Читать книгу Erik Dorn - Ben Hecht - Страница 7

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The employees of the editorial room—a loft-like chamber crazily crowded with desks, tables, cabinets, benches, files, typewriters; lighted by a smoke-darkened sun and the dim glow of electric bulbs—were already launched upon the nervous routine of their day. An excited jargon filled the place which, with the air of physical disorder as if the workers were haphazardly improvising their activities—gave the room a vivid though seemingly impermanent life.

On the benches against a peeling wall sleepy-faced boys with precocious eyes kept up a lazy hair-pulling, surreptitious wrestling bout. They rose indifferently in response to furiously repeated bellows for their assistance—a business of carrying typewritten bits of paper between desks a few feet apart; or of sauntering with eleventh-hour orders to the perspiring men in the composing room.

In the forward part of the shop a cluster of men stood about the desk of an editor who in a disinterested voice sat issuing assignments for the day, forecasting to his innumerable assistants the amount of space needed for succeeding editions, the possible development in the local scandals. His eye unconsciously watched the clock over his head, his ear divided itself between a half-dozen conversations and a tireless telephone. With his hands he kept fumbling an assortment of clippings, memoranda, and copy.

Oldish young men and youngish old men gravitated about him, their faces curiously identical. These were the irresponsible-eyed, casual-mannered individuals, seemingly neither at work nor at play, who were to visit the courts, the police, the wrecks, the criminals, conventions, politicians, reformers, lovers, and haters, and bring back the news of the city's day. A common almost racial sophistication stamped their expression. They pawed over telephone books, argued with indifferent, emotionless profanity among themselves on items of amazing import; pounded nonchalantly upon typewriters, lolled with their feet upon desks, their noses buried in the humorous columns of the morning newspapers.

"Make-up" men and their assistants, everlastingly irritable as if the victims of pernicious conspiracies, badgered for information that seemed inevitably non-existent. They desired to know in what mysterious manner one could get ten columns of type into a page that held only seven and whether anyone thought the paper could go to press at half-past ten when the bulk of the copy for the edition arrived in the composing room at twenty minutes of eleven.

Proof-readers emerged from the bowels of somewhere waving smeared bits of printed paper and triumphantly demanded explanation of ambiguous passages.

Re-write men "helloed" indignantly into telephones, repeating with sudden listlessness the pregnant details of the news pouring in; and scribbling it down on sheets of paper … "dead Grant park bullet unknown 26 yrs silk stockings refinement mystery."

Idlers lounged and discussed loudly against the dusty windows hung with torn grimy shades.

Copy-readers, concentrated under green eye-shades, sat isolated in a tiny world of sharpened pencils, paste pots, shears, and emitted sudden embittered oaths.

Editors from other departments, naïvely excited over items of vast indifference to their nervous listeners, came and went.

An occasional printer, face and forearms smeared with ink, sauntered in as if on a vacation, uttering some technical announcement and precipitating a brief panic.

Toward the center of the room, seated at desks jammed against one another in defiance of all convenience, telegraph editors, their hands fumbling cables and despatches from twenty ends of the earth, bellowed items of interest into the air—assassinations in China, probes, quizzes, scandals, accusations in far-away places. They varied their bellows with occasional shrieks of mysterious significance—usually a misplaced paste pot, a borrowed shears, a vanished copy-boy.

These folk and a sprinkling of apparently unemployed and undisturbed strangers spread themselves through the shop. Outside the opened windows in the rear of the room, the elevated trains stuffed with men and women roared into a station and squealed out again. In the streets below, the traffic raised an ear-splitting medley of sound which nobody heard.

Against this eternal and internal disorder, a strange pottering, apparently formless and without beginning or end, was guiding the latest confusions and intrigues of the human tangle into perfunctory groups of words called stories. A curious ritual—the scene, spreading through the four floors of the grimy building with a thousand men and women shrieking, hammering, cursing, writing, squeezing and juggling the monotonous convulsions of life into a scribble of words. Out of the cacophonies of the place issued, sausage fashion, a half-million papers daily, holding up from hour to hour to the city the blurred mirrors of the newspaper columns alive with the almost humorous images of an unending calamity.

"The press," Erik Dorn once remarked, "is a blind old cat yowling on a treadmill."

It was a quarter to nine when Dorn arrived at his desk. He seated himself with a complete unconsciousness of the scene. A litter of correspondence, propaganda, telegrams, and contributions from Constant Reader lay stuffed into the corners and pigeonholes of his desk. He sat for a moment thinking of his wife. Call her up … spend the evening downtown … some unusual evidence of affection … the vaudeville wouldn't be bad.

The thought left him and his eyes fastened themselves upon a sheaf of proofs. … Watch out for libel … look for hunches … scribble suggestion for changes … peer for items of information that might be expanded humorously or pathetically into Human Interest yarns. … These were functions he discharged mechanically. A perfect affinity toward his work characterized his attitude. Yet behind the automatic efficiency of his thought lay an ironical appreciation of his tasks. The sterile little chronicles of life still moist from the ink-roller were like smeared windows upon the grimacings of the world. Through these windows Dorn saw with a clarity that flattered him.

A tawdry pantomime was life, a pouring of blood, a grappling with shadows, a digging of graves. "Empty, empty," his intelligence whispered in its depths, "a make-believe of lusts. What else? Nothing, nothing. Laws, ambitions, conventions—froth in an empty glass. Tragedies, comedies—all a swarm of nothings. Dreams in the hearts of men—thin fever outlines to which they clung in hope. Nothing … nothing. … " His intelligence continued a murmur as he read—a murmur unconscious of itself yet coming from the depths of him. Equally unconscious was the amusement he felt, and that flew a fugitive smile in his eyes.

The perfunctory hysterics of the stories of crime, graft, scandal, with their garbled sentences and wooden phrases; the delicious sagacities of the editorial pages like the mumbling of some adenoidal moron in a gulf of high winds; headlines saying a pompous "amen" to asininity and a hopeful "My God!" to confusion—these caressed him, and brought the thought to him, "if there is anything worthy the absurdity of life it's a newspaper—gibbering, whining, strutting, sprawled in attitudes of worship before the nine-and-ninety lies of the moment—a caricature of absurdity itself."

His efficiency aloof from such moralizing moved like a separate consciousness through the day, as it had for the sixteen years of his service. His rise in his profession had been comparatively rapid. Thirty had found him enshrined as an editor. At thirty-four he had acquired the successful air which distinguishes men who have come to the end of their rope. He had become an editor and a fixture. The office observed an intent, gray-eyed man, straight nosed, firm lipped, correctly shaved down to the triangular trim of his mustache, his dark hair evenly parted—a normal-seeming, kindly individual who wore his linen and his features with a certain politely exotic air—the air of an identity.

The day's vacuous items in his life passed quickly, its frantic routine ebbing into a lull toward mid-afternoon. Returning from a final uproar in the composing room, Dorn looked good-humoredly about him. He was ready to go home. Arguments, reprimands, entreaties were over for a space. He walked leisurely down the length of the shop, pleased as always by its atmosphere. It was something like the streets, this newspaper shop, broken up, a bit intricate, haphazard.

A young man named Cross was painstakingly writing poetry on a typewriter. Another named Gardner was busy on a letter. "My dearest. … " Dorn read over his shoulder as he passed. Promising young men, both, whose collars would grow slightly soiled as they advanced in their profession. He remembered one of his early observations: "There are two kinds of newspapermen—those who try to write poetry and those who try to drink themselves to death. Fortunately for the world, only one of them succeeds."

In a corner a young woman, dressed with a certain ease, sat partially absorbed in a book and partially in a half-devoured apple. "The Brothers Karamasov," Dorn read as he sauntered by. He thought "an emancipated creature who prides herself on being able to drink cocktails without losing caste. She'll marry the first drunken newspaperman who forgets himself in her presence and spend the rest of her life trying to induce him to go into the advertising business."

Turning down the room he passed the desk of Crowley, the telegraph editor. A face flabby and red with ancient drinking raised itself from a book and a voice spoke,

"Old Egan gets more of a fool every day." Old Egan was the make-up man. Dorn smiled. "The damned idiot crowded the Nancy story off page one in the Home. Best story of the day." Crowley ended with a vaguely conceived oath.

Dorn glimpsed the title of the book on his desk, L'Oblat. Crowley had been educated for the priesthood but emerged from the seminary with a heightened joy of life in his veins. A riotous twenty years in night saloons and bawdy houses had left him a kindly, choleric, and respected newspaper figure. Dorn caught his eye and wondered over his sensitive infatuation of exotic writing. In the pages of Huysmans, De Gourmont, Flaubert, Gautier, Symons, and Pater he seemed to have found a subtle incense for his deadened nerves. Inside the flabby, coarsened body with its red face munching out monosyllables, lived a recluse. "Too much living has driven him from life," Dorn thought, "and killed his lusts. So he sits and reads books—the last debauchery: strange, twisted phrases like idols, like totem poles, like Polynesian masks. He sits contemplating them as he once sat drunkenly watching the obscenities of black, white, and yellow bodied women. Thus, the mania for the rouge of life, for the grimace that lies beyond satiety, passes in him from bestiality to asceticism and esthetics. Yesterday a bacchanal of flesh, to-day a bacchanal of words … the posturings of courtezans and the posturings of ornate phrases become the same." He heard Crowley repeating, "Damned idiot, Egan! No sense of human values. Crowded the best story of the day off page one." … Some day he'd have a long talk with Crowley. But the man was so carefully hidden behind perfunctories it was hard to get at him. He resented intrusion.

Dorn passed on and looked around for Warren—a humorous and didactic creature who had with considerable effort destroyed his Boston accent and escaped the fact that he had once earned his living as professor of sociology in an eastern university. Dorn caught a memory of him sitting in a congenial saloon before a stein and pouring forth hoarsely oracular comments upon the activities of men known and unknown. The man had a gift for caricature—Rabelaisean exaggerations. Dorn was suddenly glad he had gone for the day. The office oppressed him and the people in it were too familiar. He walked to his desk thinking of the South Seas and new faces.

"I tell you what," a voice drawled behind him, "Nietzsche has it on the whole lot of them." Cochran, the head of the copy desk, was talking—a shriveled little man with a bald face and shoe-button eyes. "You've got to admit people are more dishonest in their virtues than in their vices. Of course, there's a lot of stuff he pulls that's impractical."

Dorn shrugged his shoulders, smiled and lifted his hat out of a locker. He remembered again to telephone his wife, but instead moved out of the office. A refreshing warmth in the street pleased his senses and he turned toward the lake. Walk down Michigan avenue, take a taxi home—what else was there to do? Nothing, unless talk. But to whom? He thought of his father. A tenacious old man. Probably hang on forever. God, the man had been married three times. If it wasn't for his damned infirmities he'd probably marry again. Looking for something. What was it the old man had kept looking for? As if there was in existence a concrete gift to be drawn from life. A blithering, water-eyed optimist to the end, he'd die with a prayer of thankfulness and gratitude.

Thus innocuously abstract, moving in the doldrum which sometimes surrounded him after his day's work, he turned into the boulevard along the lake. The day grew abruptly fresher here. An arc of blue sky rising from the east flung a great curve over the building tops. Dorn paused before the window of a Japanese art shop and stared at a bulbous wooden god stoically contemplating his navel.

During his walks through the streets he sometimes met people he knew. This time a young woman appeared at the window beside him. He recognized her with elation. His thought gave him an index of her … Rachel Laskin, curious girl … makes me talk well … appreciative … unusual eyes.