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CHAPTER III.
Story of the Killing That Startled the World.

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STANFORD WHITE ASSASSINATED BY CRAZED HUSBAND WHILE ATTENDING THE PLAY—ON ROOF GARDEN OF MADISON SQUARE—THAW WALKED RAPIDLY TO TABLE WHILE GIRLS WERE DANCING—AT LAST NOTE OF SONG HE DREW REVOLVER, LEVELED IT AT WHITE—SAID “YOU HAVE RUINED MY LIFE—YOU MUST DIE”—FIRED THREE TIMES—TWO SHOTS CAUSED DEATH ALMOST INSTANTLY—PANIC IN AUDIENCE AND ON STAGE—BEAUTIFUL WIFE EMBRACED SLAYER—THE ARREST.

The killing of Stanford White by Harry Kendall Thaw, on the roof garden of Madison Square, New York, June 25th, 1906,—just fourteen months after the marriage—startled the world. Millionaires both—the victim a famous architect, the slayer even more famous—the love of a beautiful woman the cause of the crime—is it any wonder the Thaw killing was the greatest sensation in years? It took place just as the musical show, “Mamselle Champagne,” was coming to a close.

There was a big crowd on the roof of the garden; a crowd which pretty well filled the floor. Many people noticed a slightly built young man walking backward and forward in front of the stage, among the tables set here and there in an open space in front of the seats.

He was plainly nervous and very pale. He kept watching the entrance from the Twenty-sixth street side. A few people knew it was Harry K. Thaw and remarked on his peculiar behavior. They thought it queer also that he wore a long, thin coat.

At about 11:05 p. m. several persons noticed Stanford White enter the roof garden and take a seat near the left hand side of the stage, pretty well up to the front, dropping into a chair at a table four rows from the stage.

Young Thaw, who had been watching apparently for White to come in, jumped at the sight of him and made for the table.

Few persons saw what happened immediately afterward. In the first place, the show was nearing its close, the dancers pirouetting and skipping about the stage and the orchestra jingling and clanging in gay dance music.

All about the open enclosure in front of the stage, where the tables were set, were palms and potted plants, which largely cut off the view of the table where Mr. White was sitting.

Some persons were sure that a young woman was at the table when White lounged in and took a seat. They went so far as to describe her, saying she was young, slim, dark-haired and dressed all in white, with a big white hat, from which a filmy veil fell over her shoulders.

Others who insisted that they observed White when he took a seat there, said no woman was present. They were positive on that point.

On reaching White’s table Thaw backed off a step or two, produced a revolver, aimed it at White and pulled the trigger. The first bullet entered the right eye, penetrating the brain. Thaw shot twice more, rapidly. The other bullets both struck White’s body, one in the right side of the upper lip and the other in the right arm.

White hardly moved from his position at the table. His body sagged a little to the left, his arm flattened out on the table top and his head sank heavily on the arm.

Above the swing and thrumming of the orchestra and the gay chorus of the dancers the three shots sounded clearly, startling everybody, causing the men to jump to their feet and rush toward the left side of the stage.

Two women nearby, seeing what had happened and the blood flowing from the man’s wounds, screamed. Two of the girls on the stage fled screaming into the wings.

“Get back into your line,” roared the stage manager so that all heard him.

One of the girls started back, but she again fled to the wings, while two of the remaining four, seeing the cause of the trouble, fell over in a faint.

The music and the dancing kept going a while feebly; then it died away. The musicians jumped from

The Great Harry Thaw Case; Or, A Woman's Sacrifice

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