and resorts, a pub or two, a gallery here and there, but no cinema. Not even a proper library.

I spend far too much of my time thinking about Molly in London, imagining the fun of showing her around, helping her to explore the hidden secrets she’s so keen to discover.

Funny, how a stranger can make you take a second look at your home town.

I feel like a fraud.

To: Patrick Knight <patrick.knight@mymail.com>

From: Molly Cooper <molly.cooper@flowermail.com>

Subject: Rambling

Patrick, would you believe I actually woke up feeling homesick today? I can’t believe it. I haven’t been here long enough to be homesick, but I looked out the window at the grey skies and the sea of rooftops and streams of people and streets and traffic and fumes and I just longed for my tree-covered headland, where I can’t see another house, and to be able to breathe in fresh, unpolluted air.

I stopped myself from moping by going to Wimbledon Common. It involved a bit of jumping on and off buses, but I got there—and it was perfect. Just what I needed with its leafy glades and tangled thickets and stretches of heath. I love that it still has a wild feel and hasn’t been all tidied up—and yet it’s right in the middle of London.

The minor crisis is over. I’m back in love with your city, Patrick.

Molly x

To: Patrick Knight <patrick.knight@mymail.com>

From: Molly Cooper <molly.cooper@flowermail.com>

Subject: Your mother … long!

You win, Patrick.

Your mother came, she saw, she conquered. In the nicest possible way, of course. I have now ventured into the bowels of the Underground, I’ve travelled all the way to Paddington Station and back, and it didn’t hurt a bit.

Let me tell you how it happened.

WARNING: this will be a long read, but it’s all of your making!

It started with a phone call this morning at about ten o’clock.

‘Is that Molly?’ a woman asked in a beautiful voice.

I said, tentatively, ‘Yes.’ I couldn’t think who would know me.

‘Oh, lovely,’ she said. ‘I’m so pleased to catch you at home, Molly. This is Felicity Knight. Patrick’s mother.’

I responded—can’t remember what I actually said. I was too busy hoping I didn’t sound as suddenly nervous as I felt. Your mother’s voice is so very refined and my accent is … well, very okker. (Australian!)

She said, ‘I have some errands to run this afternoon, and I’ll be just round the corner from Alice Grove, so I was hoping I could pop in to say hello.’

‘Of course,’ I said in my plummiest voice. ‘That would be lovely.’

But I could smell a rat, Patrick. Don’t think you can fool me. I knew you’d sent her to check up on me—maybe even to hold my hand on the Tube. However, I must admit that even though I told you not to speak to your mum about my little problem I am honestly very grateful that you ignored me.

‘We could have afternoon tea,’ your mother said.

I tried to picture myself presiding over a tea party. Thank heavens my grandmother taught me how to make proper loose-leaf tea in a teapot, but I’ve never been one for baking cakes. What else could we eat for afternoon tea?

I shouldn’t have worried. Your mum was ten jumps ahead of me.

‘There’s the loveliest little teashop near you,’ she said next. ‘They do scrumptious high teas.’

And you know, Patrick, I had the most gorgeous afternoon.

Your mother arrived, looking beautiful. Doesn’t she have the most enviable complexion and such elegant silver-grey hair? She was wearing a dove-grey suit, with a lavender fleck through it, and pearls. I was so pleased I’d brought a skirt with me. Somehow it would have been totally Philistine to go to high tea in Chelsea in jeans.

And, you know … normally, beautifully elegant women like your mother can make me feel self-conscious about my untidy curls. My hands and feet seem to grow to twice their usual size and I bump into and break things (like delicate, fine bone china), and I trip on steps, or the edges of carpet.

Somehow, magically, Felicity (she insisted that I mustn’t call her Mrs Knight) put me so at ease that I felt quite ladylike. At least I didn’t break or spill anything, and I didn’t trip once.

We dined in fine style. The tea was served in a silver teapot and we drank from the finest porcelain cups—duck-egg-blue with gold rims and pink roses on the insides—and the dainty food was served on a three-tiered stand.

And, no, I didn’t lift my pinkie finger when I drank my tea.

We stuffed ourselves (in the most delicate way) with cucumber sandwiches and scones with jam and clotted cream and the daintiest melt-in-your-mouth pastries.

And we talked. Oh, my, how we talked. Somehow your mother coaxed me to tell her all about myself—how my parents died when I was a baby and how I was raised on the island by my grandmother. I even confessed to my worry that living on an island has made me insular, not just geographically but in my outlook, which is why I’m so keen to travel. And that my first choice was London because my favourite childhood story was 101 Dalmatians, and I’ve watched so many movies and read so many books set in London.

And because my father was born here.

I was very surprised when that little bit of info slipped out. It’s honestly not something I dwell on. My parents died when I was eighteen months old, and I only have the teensiest memories of them … so wispy and fleeting I’m not sure they’re real. I think I can remember being at floor level, fascinated by my mother’s painted toenails. And lying in a white cot, watching a yellow curtain flutter against a blue sky. My father’s smiling face. My hand in his.

It’s not a lot to go on. My gran was the most important person in my life, but she died just under a year ago, and if I think about my missing family too much I start to feel sorry for myself.

But, talking to your mother, I learned that your father lives somewhere up in Scotland now, and you don’t see him very much. Why would any sane man divorce Felicity? I’m so glad Jonathan has arrived on the scene. Yes, her new man got a mention, too.

In the midst of our conversation it suddenly felt very important for me to find where my dad was born. I’d like to know something about him, even just one thing. So I’m adding his birthplace to my list of things I want to discover while I’m here, although I’m not quite sure where to start.

You’ll be relieved to hear that I stopped myself from telling Felicity about my dream of dating a British gent. A girl has to have some secrets.

It’s different talking to you, Patrick. I can tell you such things because we’re not face-to-face. You’re a safe twelve thousand miles away, so you get to hear everything. You’re very tolerant and non-judgemental and I love you for it.

Felicity, of course, told me loads about you, but you know that already, so I won’t repeat it. Anyway, you’d only get a swelled head. Your mother adores you—but you know that, too, don’t you? And she’s so proud that you’re writing a novel. You wrote very clever essays at school, so she knows you’ll be a huge success.

Anyway, as I was saying, we got on like the proverbial house on fire—so much so that I was shocked when I realised how late it was. Then, as we were leaving, Felicity told me she was catching the Tube home.

That was a shock, Patrick. I’d been lulled into a false sense of security and had totally forgotten the possibility that she might know about my Tube issues. Besides, your mother has such a sophisticated air I assumed she’d catch a taxi if she hadn’t brought her own car.

But she said the Tube was fast and convenient, and so I walked with her to Sloane Square Station and we chatted all the way until we were right inside. And then it seemed like the right thing to do to wait with her till her train arrived. Which meant stepping onto the escalator and heading down, down into the black hole of the Underground!

That was a seriously freaking-out moment.

Honestly, I could feel the beginnings of a panic attack, and I was sure I couldn’t breathe. But Felicity was so calm and smiling, telling me what a lovely afternoon she’d had, and suggesting that maybe we could have another afternoon together some time. She made me feel so OK I managed to start breathing again.

I must admit that once I was down there, standing on the platform, the station seemed so very big and solid and well-lit and I felt much better than I’d expected to. I actually told Felicity then that I’d been a tiny bit frightened, and she said she totally understood; she would be terrified if she was in the Australian Outback, and why didn’t I travel with her to Paddington?

She had to change trains there, but if I felt OK I could travel back on my own, and I’d soon be a Tube veteran. She even gave me her mobile phone number in case I got into trouble. She wouldn’t have reception until she was above ground again, but it didn’t matter—I was over the worst by then, and actually sitting on the train was fine.

Everything went so well I was able to text her: Thanks. This is a breeze!

So I think I’m cured.

And I know that ultimately you’re the person I should thank, Mr Patrick Knight-in-shining-armour. Because you arranged it, didn’t you?

I wish there was some way I could help you, but I don’t know the first thing about writing a novel.

Molly XXXXXXXXXXXXXXXXXXXXXXXXX

PS Feel free to tell me to pull my head in, but I did wonder if it’s possible to over-think the planning of a book. The way I over-thought the whole business of entering the Tube. Do you ever get the urge to just leap right in and let the words flow?