Читать книгу The Honeymoon - Bennett Arnold - Страница 1

Flora Lloyd. Beautiful. Elegant. Charming. All in the highest degree possible. The whole play turns on these qualities in her.

Cedric Haslam. Renowned aviator. The taciturn inventive Englishman. Very self-controlled, but capable of passionate moments. Obstinate, with enormous force of character. His movements, gestures, and speech have a certain air of slow indolence, but are at the same time marked by that masculine harshness and brusqueness which would specially appeal to a woman like Flora. No one could guess from his demeanour that he is famous.

Charles Haslam. Boyish. Impulsive. Very self-centred. But very agreeable.

Mrs. Reach Haslam. Majestic. Richly dressed. The foremost woman-novelist in England and America. Her name a household word. No sense of humour. But she is very, very far from being a fool, and the part is not a low-comedy part. This play shows the least sympathetic side of her.

Mr. Reach Haslam. The husband of a celebrity. Strong sense of sardonic humour, which has very little outlet. Always exceedingly polite and even deferential to his wife, yet preserving his own dignity. A prim, dry, precise man.

Gaston. There are scores of Gastons in the hotels and restaurants of the West End. He does not differ from the type.

The Acting Rights of this Play are reserved. Applications for permission to perform should be made to Messrs. J. B. Pinker & Son, Talbot House, Arundel Street, Strand, London, W.C. 2, from whom all particulars as to terms may be obtained.