Æsthetic as science of expression and general linguistic

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Benedetto Croce. Æsthetic as science of expression and general linguistic

Æsthetic as science of expression and general linguistic

Table of Contents

EXTRACT FROM INTRODUCTION TO THE FIRST ENGLISH EDITION, 1909

NOTE BY THE TRANSLATOR. TO THE SECOND ENGLISH EDITION

AUTHOR'S PREFACE

I

THEORY OF ÆSTHETIC

II. INTUITION AND ART

III. ART AND PHILOSOPHY

IV. HISTORICISM AND INTELLECTUALISM IN ÆSTHETIC

V. ANALOGOUS ERRORS IN THE THEORY OF HISTORY AND IN LOGIC

VI. THE THEORETIC ACTIVITY AND THE PRACTICAL ACTIVITY

VII. ANALOGY BETWEEN THE THEORETIC AND THE PRACTICAL

VIII. EXCLUSION OF OTHER SPIRITUAL FORMS

X. ÆSTHETIC FEELINGS AND THE DISTINCTION BETWEEN THE BEAUTIFUL AND THE UGLY

XI. CRITICISM OF ÆSTHETIC HEDONISM

XII. THE ÆSTHETIC OF THE SYMPATHETIC AND PSEUDO-ÆSTHETIC CONCEPTS

XIII. THE "PHYSICALLY BEAUTIFUL" IN NATURE AND IN ART

XIV. ERRORS ARISING FROM THE CONFUSION BETWEEN PHYSICS AND ÆSTHETIC

XVI. TASTE AND THE REPRODUCTION OF ART

XVII. THE HISTORY OF LITERATURE AND ART

XVIII. CONCLUSION: IDENTITY OF LINGUISTIC AND ÆSTHETIC

II

HISTORY OF ÆSTHETIC

I. ÆSTHETIC IDEAS IN GRÆCO-ROMAN ANTIQUITY

II. ÆSTHETIC IDEAS IN THE MIDDLE AGES AND RENAISSANCE

III. FERMENTS OF THOUGHT IN THE SEVENTEENTH CENTURY

IV. ÆSTHETIC IDEAS IN THE CARTESIAN AND LEIBNITIAN SCHOOLS, AND THE "ÆSTHETIC" OF BAUMGARTEN

V. GIAMBATTISTA VICO

VI. MINOR ÆSTHETIC DOCTRINES OF THE EIGHTEENTH CENTURY

VII. OTHER ÆSTHETIC DOCTRINES OF THE SAME PERIOD

VIII. IMMANUEL KANT

IX. THE ÆSTHETIC OF IDEALISM: SCHILLER, SCHELLING, SOLGER, HEGEL

X. SCHOPENHAUER AND HERBART

XI. FRIEDRICH SCHLEIERMACHER

XII. THE PHILOSOPHY OF LANGUAGE: HUMBOLDT AND STEINTHAL

XIII. MINOR GERMAN ÆSTHETICIANS

XIV. ÆSTHETIC IN FRANCE, ENGLAND AND ITALY DURING THE FIRST HALF OF THE NINETEENTH CENTURY

XV. FRANCESCO DE SANCTIS

XVI. ÆSTHETIC OF THE EPIGONI

XVII. ÆSTHETIC POSITIVISM AND NATURALISM

XVIII. ÆSTHETIC PSYCHOLOGISM AND OTHER RECENT TENDENCIES

XIX. HISTORICAL SKETCHES OF SOME PARTICULAR DOCTRINES

I. RHETORIC: OR THE THEORY OF ORNATE FORM

II. HISTORY OF THE ARTISTIC AND LITERARY KINDS

III. THE THEORY OF THE LIMITS OF THE ARTS

IV. OTHER PARTICULAR DOCTRINES

BIBLIOGRAPHICAL APPENDIX

Отрывок из книги

Benedetto Croce

Published by Good Press, 2019

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The Critique of Judgment and metaphysical idealism—F. Schiller—Relations between Schiller and Kant—The æsthetic sphere as the sphere of Play—Æsthetic education—Vagueness and lack of precision in Schiller's Æsthetic—Schiller's caution and the rashness of the Romanticists—Ideas on Art: J. P. Richter—Romantic Æsthetic and idealistic Æsthetic—J. G. Fichte—Irony: Schlegel, Tieck, Novalis—F. Schelling—Beauty and character—Art and Philosophy—Ideas and the gods: Art and mythology—K. W. Solger—Fancy and imagination—Art, practice and religion—G. W. F. Hegel—Art in the sphere of absolute spirit—Beauty as sensible appearance of the Idea—Æsthetic in metaphysical idealism and Baumgartenism—Mortality and decay of art in Hegel's system

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