American Music Documentary

American Music Documentary
Автор книги: id книги: 1568384     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 2569,28 руб.     (25,05$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Музыка, балет Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9780819578020 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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<P>Documentary filmmakers have been making films about music for a half-century. American Music Documentary looks at five key films to begin to imagine how we might produce, edit, and watch films from an ethnomusicological point of view. Reconsidering Albert and David Maysles's Gimme Shelter, Jill Godmilow's Antonia: A Portrait of the Woman, Shirley Clarke's Ornette: Made in America, D.A. Pennebaker's and Chris Hegedus's Depeche Mode: 101, and Jem Cohen's and Fugazi's Instrument, Harbert lays the foundations for the study and practice of «ciné-ethnomusicology.» Interviews with directors and rich analysis from the disciplinary perspectives of film studies and ethnomusicology make this book a critical companion to some of the most celebrated music documentaries of the twentieth century.</P><P><B>Hardcover is un-jacketed.</B></P>

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Benjamin J. Harbert. American Music Documentary

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AMERICAN MUSIC DOCUMENTARY

American Music Documentary

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The Red Light Was My Mind: Psychological and Anempathetic Music in the “Love in Vain” Sequence

Most of those working with Robert Drew considered nondiegetic music to be suspect (Ruoff 1993: 226). Music can do as much to alter a “plain picture” as voice-over narration. And yet, music is found in direct cinema films, of course especially in the many music documentaries made by Drew Associates alumni. I was keenly interested in how Maysles thought of using nondiegetic music, since it seems like a violation of direct cinema principles.

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