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Victor Mason sat at the desk in the sitting room of his suite at Claridge’s Hotel, studying the budget for his intended remake of Wuthering Heights.

With his usual punctiliousness, he examined the columns of figures, analysed each projected expenditure with objectivity, endeavouring to ascertain whether, and how, it could be trimmed. Painstakingly, he began to make headway, jotting notes on a yellow legal pad as he found ways to reduce the costs, and eventually at the end of two hours, through scrupulous cutting, he had saved four hundred thousand dollars.

He put down his pen and stared at the figures, and a smile of satisfaction settled on his face. It still wasn’t enough, but it was a start. The last thing he wanted to do was diminish the quality of the production, but he had always felt the budget was far too high, and when Jake Watson, his line producer, had called from Hollywood last night his qualms had been confirmed. Jake had pointed out, and in rather colourful language, that the estimated budget of three million dollars was simply not feasible for a film of this nature.

‘I’ve always felt it wouldn’t fly,’ Victor had told him, ‘even though it was prepared by one of the top production guys in Hollywood, as you know. Maybe that’s the essence of the problem. Since the picture is being made entirely in England, there are probably many ways I can save, which he didn’t consider, perhaps wasn’t even aware of, to be really fair. I’ll try and find a way to bring it in at two million five.’

Jake, whom Victor had just signed for the project, had retorted gloomily, ‘That’s still too high. Try to cut as much of the fat off as you can. I’ll work on it over the weekend. By Tuesday I should have some new figures.’

Jake is right, of course, Victor commented to himself. Two million is nearer the mark. But how do I cut another six hundred thousand dollars? He reached for the telephone to call Jerry Massingham, the English production manager he had engaged last week, and then his hand fell away. Why disturb the man on Sunday. They were scheduled to meet tomorrow and could discuss all the relevant details at that time. There was no real emergency for the next couple of days, and between Jake, Jerry and himself, they ought to be able to pull together a more realistic set of figures. Victor wanted every detail of the project settled and as quickly as possible. With all the facts and figures at his fingertips he could move ahead at once, and negotiate from strength.

Victor took off his horn-rimmed glasses and rubbed his eyes, and then stood up and walked across the room, stretching his legs. He had been at the desk for three hours already and although his progress had been slow, the decisions both trying and difficult, the effort had been worth it. But now he wanted a break. He suddenly wished he was back in Southern California and could take a canter around his ranch. Being essentially a physical man, accustomed to spending a great deal of time outdoors, he always found desk work constraining, despite the fact that budgets and figures intrigued him.

Oddly enough, and unlike most other actors, Victor Mason had acquired a trenchant understanding of the financial and business side of picture making, was aware of its countless ramifications, conversant with the myriad complexities not always comprehended by other artists. He had started his movie career as an extra in Hollywood at the age of twenty, and as he had embarked on the gruelling, rung-by-rung climb up the steep and slippery ladder to stardom, he had diligently made it a point to learn every aspect of movie making. This was for his own protection, with an eye to the future as well as his present work. If there ever came a time when he no longer wanted to be an actor, he would have a second career as a producer to fall back on.

Victor was not stupid. On the contrary, he had a keen intelligence, the ability to assess people and situations accurately, and he was a tough negotiator. Apart from being shrewd and calculating, he was ambitious and driven, and he was the complete realist with his eyes perpetually scanning the profit line. Most importantly, he was blessed with an unusual amount of foresight.

Long before any of his colleagues had seen it coming, he had predicted a radical change in the motion picture industry. He had proved to be right. Just as he had envisaged late in 1949, the old studio system had begun to disintegrate rapidly and was still plunging on its downward journey into total extinction. More and more stars were breaking free of the restrictions imposed upon them by the long-term contracts that tied them to such studios as Warner Brothers, Metro-Goldwyn-Mayer, Twentieth Century-Fox and Columbia. Not only the stars but all the other talent as well, such as producers, directors and writers, wanted their independence, control of their own careers and total approval of the projects they were involved with. And as far as the stars were concerned, a bigger chunk of the money, a percentage of the profits, to which they were undoubtedly entitled.

Victor had been one of the first to buck the studio system, and he had left the studio which had built him into a big name as soon as his long-term contract had expired. When the president had wanted to sign him up for another seven years he had demurred, and in 1952 he had started his own production company. Until now he had always engaged an outside independent producer to make the films he starred in, and which his company, Bellissima Productions, partially financed. With this remake of the old classic he would not only be on the screen but at the helm.

My first real freedom, he thought. But freedom does bring its own responsibilities.

The telephone rang. He turned around and stared at it in irritation, realizing he had forgotten to ask the hotel switchboard operator to monitor his calls. It shrilled again, insistently, and cursing himself for being so remiss earlier, he went to answer it.

‘Hello,’ he said in a gravely, muffled tone, attempting to disguise his voice.

‘You sound as if you were out on the tiles again last night, you old reprobate. I hope I’m not disturbing you, that this is not an inopportune moment. You sound half asleep for God’s sake. Disgusting at this hour. Are you not alone, perchance?’

Victor chuckled, recognizing Nicholas Latimer’s voice. This was standard dialogue between them, an old joke. They were both early risers, no matter what time they had gone to bed, or with whom. ‘Nicky, you son-of-a-gun, it’s great to hear from you. And of course I’m alone. What else. How’s Paris? How’s it going?’

‘Paris! You must be kidding. All I’ve seen of Paris are the walls of a hotel suite. And it’s not going badly. Quite the opposite, I’d say.’

‘That’s swell. When are you coming in?’

‘Soon,’ Nick replied laconically.

‘What the hell does that mean? Come on, give me a date, Nicky. I want to see you, to talk to you. It’s not the same when you’re not around. I miss my sparring partner.’

Nick said, ‘You all right? I detect a hint of – dejection maybe?’

‘I’m fine, not a bit dejected,’ Victor answered. ‘When can I expect you?’

‘I told you. Soon. When I’ve finished the second draft. It’s rolling pretty well. I’ve licked all the problems, and I think you’ll like the changes. Minor ones, really, but I believe they bring additional drama and effectiveness to the last few scenes.’

‘I’m certain I’ll like the new draft, Nick. There wasn’t much wrong with the first one, as far as I’m concerned.’

‘I know you were fairly well satisfied, Vic, but I felt it didn’t move quickly enough, that the pace was slow at the end. Anyway, I’ve sharpened it up in parts, and I’m pretty sure I’m on the right track now. Incidentally, have you heard from Mike Lazarus?’

Victor caught the subtle change in Nick’s tone, the worried intonation. ‘No, not for a few days. Why?’ he asked, instinctively alerted.

‘No real reason. I just wondered, that’s all. He’s a difficult bastard, and I know he’s been on your back for the second draft.’

‘Don’t worry about Lazarus, Nicky. I’m not. I can deal with him. And take all the time you need with the screenplay. We can’t start shooting for at least two months, you know.’

‘Points well taken, Victor. Listen, I’ve got to run, I have an appointment. It was nice talking to you, and I’ll be seeing you soon. Sooner than you think, kid.’

‘I can’t wait,’ Victor replied with a laugh, and they both hung up. He immediately lifted the receiver, told the operator to screen his calls and asked for room service. He ordered coffee, and then turned his attention to the production sheets again, wanting to make a final check of the new figures in readiness for the meeting with the production manager the next day. But his concentration had fled. He found himself thinking instead of Nicholas Latimer, and with not a little affection. He missed Nick and would be glad when he returned from Paris, where he had insisted on going, ‘To hole up and do the rewrite in peace and quiet, with no distractions,’ Nick had explained. Victor missed the younger man, for he had come to rely on his friendship, his companionship, his sharp wit and his incisive mind.

They had first met six years ago, when the writer, then only twenty-three, was being acclaimed as the bright new star on the American literary scene, after publication of his first novel. They had been at a chic party in Bel Air, and had taken to each other immediately. Discovering their mutual boredom with the other guests and the banal movie industry chit-chat, they had made their escape to a bar in Malibu, where they had quickly exchanged confidences and laughed a lot, slowly and diligently getting roaring drunk in the process. Within the space of the next few days, most of which were spent roistering and drinking, they had become firm friends. There were some of their intimates who thought the relationship between the glamorous macho Hollywood movie star and the East Coast intellectual novelist a trifle improbable, even ludicrous, in view of the many diversities in their personalities and backgrounds. Victor and Nicky cocked a snook at these gratuitous opinions.

They knew the reason for their friendship, the foundation for their growing closeness. Quite simply, they understood each other on a fundamental level, and they recognized, too, that this closeness actually sprang from those very disparities in their characters, backgrounds, upbringing and careers. ‘And let’s face it, we do share one common denominator. Neither of us is a wasp. But then I happen to think a wop and a yid make an unbeatable team,’ Nick had said sardonically at the time. Victor had roared. Nicky’s irreverence and his ability to laugh at himself were traits the actor appreciated. Nicholas Latimer and Victor Mason might have been tipped out from the same mould, for both were mavericks at heart.

Nick had rapidly become a permanent fixture in Victor’s life. He was a constant visitor at the ranch near Santa Barbara, he often travelled with Victor to the foreign locations of his movies, and he wrote two original screenplays for him, one of which turned out to be a smashing critical and commercial hit, and earned the two men an Oscar each. Nick also advised Victor on which movie properties to buy, and became a partner in Bellissima Productions. When they were not working, they took trips together. They went up to Oregon, to shoot duck, or fish for salmon at the mouth of the Rogue River; they went skiing in Klosters; they drank and womanized their way from Paris down to the French Riviera and on to Rome, leaving behind a trail of empty champagne bottles and a string of broken hearts. They had fun, they laughed a lot, and, in short, they became inseparable. As the years had passed they had grown to care for each other deeply, in that special way two completely heterosexual men can.

Nick is the best friend I’ve ever had, Victor said to himself, as he sat reflecting. The only real friend I’ve ever had. He instantly corrected himself. Except for Ellie. Yes, Ellie had been his truest and dearest friend, as well as his devoted wife, and he still missed her after all these years.

The numbing ache, which had dwelt in him since her death, flared savagely, and he squeezed his eyes tightly shut. Would he never be free of that terrible sense of loss, this perpetual ache in his gut? He doubted it. Ellie had been the one real miracle of his life, the one thing of true value, and she had possessed that rarest of all human qualities – absolute goodness. There never would be another woman like Ellie, not for him at least. No man was ever fortunate enough to have two such perfect relationship in a lifetime. It just wasn’t in the cards.

Ellie was the only one who deserved to share his fame, the comfort and privilege which came with his wealth, for she had worked like a dog to help him achieve it. But she had not lived to see him make it into the big time, to enjoy her well-earned rewards. There were times when it seemed to him that his fame was hollow without her beside him. In a sense, he thought of his success as an anomaly. Once the initial euphoria wore off, it had little real meaning, because there was no one to enjoy it with him, no one special who had been there at the beginning, who truly knew the heartache, the sacrifice, the struggle and the immense work it had taken to grasp it. And later, the effort expanded to hold onto it firmly with tenacious hands. That was perhaps the hardest part of all – holding onto the success. In reality it was so ephemeral. And it was lonely at the top. Hellish lonely.

Years ago, when he had been Victor Massonetti, construction worker, the simple Italian-American kid from Cincinati, Ohio, he had laughed disbelievingly when he had heard someone mouth that cliché. Now he knew it to be true.

Victor realized for the thousandth time how empty his life was without Ellie, and in so many different ways. His other two wives did not count at all, except for the aggravation they had managed to cause him, and neither had ever been able to expunge the memory of his lovely Ellie, or even remotely take her place. But, at least he had the twins. He thought of Jamie and Steve, back home in the States, and instantly the pain lessened, as it always did. And wherever Ellie was now, if there was such a thing as an afterlife, then she knew their boys were loved and safe and protected, and would be for all the days of his life. His mind lingered on his sons and then he made an effort to rouse himself, attempting to push aside the despondent mood which had descended on him so inexplicably.

After a while he felt more composed, and he started to check the figures in front of him, but he had no sooner begun on the second column than a loud knocking on the door disrupted the silence. Surprised, he looked up and frowned. That’s the fastest room service I’ve ever had in this hotel, he thought, striding to the door. He jerked it open, and his jaw dropped.

Nicholas Latimer was standing there, propped up against the door frame, grinning from ear to ear.

‘Sooner than I think indeed!’ Victor exclaimed huffily, glaring at Nick. But his mouth began to twitch with laughter.

‘I know, don’t say it! I’m a bastard and a childish one at that, pulling this assinine trick on you,’ Nick declared. They grasped hands and embraced roughly, and Victor said, ‘Well, don’t stand there, you clown. Come on in.’

‘I took the first plane from Paris this morning. I just checked in a while ago,’ Nick said, his wide grin intact. ‘When I called you I was already in the suite down the hall, as you’ve probably guessed. Couldn’t resist it, kid.’ He ambled into the sitting room and glanced around. ‘Mmmm. Not bad. I like this better than the other suite you had, it’s more your style.’ Nick lowered his long, lanky frame into the nearest chair, slumped down into it, and threw a manilla envelope onto the coffee table with casual grace. ‘I tried to call you last night, but you were out. So –’ He shrugged. ‘Well, I decided to fly in. I thought I’d surprise you.’

‘You succeeded. And I’m glad you’re here. I just ordered coffee. Do you want some? How about breakfast?’

‘Just coffee. Thanks, Vic.’

Victor went to the telephone and Nick stood up and took off his sports jacket. He draped it over the back of a chair and sat down again. His icy-blue eyes, usually twinkling and full of mischief, were contemplative, and the grin that gave his boyish face a puckish quality, was missing. He looked across at Victor, and his face softened with fondness. He had been right to pack up in Paris and come to London. This was too important to discuss on the telephone. And two heads are infinitely better than one in this kind of situation, he thought. He lit a cigarette and stared at the burning tip, wondering how Victor would receive the news he was about to impart. With equanimity? Or would his Latin temperament get the better of him, as it sometimes did when he was thwarted. Of course, Victor would be angry, and with good reason, but he had a reservoir of self-control and the ability to sheath his emotions when he so wished. Nick decided it could go either way.

Victor sat down opposite Nick, his eyes focused on the envelope. ‘Is that the second draft of the screenplay?’ he asked.

‘It sure is, kid. It’s more or less finished. I have a few changes to make on the last six pages, but I can do that tomorrow. In the meantime, it’s all yours. You can read it later.’ He fell silent, drawing on his cigarette. ‘I came in a couple of days earlier than I’d planned because I wanted to talk to you,’ he said finally.

Recalling Katharine’s words on the previous evening, Victor said, ‘You’ve heard of the telephone, haven’t you?’ He smiled at Nick. ‘Don’t answer that. Obviously you have something important to say, or you wouldn’t be here. Not with Natalie stashed in Paris. Or did you bring her with you?’

‘No. She’s not in Paris either. She had to go back to the Coast to start her new picture. She left in the middle of this past week.’ Nick eyed the rolling cart holding bottles of liquor and soft drinks. ‘I don’t think I want coffee after all. I’d prefer a drink. How about you?’

Victor peered at his watch. ‘Why not. The pubs are now officially open, so I might as well start pouring. What do you want? Scotch or vodka?’

‘Vodka with some tomato juice. And fix yourself a stiff drink. I believe you’re going to need it.’

Victor, who was half-way to the bar, swivelled, staring hard at Nick. He said carefully, ‘Oh. Why?’

‘I’ve given you the good news about the screenplay.’ Nick attempted a smile, but it faltered instantly. ‘But we’ve got a problem. A really serious problem.’

‘Let’s have it.’ Victor picked up the bottle of vodka and proceeded to make Nick’s drink.

‘Mike Lazarus is in Paris –’

‘Lazarus! But I spoke to him only last Wednesday and he was in New York,’ Victor cried. He carried the drinks back to the seating arrangement in front of the fireplace, and sat down.

‘Maybe so. But right now he’s well ensconced in the Plaza-Athénée.’ Noting the surprise registering on Victor’s face, Nick exclaimed heatedly: ‘You should know what he’s like by now, Vic! When you’re the president of a multinational corporation, as he is, you’re ubiquitous. And he thinks nothing of hopping onto that private plane of his and hitting the sky as casually as though he’s driving down the Los Angeles freeway.’ He lifted his glass. ‘Cheers.’

‘Down the hatch.’ Victor fixed his eyes tightly on Nick. ‘I have the oddest feeling you’re about to tell me Lazarus is on the war-path. About the picture. So what? I’m ready for him. And I’ve told you before, I can deal with him. Believe me, I really can.’

Nick raised his hand. ‘Wait, Vic. Just hear me out, please. You’re right. Lazarus is on a rampage. He’s also heading for London –’

‘How come you’re so well informed about Lazarus? And what he’s up to? How do you know so much?’

Nick said slowly, choosing his words with care, ‘You know, life is full of surprises, and it can be awfully ironic. Do you remember Hélène Vernaud, the Dior model I used to date?’

‘Sure. The tall brunette with the stunning figure and the great legs.’

Nick could not resist laughing. Trust Victor to remember a beautiful girl. ‘Let’s forget about her figure. She happens to be a graduate of the Sorbonne and the London School of Economics, and she is extremely astute. In fact, she’s a hell of a lot smarter than most people I know. Anyway, as you know, we remained friends after we split up, and I called her when I got to Paris three weeks ago. We had lunch, a few laughs remembering old times, and all that jazz. Halfway through lunch she asked me what I was writing. I told her I was doing the screenplay of Wuthering Heights. For you. She immediately became tense and strained, even a little agitated, much to my amazement. She then blurted out that she knew something about the picture because she was involved with its main backer, Mike Lazarus. To tell you the truth, I was floored. But, not to digress. Hélène begged me not to mention our lunch. Apparently Lazarus is very jealous and keeps her on a tight rein.’ Nick stood up. ‘I need another Bloody Mary. Can I fix you a Scotch?’

Victor declined, then asked, ‘What’s a beautiful, bright, high-class girl like Hélène doing with that slimy snake-in-the-grass Lazarus?’

‘God knows.’ Nick returned to his chair. ‘In any event, I promised her she could rely on my absolute discretion, should I have the misfortune to be in Mike Lazarus’s company in the near future. We finished lunch in a more relaxed manner, and that was that. Natalie flew in from Hollywood for a few days, and I forgot all about Hélène and her involvement with Lazarus. Until yesterday morning. She called me from her mother’s apartment, sounding very secretive and nervous, and asked me to meet her there within the hour. I didn’t know what it was all about. Obviously. But I think enough of Hélène to trust her judgment. I’m glad I do. Last Friday she was having dinner with Lazarus in his suite at the Plaza-Athénée, when he received a call. It was either from New York, or the Coast, Hélène wasn’t sure –’

‘And she heard something of importance about the picture, is that it?’ Victor interrupted.

‘Yep.’

‘Look, I don’t want to throw aspersions on Hélène’s veracity, or whatever, but I hardly think a man like Mike Lazarus is going to discuss important business in front of a girl friend. He’s secretive and paranoid, among other things.’

‘I agree with you. And perhaps someone less bright than Hélène would not have been able to put two and two together and make six. It was all pretty cryptic. However, a number of things he said led her to believe he was referring to us, and our picture, although he didn’t actually mention any names.’

‘Then how can she be so sure?’ Victor demanded, giving Nick a doubtful stare, one brow lifting.

‘Because he had some scathing things to say about a screenplay by an esoteric novelist who is also a Rhodes Scholar, to quote Hélène quoting him. He was also extremely disparaging about a movie star who thought he was a producer, who was suffering from la folie des grandeurs. Again, that’s a direct quote. It has to be us, Vic.’

Straightening up in the chair, Victor said, ‘O.K. I’ll grant you that. Now shoot. Give it to me straight.’

Nick took a deep breath. ‘He wants a new script by another writer. He won’t approve of an unknown actress playing the female lead. He thinks the budget is astronomically high. He discussed that at great length, by the way, with whoever was on the other end of the line. Hélène distinctly heard him say he thought it was padded, that three million dollars couldn’t be justified, couldn’t possibly show up on the screen. He seemed to think, from the tenor of his conversation, that he was about to be bled dry and robbed blind. Finally, he said he was going to remove the producer if he didn’t toe the line, and make him do what he did best. Acting.’

‘The son of a bitch!’ Victor exclaimed quietly, and his black eyes flashed dangerously. ‘What makes him think he can take over my film without so much as a by your leave! A project I’ve worked on for almost a year!’

Nick said evenly, ‘Because he has unmitigated chutzpah and also because he’s holding the cheque book. That’s why he thinks he can take over. And you know it.’

Victor gazed at Nick silently. Then he nodded, and after a long moment, he said, ‘Lazarus is correct about the budget, Nicky. It is too high. Mind you, it’s not padded. Merely erroneous.’ He glanced at the desk. ‘I’ve been sitting there all morning, cutting production costs.’ He related the conversation he had had with Jake Watson the previous evening, and went on, ‘I’m trying to bring the picture in at two million dollars.’

‘That ought to more than satisfy Lazarus,’ Nick said. ‘But there’s still the question of the script, and your position as producer –’

Cutting in, Victor said, with unusual sharpness, ‘Lazarus knows he cannot, and I repeat cannot, remove me as producer under any circumstances, however much screaming he does. He’s obviously trying to pull one on. And as the producer I have the final word on the script, and Lazarus knows that too.’

‘Even so, I honestly think he’ll give you trouble about casting an unknown in the Catherine Earnshaw role.’ Nick stopped, wondering uncertainly whether or not he should go on, and then he plunged in: ‘Listen, Vic, perhaps that is a bad idea. I know you can carry the picture yourself, that you don’t need any other big-name stars backing you up, but maybe Lazarus does have a point. Why even bother to test Katharine Tempest? Why don’t you give the part to an established movie actress, and save yourself additional problems with Lazarus?’

Victor shook his head. ‘No, Nicky. I’m testing Katharine.’

Nick observed him closely, and noting the adamant set of his jawline, he refrained from comment. He wondered to himself if Victor and Katharine were romantically involved, and quickly dismissed the idea as highly unlikely. But even if they were, the days of the casting couch were long since gone. Besides which, Victor was too shrewd, too tough and too much of the businessman to fall into that dangerous trap. He wouldn’t take any chances with his career, or his money, for a quick fling with a passing fancy. Notwithstanding, Nick was curious. ‘Why are you so keen on testing her?’

‘Because I gave her my promise, and because in a way she has earned it. Of course, there’s another reason, the most important reason of all. I just happen to believe she would be perfect in the part. There’s a kind of wildness in her, a fire, that reminds me very much of Cathy in Wuthering Heights. I think she would be as good as Merle Oberon in the role, perhaps even better. It strikes me Katharine Tempest has a lot more vivacity and spirit. If she tests the way I hope she will, I’m going to put her in the picture, and to hell with my backers, whoever they are.’ Victor’s mood changed abruptly, and he gave Nick a smile that hinted at his satisfaction. ‘I’m also going to sign her to a contract with Bellissima Productions. You see, I have a sneaking feeling Katharine Tempest is going to be a big star one day, although I wouldn’t say that to anyone else but you until after I’ve seen the test. Look, trust me. I know what I’m doing. From the very first moment I met Katharine I have felt that she has that – that indescribable thing, that IT. Charisma. Star quality. Whatever you want to call it. If she can project this quality to the camera, and I hope she can, then she’s home free. She’ll be very, very big. If she can’t –’ He pursed his lips regretfully. ‘Well, she’ll go on being a brilliant actress. On the stage.’ Now he chuckled, his eyes merry. ‘I don’t know why you haven’t spotted this quality in her yourself.’

‘As a matter of fact, I have. But –’ Nick’s voice trailed off and he lifted his shoulders in a weary gesture. ‘Look, Vic, I have to repeat that Lazarus will never go for the idea of an unknown actress in this role, however good she is. He seems hell bent on getting a big female movie star to play opposite you. You know something else? I have a strong suspicion he’s going to arrive in London before you can blink. I wouldn’t be a bit surprised if he’s here already.’

Victor rose and poured himself another Scotch. ‘I might as well tell you, I’ve been seriously thinking of dumping Lazarus.’ This was uttered with casualness, indifference even, and he looked unconcerned. ‘In fact, the thought’s been hovering at the back of my mind for a couple of weeks. He’s an autocratic, interfering bastard. A megalomaniac. And just because he runs a giant multinational corporation doesn’t mean he knows how to produce a movie, although he undoubtedly believes he does. But he’s a rank amateur in our business. It has struck me innumerable times lately, and quite forcibly, that I’m letting myself in for a lot of headaches if I take him into Bellissima Productions. Or rather, let him invest in the picture. I’m sorry I ever got involved with him, to tell you the truth. And what I’ve just heard from you makes me more wary than ever. I think I have to lose him, and quickly.’

‘Jesus, Vic! That would be great. But how are you going to get rid of him? I thought you had a contract.’

‘A contract was drawn between Bellissima Productions and Lazarus, but I haven’t signed it yet. There were a couple of clauses in it that bothered me, and I sent it over to my solicitor here. A copy has also gone to my lawyer in Beverly Hills. I’m waiting for their opinions before I sign. So you see, I can dump him any time I want, without fear of repercussions. As yet, Mike Lazarus hasn’t invested a nickel, you know. So basically, he has no claims whatsoever. I’m still in the driver’s seat.’ He settled back, looking smug.

‘But how will you finance the picture without him?’ Nick asked worriedly.

‘Ah, and therein lies the rub, to quote good old Will Shakespeare. To be honest, I don’t know right now. I hadn’t wanted to go to one of the majors for financing as well as distribution, but I might have to in the end. Anything is better than Lazarus. Metro might be interested. What do you think?’

Nick frowned. ‘I honestly don’t know. They might not be too excited by a remake of Wuthering Heights. Did you see that story in Variety a couple of weeks back? The exhibitors were sounding off about remakes, and in very strong terms. They think they are box office poison, that people aren’t interested in them.’

‘Oh come on, sport, forget it, and let me worry about the timeliness of the picture, the money, and all that jazz. I think Hélène’s information about Lazarus has spooked you a bit. For God’s sake, don’t let’s get depressed about that joker. I’ll find a way to pull the deal together. Now, why don’t we get out of here? I’d like some fresh air and a brisk walk. Shall we mosey on up to the Connaught Hotel for lunch? It’s the whole enchilada on Sunday.’

‘That’s a great idea,’ Nick said, trying to sound cheerful.

‘Give me five minutes to get dressed. And help yourself to another drink while you’re waiting.’

‘Thanks, I will.’ Nick stood up and walked over to the bar cart, deep in thought. He turned. ‘I say, Vic, can I ask you something?’

‘Sure.’ Victor paused at the bedroom door, his hand resting on the knob, conscious of the gravity in Nick’s tone.

Nick’s face was unusually solemn. ‘Assuming you definitely decide not to go ahead with Mike Lazarus as your main backer, what will you do if you can’t get financing from one of the majors, such as Metro, Twentieth or Warners?’

A thoughtful look drifted across Victor’s face, and he cleared his throat. ‘I’ll have to abort the production. Cancel the picture. I’ll have no alternative,’ he said with some deliberation, having already confronted this possibility and made his decision. ‘The pre-production money will go down the drain unfortunately, but there’s not much I can do about that. And thank God it won’t cripple Bellissima Productions. It can be written off as a tax loss.’ He sighed lightly. ‘C’est la guerre, old buddy.’ He gave Nick a lopsided grin and went through into the bedroom.

Cancel the picture, Nick thought, staring after him, staggered, disbelieving. After all the hard work they had put into it. Jesus Christ! Not only the pre-production money would go down the drain, but a year of their lives as well. Yet Nick knew Victor meant every word. Things were always carefully evaluated and well thought out before he made a judgment. His decisions were nothing if not judicious and pragmatic.

Nick felt his own sharp disappointment as he considered the screenplay he had laboured on so diligently and with such love these past endless months. He knew it to be one of his best pieces of writing, and he suddenly felt sick at heart at the idea of its never seeing the light of day.

You’re being selfish. You’re only thinking about yourself, he muttered, carrying his drink over to the window. He parted the curtains and looked out, but saw nothing except a dim blur of grimy buildings washed in wintry sunlight. But a lot of other people will be disappointed too, thought Nick sadly, not the least Victor, who had dreamed of making Wuthering Heights for the longest time, was aching to play Heathcliff for the sheer challenge the role offered to him. Nick knew Victor wanted to stretch his talent, was weary of being thought of simply as an immense presence on the screen.

He and Victor would recover from their disappointment relatively quickly, as would the production team, and move on to other projects. Victor had several offers for future films lined up, and he himself had a new novel fermenting in his head, and was anxious to start working on it as soon as possible. Yes, he and Victor were lucky in that respect. They would cut their losses, lick their wounds and walk away reasonably unscarred. But what of Katharine Tempest? She was staking everything on the screen test and the role in the film. It was a rare chance for her to catapult herself into the big time with unusual speed. Without Victor and this film it could be years before she was offered another such incredible break. If ever. Undoubtedly Katharine had put all her chips on this roll of the dice. She could win big. Or lose hard. And if she lost she would be devastated. Nick knew all of this although he had never been the recipient of any confidences from her. He simply knew it through intuition.

Nick let his thoughts dwell on Katharine. He understood why Victor saw great potential in her as a movie actress. Nick was not blind to Katharine’s attributes, which were manifold. However, conversely, his personal reaction to her was quite different from everyone else’s. Her extraordinary beauty had not beguiled him, nor had her enormous charm captivated him. In essence, she had failed to touch him as a man, and very simply he was not sure of her as a woman. Nick had detected an inherent coldness in her personality. It was a frigidity really, and, to him, this seemed all the more peculiar in view of her apparent sensuality. Except that instinctively he felt this was a façade she presented to the world, was bound up with her looks and had nothing to do with her true nature. The sensuality was on the surface. It did not run deep in her. On the few occasions he had been in her company, he had become increasingly aware of other traits which disturbed him. It struck him, unexpectedly, that there was a dichotomy in Katharine’s makeup. There was no denying her warmth and gaiety. Yet at other times she appeared strangely removed, to him, as if she had the ability to stand away from herself, as though she viewed everthing with cool indifference. No, immense detachment. He thought now: She is isolated and uninvolved with anyone on a human level.

He shook his head in bewilderment. Oh, Christ, I’m being over imaginative, he decided. There’s nothing wrong with the girl really. She’s excessively ambitious perhaps, but then who isn’t in this business. With a small shock Nick admitted he did not particularly like her, and this revelation astonished him. There was no real basis for his active dislike, and yet dislike her he did.

As he stood, sipping his drink and staring out of the window, striving to analyse his feelings, Nicholas Latimer did not know that it would take him years to fully comprehend his complex emotions in regard to Katharine Tempest.