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Benedetto Croce
Aesthetic as Science of Expression and General Linguistic
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Table of Contents
INTRODUCTION THEORY I INTUITION AND EXPRESSION
II INTUITION AND ART
III ART AND PHILOSOPHY
IV HISTORICISM AND INTELLECTUALISM IN AESTHETIC
V ANALOGOUS ERRORS IN HISTORY AND IN LOGIC
VI THEORETIC AND PRACTICAL ACTIVITY
VII ANALOGY BETWEEN THE THEORETIC AND THE PRACTICAL
VIII EXCLUSION OF OTHER SPIRITUAL FORMS
IX INDIVISIBILITY OF EXPRESSION INTO MODES OR GRADES AND CRITIQUE OF RHETORIC
X AESTHETIC SENTIMENTS AND THE DISTINCTION BETWEEN THE BEAUTIFUL AND THE UGLY
XI CRITIQUE OF AESTHETIC HEDONISM
XII THE AESTHETIC OF THE SYMPATHETIC AND PSEUDO-AESTHETIC CONCEPTS
XIII THE SO-CALLED PHYSICALLY BEAUTIFUL IN NATURE AND IN ART
XIV ERRORS ARISING FROM THE CONFUSION BETWEEN PHYSIC AND AESTHETIC
XV THE ACTIVITY OF EXTERNALIZATION. TECHNIQUE AND THE THEORY OF THE ARTS
XVI TASTE AND THE REPRODUCTION OF ART
XVII THE HISTORY OF LITERATURE AND OF ART
XVIII CONCLUSION: IDENTITY OF LINGUISTIC AND AESTHETIC
HISTORICAL SUMMARY
APPENDIX
INTRODUCTION
DOUGLAS AINSLIE.
I
INTUITION AND EXPRESSION
II
INTUITION AND ART
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