Читать книгу The Argus Pheasant - Beecham John Charles - Страница 5

It was a blistering hot day in Bulungan. The heavens were molten incandescence. The muddy river that bisected the town wallowed through its estuary, a steaming tea-kettle. The black muck-fields baked and flaked under the torrid heat. The glassy surface of the bay, lying within the protecting crook of a curling tail of coral reef, quivered under the impact of the sun's rays like some sentient thing.

In the village that nestled where fresh and salt water met, the streets were deserted, almost lifeless. Gaunt pariah dogs, driven by the acid-sharp pangs of a never-satiated hunger, sniffed among the shadows of the bamboo and palmleaf huts, their backs arched and their tails slinking between their legs. Too weak to grab their share of the spoil in the hurly-burly, they scavenged in these hours of universal inanity. The doors of the huts were tightly closed – barricaded against the heat. The merchant in his dingy shop, the fisherman in his house on stilts, and the fashioner of metals in his thatched cottage in the outskirts slept under their mats. Apoplexy was the swift and sure fate of those who dared the awful torridity.

Dawn had foretold the heat. The sun shot above the purple and orange waters of the bay like a conflagration. The miasmal vapors that clustered thickly about the flats by night gathered their linen and fled like the hunted. They were scurrying upstream when Bogoru, the fisherman, walked out on his sampan landing. He looked at the unruffled surface of the bay, and then looked upward quickly at the lane of tall kenari trees between the stockade and government buildings on an elevation a short distance back of the town. The spindly tops of the trees pointed heavenward with the rigidity of church spires.

"There will be no chaetodon sold at the visschersmarkt (fishmart) to-day," he observed. "Kismet!"

With a patient shrug of his shoulders he went back to his hut and made sure there was a plentiful supply of sirih and cooling limes on hand.

In the fruit-market Tagotu, the fruiterer, set out a tempting display of mangosteen, durian, dookoo, and rambootan, pineapples, and pomegranates, jars of agar-agar, bowls of rice, freshly cooked, and pitchers of milk.

The square was damp from the heavy night dew when he set out the first basket, it was dry as a fresh-baked brick when he put out the last. The heavy dust began to flood inward. Tagotu noticed with dismay how thin the crowd was that straggled about the market-place. Chepang, his neighbor, came out of his stall and observed:

"The monsoon has failed again. Bunungan will stay in his huts to-day."

"It is the will of Allah," Tagotu replied patiently. Putting aside his offerings, he lowered the shades of his shop and composed himself for a siesta.

On the hill above the town, where the rude fort and the government buildings gravely faced the sea, the heat also made itself felt. The green blinds of the milk-white residency building, that was patterned as closely as tropical conditions would permit after the quaint architecture of rural Overysel, were tightly closed. The little cluster of residences around it, the controlleur's house and the homes of Marinus Blauwpot and Wang Fu, the leading merchants of the place, were similarly barricaded. For "Amsterdam," the fashionable residential suburb of Bulungan village, was fighting the same enemy as "Rotterdam," the town below, an enemy more terrible than Dyak blow-pipes and Dyak poisoned arrows, the Bornean sun.

Like Bogoru, the fisherman, and Tagotu, the fruit-vender, Cho Seng, Mynheer Muller's valet and cook, had seen the threat the sunrise brought. The sun's copper disc was dyeing the purple and blue waters of the bay with vermilion and magentas when he pad-padded out on the veranda of the controlleur's house. He was clad in the meticulously neat brown jeans that he wore at all times and occasions except funeral festivals, and in wicker sandals. With a single sweep of his eyes he took in the kenari-tree-lined land that ran to the gate of the stockade where a sleepy sentinel, hunched against a pert brass cannon, nodded his head drowsily. The road was tenantless. He shot another glance down the winding pathway that led by the houses of Marinus Blauwpot and Wang Fu to the town below. That also was unoccupied. Stepping off the veranda, he crossed over to an unshaded spot directly in front of the house and looked intently seaward to where a junk lay at anchor. The brown jeans against the milk-white paint of the house threw his figure in sharp relief.

Cho Seng waited until a figure showed itself on the deck of the junk. Then he shaded his eye with his arm. The Chinaman on the deck of the junk must have observed the figure of his fellow countryman on the hill, for he also shaded his eyes with his arm.

Cho Seng looked quickly to the right – to the left. There was no one stirring. The sentinel at the gate drowsed against the carriage of the saucy brass cannon. Shading his eyes once more with a quick gesture, Cho Seng walked ten paces ahead. Then he walked back five paces. Making a sharp angle he walked five paces to one side. Then he turned abruptly and faced the jungle.

The watcher on the junk gave no sign that he had seen this curious performance. But as Cho Seng scuttled back into the house, he disappeared into the bowels of the ugly hulk.

An hour passed before Cho Seng reappeared on the veranda. He cast only a casual glance at the junk and saw that it was being provisioned. After listening for a moment to the rhythmic snoring that came from the chamber above – Mynheer Muller's apartment – he turned the corner of the house and set off at a leisurely pace toward the tangle of mangroves, banyan, bamboo cane, and ferns that lay a quarter of a mile inland on the same elevation on which the settlement and stockade stood.

There was nothing in his walk to indicate that he had a definite objective. He strolled along in apparent aimlessness, as though taking a morning's constitutional. Overhead hundreds of birds created a terrific din; green and blue-billed gapers shrilled noisily; lories piped their matin lays, and the hoarse cawing of the trogons mingled discordantly with the mellow notes of the mild cuckoos. A myriad insect life buzzed and hummed around him, and scurried across his pathway. Pale white flowers of the night that lined the wall shrank modestly into their green cloisters before the bold eye of day. But Cho Seng passed them by unseeing, and unhearing. Nature had no existence for him except as it ministered unto his physical needs. Only once did he turn aside – a quick, panicky jump – and that was when a little spotted snake glided in front of him and disappeared into the underbrush.

When he was well within the shadows of the mangroves, Cho Seng suddenly brightened and began to look about him keenly. Following a faintly defined path, he walked along in a circuitous route until he came to a clearing under the shade of a huge banyan tree whose aërial roots rose over his head. After peering furtively about and seeing no one he uttered a hoarse, guttural call, the call the great bird of paradise utters to welcome the sunrise – "Wowk, wowk, wowk."

There was an immediate answer – the shrill note of the argus pheasant. It sounded from the right, near by, on the other side of a thick tangle of cane and creeper growth. Cho Seng paused in apparent disquietude at the border of the thicket, but as he hesitated, the call was repeated more urgently. Wrenching the cane apart, he stepped carefully into the underbrush.

His progress through it was slow. At each step he bent low to make certain where his foot fell. He had a mortal fear of snakes – his nightmares were ghastly dreams of a loathsome death from a serpent's bite.

There was a low ripple of laughter – girlish laughter. Cho Seng straightened quickly. To his right was another clearing, and in that clearing there was a woman, a young woman just coming into the bloom of a glorious beauty. She was seated on a gnarled aërial root. One leg was negligently thrown over the other, a slender, shapely arm reached gracefully upward to grasp a spur from another root, a coil of silky black hair, black as tropic night, lay over her gleaming shoulder. Her sarong, spotlessly white, hung loosely about her wondrous form and was caught with a cluster of rubies above her breasts. A sandal-covered foot, dainty, delicately tapering, its whiteness tanned with a faint tint of harvest brown, was thrust from the folds of the gown. At her side, in a silken scabbard, hung a light, skilfully wrought kris. The handle was studded with gems.

"Good-morning, Cho Seng," the woman greeted demurely.

Cho Seng, making no reply, snapped the cane aside and leaped through. Koyala laughed again, her voice tinkling like silver bells. The Chinaman's laborious progress through the cane had amused her. She knew why he stepped so carefully.

"Good-morning, Cho Seng," Koyala repeated. Her mocking dark brown eyes tried to meet his, but Cho Seng looked studiedly at the ground, in the affected humility of Oriental races.

"Cho Seng here," he announced. "What for um you wantee me?" He spoke huskily; a physician would instantly have suspected he was tubercular.

Koyala's eyes twinkled. A woman, she knew she was beautiful. Wherever she went, among whites or Malays, Chinese, or Papuans, she was admired. But from this stolid, unfathomable, menial Chinaman she had never been able to evoke the one tribute that every pretty woman, no manner how good, demands from man – a glance of admiration.

"Cho Seng," she pouted, "you have not even looked at me. Am I so ugly that you cannot bear to see me?"

"What for um you wantee me?" Cho Seng reiterated. His neck was crooked humbly so that his eyes did not rise above the hem of her sarong, and his hands were tucked inside the wide sleeves of his jacket. His voice was as meek and mild and inoffensive as his manner.

Koyala laughed mischievously.

"I asked you a question, Cho Seng," she pointed out.

The Chinaman salaamed again, even lower than before. His face was imperturbable as he repeated in the same mild, disarming accents:

"What for um you wantee me?"

Koyala made a moue.

"That isn't what I asked you, Cho Seng," she exclaimed petulantly.

The Chinaman did not move a muscle. Silent, calm as a deep-sea bottom, his glance fixed unwaveringly on a little spot of black earth near Koyala's foot, he awaited her reply.

Leveque's daughter shrugged her shoulders in hopeless resignation. Ever since she had known him she had tried to surprise him into expressing some emotion. Admiration, fear, grief, vanity, cupidity – on all these chords she had played without producing response. His imperturbability roused her curiosity, his indifference to her beauty piqued her, and, womanlike, she exerted herself to rouse his interest that she might punish him. So far she had been unsuccessful, but that only gave keener zest to the game. Koyala was half Dyak, she had in her veins the blood of the little brown brother who follows his enemy for months, sometimes years, until he brings home another dripping head to set on his lodge-pole. Patience was therefore her birthright.

"Very well, Cho Seng, if you think I am ugly – " She paused and arched an eyebrow to see the effect of her words. Cho Seng's face was as rigid as though carved out of rock. When she saw he did not intend to dispute her, Koyala flushed and concluded sharply:

" – then we will talk of other things. What has happened at the residency during the past week?"

Cho Seng shot a furtive glance upward. "What for um?" he asked cautiously.

"Oh, everything." Koyala spoke with pretended indifference. "Tell me, does your baas, the mynheer, ever mention me?"

"Mynheer Muller belly much mad, belly much drink jenever (gin), belly much say 'damn-damn, Cho Seng,'" the Chinaman grunted.

Koyala's laughter rang out merrily in delicious peals that started the rain-birds and the gapers to vain emulation. Cho Seng hissed a warning and cast apprehensive glances about the jungle, but Koyala, mocking the birds, provoked a hubbub of furious scolding overhead and laughed again.

"There's nobody near to hear us," she asserted lightly.

"Mebbe him in bush," Cho Seng warned.

"Not when the southeast monsoon ceases to blow," Koyala negatived. "Mynheer Muller loves his bed too well when our Bornean sun scorches us like to-day. But tell me what your master has been doing?"

She snuggled into a more comfortable position on the root. Cho Seng folded his hands over his stomach.

"Morning him sleep," he related laconically. "Him eat. Him speakee orang kaya, Wobanguli, drink jenever. Him speakee Kapitein Van Slyck, drink jenever. Him sleep some more. Bimeby when sun so-so – " Cho Seng indicated the position of the sun in late afternoon – " him go speakee Mynheer Blauwpot, eat some more. Bimeby come home, sleep. Plenty say 'damn-damn, Cho Seng.'"

"Does he ever mention me?" Koyala asked. Her eyes twinkled coquettishly.

"Plenty say nothing," Cho Seng replied.

Koyala's face fell. "He doesn't speak of me at all?"

Cho Seng shot a sidelong glance at her.

"Him no speakee Koyala, him plenty drink jenever, plenty say 'damn-damn, Cho Seng.'" He looked up stealthily to see the effect of his words.

Koyala crushed a fern underfoot with a vicious dab of her sandaled toes. Something like the ghost of a grin crossed the Chinaman's face, but it was too well hidden for Koyala to see it.

"How about Kapitein Van Slyck? Has he missed me?" Koyala asked. "It is a week since I have been at the residency. He must have noticed it."

"Kapitein Van Slyck him no speakee Koyala," the Chinaman declared.

Koyala looked at him sternly. "I cannot believe that, Cho Seng," she said. "The captain must surely have noticed that I have not been in Amsterdam. You are not telling me an untruth, are you, Cho Seng?"

The Chinaman was meekness incarnate as he reiterated:

"Him no speakee Koyala."

Displeasure gathered on Koyala's face like a storm-cloud. She leaped suddenly from the aërial root and drew herself upright. At the same moment she seemed to undergo a curious transformation. The light, coquettish mood passed away like dabs of sunlight under a fitful April sky, an imperious light gleamed in her eyes and her voice rang with authority as she said:

"Cho Seng, you are the eyes and the ears of Ah Sing in Bulungan – "

The Chinaman interrupted her with a sibilant hiss. His mask of humility fell from him and he darted keen and angry glances about the cane.

"When Koyala Bintang Burung speaks it is your place to listen, Cho Seng," Koyala asserted sternly. Her voice rang with authority. Under her steady glance the Chinaman's furtive eyes bushed themselves in his customary pose of irreproachable meekness.

"You are the eyes and ears of Ah Sing in Bulungan," Koyala reaffirmed, speaking deliberately and with emphasis. "You know that there is a covenant between your master, your master in Batavia, and the council of the orang kayas of the sea Dyaks of Bulungan, whereby the children of the sea sail in the proas of Ah Sing when the Hanu Token come to Koyala on the night winds and tell her to bid them go."

The Chinaman glanced anxiously about the jungle, fearful that a swaying cluster of cane might reveal the presence of an eavesdropper.

"S-ss-st," he hissed.

Koyala's voice hardened. "Tell your master this," she said. "The spirits of the highlands speak no more through the mouth of the Bintang Burung till the eyes and ears of Ah Sing become her eyes and ears, too."

There was a significant pause. Cho Seng's face shifted and he looked at her slantwise to see how seriously he should take the declaration. What he saw undoubtedly impressed him with the need of promptly placating her, for he announced:

"Cho Seng tellee Mynheer Muller Koyala go hide in bush – big baas in Batavia say muchee damn-damn, give muchee gold for Koyala."

The displeasure in Koyala's flushed face mounted to anger.

"No, you cannot take credit for that, Cho Seng," she exclaimed sharply. "Word came to Mynheer Muller from the governor direct that a price of many guilders was put on my head."

Her chin tilted scornfully. "Did you think Koyala was so blind that she did not see the gun-boat in Bulungan harbor a week ago to-day?"

Cho Seng met her heat with Oriental calm.

"Bang-bang boat, him come six-seven day ago," he declared. "Cho Seng, him speakee Mynheer Muller Koyala go hide in bush eight-nine day."

"The gun-boat was in the harbor the morning Mynheer Muller told me," Koyala retorted, and stopped in sudden recollection. A tiny flash of triumph lit the Chinaman's otherwise impassive face as he put her unspoken thought into words:

"Kapitein him bang-bang boat come see Mynheer Muller namiddag," (afternoon) he said, indicating the sun's position an hour before sunset. "Mynheer Muller tellee Koyala voormiddag" (forenoon). He pointed to the sun's morning position in the eastern sky.

"That is true," Koyala assented thoughtfully, and paused. "How did you hear of it?"

Cho Seng tucked his hands inside his sleeves and folded them over his paunch. His neck was bent forward and his eyes lowered humbly. Koyala knew what the pose portended; it was the Chinaman's refuge in a silence that neither plea nor threat could break. She rapidly recalled the events of that week.

"There was a junk from Macassar in Bulungan harbor two weeks – no, eleven days ago," she exclaimed. "Did that bring a message from Ah Sing?"

A startled lift of the Chinaman's chin assured her that her guess was correct. Another thought followed swift on the heels of the first.

"The same junk is in the harbor to-day – came here just before sundown last night," she exclaimed. "What message did it bring, Cho Seng?"

The Chinaman's face was like a mask. His lips were compressed tightly – it was as though he defied her to wedge them open and to force him to reveal his secret. An angry sparkle lit Koyala's eyes for a moment, she stepped a pace toward him and her hand dropped to the hilt of the jeweled kris, then she stopped short. A fleeting look of cunning replaced the angry gleam; a half-smile came and vanished on her lips almost in the same instant.

Her face lifted suddenly toward the leafy canopy. Her arms were flung upward in a supplicating gesture. The Chinaman, watching her from beneath his lowered brow, looked up in startled surprise. Koyala's form became rigid, a Galatea turned back to marble. Her breath seemed to cease, as though she was in a trance. The color left her face, left even her lips. Strangely enough, her very paleness made the Dyak umber in her cheeks more pronounced.

Her lips parted. A low crooning came forth. The Chinaman's knees quaked and gave way as he heard the sound. His body bent from the waist till his head almost touched the ground.

The crooning gradually took the form of words. It was the Malay tongue she spoke – a language Cho Seng knew. The rhythmic beating of his head against his knees ceased and he listened eagerly, with face half-lifted.

"Hanu Token, Hanu Token, spirits of the highlands, whither are you taking me?" Koyala cried. She paused, and a deathlike silence followed. Suddenly she began speaking again, her figure swaying like a tall lily stalk in a spring breeze, her voice low-pitched and musically mystic like the voice of one speaking from a far distance.

"I see the jungle, the jungle where the mother of rivers gushes out of the great smoking mountain. I see the pit of serpents in the jungle – "

A trembling seized Cho Seng.

"The serpents are hungry, they have not been fed, they clamor for the blood of a man. I see him whose foot is over the edge of the pit, he slips, he falls, he tries to catch himself, but the bamboo slips out of his clutching fingers – I see his face – it is the face of him whose tongue speaks double, it is the face of – "

A horrible groan burst from the Chinaman. He staggered to his feet.

"Neen, neen, neen, neen," he cried hoarsely in an agonized negative. "Cho Seng tellee Bintang Burung – "

A tremulous sigh escaped from Koyala's lips. Her body shook as though swayed by the wind. Her eyes opened slowly, vacantly, as though she was awakening from a deep sleep. She looked at Cho Seng with an absent stare, seeming to wonder why he was there, why she was where she was. The Chinaman, made voluble through fear, chattered:

"Him junk say big baas gouverneur speakee muchee damn-damn; no gambir, no rice, no copra, no coffee from Bulungan one-two year; sendee new resident bimeby belly quick."

Koyala's face paled.

"Send a new resident?" she asked incredulously. "What of Mynheer Muller?"

The look of fear left Cho Seng's face. Involuntarily his neck bent and his fingers sought each other inside the sleeves. There was cunning mingled with malice in his eyes as he looked up furtively and feasted on her manifest distress.

"Him chop-chop," he announced laconically.

"They will kill him?" Koyala cried.

The Chinaman had said his word. None knew better than he the value of silence. He stood before her in all humbleness and calmly awaited her next word. All the while his eyes played on her in quick, cleverly concealed glances.

Koyala fingered the handle of the kris as she considered what the news portended. Her face slowly hardened – there was a look in it of the tigress brought to bay.

"Koyala bimeby mally him – Mynheer Muller, go hide in bush?" Cho Seng ventured. The question was asked with such an air of simple innocence and friendly interest that none could take offense.

Koyala flushed hotly. Then her nose and chin rose high with pride.

"The Bintang Burung will wed no man, Cho Seng," she declared haughtily. "The blood of Chawatangi dies in me, but not till Bulungan is purged of the orang blanda" (white race). She whipped the jeweled kris out of its silken scabbard. "When the last white man spills his heart on the coral shore and the wrongs done Chawatangi's daughter, my mother, have been avenged, then Koyala will go to join the Hanu Token that call her, call her – "

She thrust the point of the kris against her breast and looked upward toward the far-distant hills and the smoking mountain. A look of longing came into her eyes, the light of great desire, almost it seemed as if she would drive the blade home and join the spirits she invoked.

With a sigh she lowered the point of the kris and slipped it back into its sheath.

"No, Cho Seng," she said, "Mynheer Muller is nothing to me. No man will ever be anything to me. But your master has been a kind elder brother to Koyala. And like me, he has had to endure the shame of an unhappy birth." Her voice sank to a whisper. "For his mother, Cho Seng, as you know, was a woman of Celebes."

She turned swiftly away that he might not see her face. After a moment she said in a voice warm with womanly kindness and sympathy:

"Therefore you and I must take care of him, Cho Seng. He is weak, he is untruthful, he has made a wicked bargain with your master, Ah Sing, which the spirits of the hills tell me he shall suffer for, but he is only what his white father made him, and the orang blanda must pay!" Her lips contracted grimly. "Ay, pay to the last drop of blood! You will be true to him, Cho Seng?"

The Chinaman cast a furtive glance upward and found her mellow dark-brown eyes looking at him earnestly. The eyes seemed to search his very soul.

"Ja, ja," he pledged.

"Then go, tell the captain of the junk to sail quickly to Macassar and send word by a swift messenger to Ah Sing that he must let me know the moment a new resident is appointed. There is no wind and the sun is high; therefore the junk will still be in the harbor. Hurry, Cho Seng!"

Without a word the Chinaman wheeled and shuffled down the woodland path that led from the clearing toward the main highway. Koyala looked after him fixedly.

"If his skin were white he could not be more false," she observed bitterly. "But he is Ah Sing's slave, and Ah Sing needs me, so I need not fear him – yet."

She followed lightly after Cho Seng until she could see the prim top of the residency building gleaming white through the trees. Then she stopped short. Her face darkened as the Dyak blood gathered thickly. A look of implacable hate and passion distorted it. Her eyes sought the distant hills:

"Hanu Token, Hanu Token, send a young man here to rule Bulungan," she prayed. "Send a strong man, send a vain man, with a passion for fair women. Let me dazzle him with my beauty, let me fill his heart with longing, let me make his brain reel with madness, let me make his body sick with desire. Let me make him suffer a thousand deaths before he gasps his last breath and his dripping head is brought to thy temple in the hills. For the wrongs done Chawatangi's daughter, Hanu Token, for the wrongs done me!"

With a low sob she fled inland through the cane.