Читать книгу The Art of War - baron de Antoine Henri Jomini - Страница 46

Table of Contents

It is proposed to show that there is one great principle underlying all the operations of war—a principle which must be followed in all good combinations. It is embraced in the following maxims:—

1. To throw by strategic movements the mass of an army, successively, upon the decisive points of a theater of war, and also upon the communications of the enemy as much as possible without compromising one's own.

2. To maneuver to engage fractions of the hostile army with the bulk of one's forces.

3. On the battle-field, to throw the mass of the forces upon the decisive point, or upon that portion of the hostile line which it is of the first importance to overthrow.

4. To so arrange that these masses shall not only be thrown upon the decisive point, but that they shall engage at the proper times and with energy.

This principle has too much simplicity to escape criticism: one objection is that it is easy to recommend throwing the mass of the forces upon the decisive points, but that the difficulty lies in recognizing those points.

This truth is evident; and it would be little short of the ridiculous to enunciate such a general principle without accompanying it with all necessary explanations for its application upon the field. In Article XIX. these decisive points will be described, and in Articles from XVIII. to XXII. will be discussed their relations to the different combinations. Those students who, having attentively considered what is there stated, still regard the determination of these points as a problem without a solution, may well despair of ever comprehending strategy.

The general theater of operations seldom contains more than three zones—the right, the left, and the center; and each zone, front of operations, strategic position, and line of defense, as well as each line of battle, has the same subdivisions—two extremities and the center. A direction upon one of these three will always be suitable for the attainment of the desired end. A direction upon one of the two remaining will be less advantageous; while the third direction will be wholly inapplicable. In considering the object proposed in connection with the positions of the enemy and the geography of the country, it will appear that in every strategic movement or tactical maneuver the question for decision will always be, whether to maneuver to the right, to the left, or directly in front. The selection of one of these three simple alternatives cannot, surely, be considered an enigma. The art of giving the proper direction to the masses is certainly the basis of strategy, although it is not the whole of the art of war. Executive talent, skill, energy, and a quick apprehension of events are necessary to carry out any combinations previously arranged.

We will apply this great principle to the different cases of strategy and tactics, and then show, by the history of twenty celebrated campaigns, that, with few exceptions, the most brilliant successes and the greatest reverses resulted from an adherence to this principle in the one case, and from a neglect of it in the other.