Читать книгу A Crowning Mercy - Bernard Cornwell - Страница 13

5

Campion began that same evening, announcing that she would tidy up the mess which the stranger had made in her father’s study. The man had gone, saying he would visit Isaac Blood, though it was Blood’s signature on a letter of introduction that had let him into Werlatton Hall. He had shocked Ebenezer and Scammell by the violence and savagery of his search, but he had gone as quickly and mysteriously as he had arrived. The seal did not seem to exist.

Scammell was pleased that Campion seemed to be emerging from her week-long oppression. He unlocked the study door and offered to help her. She shook her head. ‘Do you have the key to my room?’

He gave it to her. He looked past her at the mess she had first glimpsed when the man had seized her in the passageway. ‘It’s a big job, my dear.’

‘I can manage.’ She took the key to the study too, shut the door, and locked herself in.

Almost at once she realised that her impetuosity had led her into a mistake. This room had been searched more than once and it was unlikely that she would discover anything that her brother or Scammell had missed, yet now that she was inside she was overcome with curiosity. She had never been allowed in this room on her own. Her father had spent hour after hour in it, far into the night, and as she looked about the spilled wreckage she wondered what he had done in here. She wondered whether the scattered papers and books would yield a clue, not to the mystery of the seal, but to the mystery of her father. Why had a Christian man scowled through life? Why had he been so angry with his God, so brutal with his love? It seemed to her, standing in the musty smell of the room, that this was also a secret which needed to be uncovered if she was to be free.

She worked all evening, leaving the room only once to stalk stealthily to the kitchen. She fetched two apples, some bread and a lit candle with which she could light the thick candles on her father’s table. On her return to the study, Scammell was standing silent at the door, his eyes gloomy, observing the mess. He smiled hopefully at her. ‘You’re clearing up.’

‘I said I would.’ She waited for him to leave which, obedient, he did. There were times now when she almost felt sorry for him. She was stronger than he was and she knew that he had come to Werlatton Hall expecting so much, only to be plunged into the misery of the household. She knew, too, that he still wanted her. He still stared at her with hopeless, lusting eyes and she knew that if she married him then he would be obedient and eager to please. Exchanging her body for obedience seemed a bad bargain.

She lit six of the big candles and saw Goodwife’s face pressed against a window. Goodwife rapped on the glass, asking what she thought she was doing, but Campion simply drew the thick, heavy curtains, blotting out the mean, angry face. The candles and the shut, curtained windows made the room stuffy. She stripped to her petticoat, took off her bonnet, ate her food, then settled to her task again.

A quarter of the papers were long, rambling essays on God. Matthew Slythe had tried to plumb the mind of God as Campion now tried to plumb Matthew Slythe. She sat with her long legs crossed on the floor and frowned over his tight, crabbed handwriting. He had despaired of God as a master impossible to please. Campion read wonderingly of his fear, of his desperate attempts to appease his unpleaseable God. There was no mention in the essays of God’s love; for Matthew Slythe it did not exist, only God’s demands existed.

A greater part of the papers seemed to be explorations in mathematics and those she put aside because she had discovered bundles of letters that promised to be far more interesting. She felt like an eavesdropper as she read them, these letters that stretched back to the year of her birth, but through them she could trace the story of her parents’ lives and learn things they had never told her.

The first letters were dated 1622 and they surprised her. They were from her mother’s parents to Matthew and Martha Slythe, and they contained not just godly advice, but admonitions to Matthew Slythe that he was a poor merchant who must work harder to gain God’s favour and prosper. One letter refused to lend him any more money, saying that enough had already been proffered, and hinting that he must examine his conscience to see if God was punishing him for some sin. At that time, the year of her birth, her parents had lived in Dorchester where her father, she knew, had been a wool merchant. Evidently, from the letters, a poor one.

She read three years of letters, skipping the passages of religious advice, reading swiftly through the stilted news that John Prescott, her maternal grandfather, wrote from London. She came to a letter that congratulated Matthew and Martha on the birth of a son, ‘a cause of great rejoicing and happinesse to wee all’. She paused, trying to pin down an errant thought, then frowned. There was not one mention of her in any letter, except for general references to ‘the childrenne’.

The letters of 1625 introduced a new name to her: Cony. Letter after letter talked of Cony; ‘a goode man’, ‘a busie man’, ‘Cony has written you, wee believe’, ‘Have you replied to Mr Cony? Hee deserves your answer’, yet not one of the letters gave the smallest hint why Mr Cony should be ‘busie’ for Matthew Slythe or John Prescott. One letter, evidently written after Matthew Slythe had visited London, spoke of ‘the busienesse wee had words on’. Whatever the business, it was too important to entrust to letters.

Then, after 1626, there were no more references to Matthew Slythe’s inability to manage his financial affairs. Now the letters spoke of Slythe’s riches, of ‘God’s bounteous grace to you, for which wee give manifold Thankes’, and one of the letters looked forward to ‘oure visit to Werlatton’. So her father, sometime between 1625 and 1626, had moved from Dorchester. She would have been three years old at the most and could not remember the move. Werlatton Hall was all she had known. She skipped through more letters, seeking a clue to her father’s sudden wealth, but there was none. One year he had been a struggling merchant, the next master of this huge estate with its great Hall.

A letter from 1630 was in a different hand, telling Matthew Slythe of his father-in-law’s death and Slythe had written in the letter’s margin a laconic note recording the death of his mother-in-law a week later. ‘The Plague’ was the brief explanation.

Someone knocked loudly on the study door. Campion put the letter down and ran fingers through her unpinned hair. The knock came again. ‘Who is it?’

‘Ebenezer. I want to come in!’

‘You can’t. Go away.’ She was half undressed, her hair undone, and she could not let him in.

‘What are you doing in there?’

‘You know what I’m doing. Tidying up!’

‘No, you’re not! I’ve been listening.’

‘Go away, Eb! I’m reading the Bible.’

She waited till she heard his footsteps disappear, heard him grumbling down the passage and then got stiffly to her feet to light more candles. She thought Ebenezer might try to enter the room through the window, or spy on her through the crack in the curtains. She stood between the curtain and the window, in the darkness of the night, watching to see if Ebenezer’s curiosity would take him into the garden. An owl bellied its call in the darkness, bats flickered above the lawn, but Ebenezer did not appear. She waited, listening, and could hear nothing. She remembered the many, many nights when she would lie awake in childhood’s cold bed, listening for the voices of this house raised in anger, and she would know, with a child’s sense, that when her parents fought with each other they would expend their venom on her.

The letters told her nothing, offered no explanation, mentioned no seal. The only papers left were those covered in mathematics and she picked them up wearily, spread them out and bent again to her reading. These, evidently, were the papers that had driven Matthew Slythe to the long nights in this room, that had forced him into writhing, wrestling prayer with his God. She looked in amazement at the work.

Her father had believed that the Bible contained two messages; the first open to anyone who cared to read, the second hidden by means of secret numbers disguised in the text. As the alchemists struggled to turn mercury into gold, so Matthew Slythe had tried to prise God’s secrets from the scriptures.

‘Praise bee for this!’ began one page, and Campion saw that he had been working from the book of Revelation where the number of the beast, the anti-Christ, the Pope of Rome, was given as 666. He had tried to divide it by twelve and, because it was impossible, he was pleased. Twelve, it seemed, was a godly number, indeed the fourteenth chapter of Revelation said that 144,000 people would stand on Mount Zion and her father had excitedly divided that number by twelve (the ‘apostles and tribes of God’) and received the answer 12,000. For some reason that seemed to be significant for he had underscored the number twelve times, and then listed further subdivisions. By three, the number of the Trinity, by four ‘for that bee the corners of this world’, and by six, described merely as ‘halfe twelve’.

Yet for each such success, there were horrid failures. The book of Daniel foretold the world’s end, the abomination, as being 2,990 days after the ‘end of sacrifice’. Matthew Slythe had struggled with that number and it had yielded nothing, its secret intact, and in desperation he had copied a verse from the same chapter of Daniel that expressed his disillusion: ‘for the words are closed up and sealed till the time of the end.’

Sealed. She shrugged and smiled at the word. It had not been important to her father, instead he had underlined the words ‘closed up’. Closed up. She frowned, the paper forgotten, because something tugged at her memory, something she could not place, and she said the words aloud. ‘Closed up. Closed up.’ She felt as she knew Toby Lazender must feel when his fingers felt the pressure in the cold water and he knew that a fish was between his hands, but she could still not place the words. Closed up.

Cony, Covenant, closed up.

She rubbed her temples and tried to take from the words their hidden meaning, just as her father had struggled with the Bible’s numbers. Yet the more she thought, the more elusive was the answer. Closed up? Why had that triggered her?

She stood up, pulled the curtain back, and opened one of the two windows. The lawn was pale in the moonlight, the hedge dark, and she could see the smear of stars above her. Closed up. It was quiet now, the whole household asleep, but then the owl sounded again, hunting the beeches on the ridge. Cony, Covenant, closed up.

She thought suddenly of Toby Lazender and had a clear vision of his face, a vision that had eluded her for weeks. She smiled into the darkness, for she was intent now on running away, and she thought that he would be the person she would run to. Perhaps he would remember her, but even if not, surely he would help her for he had been kind, generous and a friend if only for one afternoon. Then she felt the hopelessness of it. How could she reach London without money?

She sighed, closed the window, and was suddenly utterly still. Closed up. She remembered it now! She remembered her mother’s funeral, four years before, and she remembered the weeping in the women’s pews, the long, long sermon from Faithful Unto Death Hervey in which he had likened Martha Slythe to the Martha in the Bible, and she also remembered the words ‘closed up’. Her father had prayed at the funeral, an extemporaneous prayer in which he had tussled with God, and he had used the words in the prayer. Not that there was anything special in the way he used them, more, she remembered, in the manner in which he spoke them.

He had paused just before those two words. The echo of his voice was fading between the stone pillars and embarrassment was spreading through the congregation for they thought that Matthew Slythe had broken down. The silence stretched. He had said something like ‘her life on this earth is ended, her affairs …’ and then he had embarrassed them by a long silence. She remembered the feet shuffling on the floor, the sobbing from Goodwife, and she had raised her head to steal a glance at her father. His face was turned up to the beams, one fist was raised, and she realised, as the pause went on, that he had not broken down. He had simply lost the thread of his words and thoughts. It was nothing more. She saw him shake his massive head and then he had simply finished the sentence by saying ‘closed up’.

That was all. Yet at the time it had struck her as strange, as if some remnants of her mother’s life had been locked in a cupboard. She remembered little else of the funeral, except singing the doleful words beside the raw grave as the snow whirled off the high ridge. Closed up.

It was not much, yet the letters had come from Martha Slythe’s parents, and Cony, whoever he was, had appeared in their lives just at the time when Matthew Slythe came into his fortune, and she wondered if the seal, the secret of the seal, was hidden, not here, but in her mother’s room. Closed up still? Waiting?

She dressed quickly, blew out the candles and turned the key in the lock. It scraped as it yielded, she froze, but there was no sound from the passageway. She would search upstairs, in her parents’ bedroom that was empty, awaiting her marriage with Scammell that was confidently expected before her birthday in October.

The servants, except for Goodwife, all slept at the far end of the house where her own bedroom was. Scammell was in a room above the main entrance, and she could hear his snores as she paused at the top of the private stairs. Goodwife was the closest, in a bedroom that opened directly from her mother’s dressing room, and Campion knew she would have to move with desperate silence. Goodwife would wake at the smallest sound and then emerge, bristling with anger, to face the intruder. Campion crept on stockinged feet down the short passageway and into the large, silent room where her parents had shared their unhappy bed.

The room smelt of wax. The bed was covered with a heavy flax sheet, rucked where the poles went up to the dark canopy. To her right was her father’s dressing room, to her left her mother’s, and she hesitated.

It was dark in the room. She wished she had thought to bring a candle, but the curtains were open and slowly her eyes became accustomed to the gloom. She could hear her own breathing. Every sound she made seemed magnified; the rustle of skirts and petticoat, the tiny scuff of her stockinged feet on the wooden floor.

She looked to the right, hearing even her hair as it moved on her shoulders, and she saw the mess in her father’s dressing room. Someone had been here before her, had turned out the chest and pulled clothes from the shelves. She suspected her mother’s room would have had the same treatment. The door was ajar.

She crept towards it, letting her weight gently on to each foot, freezing at the slightest creak of a board, and then her hand was on the door, she pushed and it swung ponderously, silently open.

Moonlight showed her the small room. A door at the far end gave directly into Goodwife’s bedroom. It was shut. If anyone had searched this room they had left it tidy or, more likely, Goodwife had been in after them. It was used now to store the heavy flax sheets that were pale on the shelves. The room smelt of rue which, Goodwife said, repelled moths.

Closed up. Her mother’s big chest stood, its lid open, against the wall.

Campion was nervous. She listened. She could hear the creak of timbers in the old house, she could hear her own breathing, she could hear the far, muffled rumble of Scammell’s snoring.

She was close, she knew she was. She remembered playing hunt-the-thimble with their old cook, Agnes, in the kitchen garden, and Campion knew that at this moment she was warm. Over the years she suddenly heard Agnes’s voice: ‘You’ll burn yourself, child, you’re that close! Look, child! Go on with you!’

She was utterly still, drawn to this room by instincts sharpened by her long immersion in her father’s papers. She imagined him hiding something. What would he have done?

Secret places. Closed up. Then it came to her, so simple, and again she was listening to her father’s voice. He had preached each Sunday to his household in the days before Faithful Unto Death had come to Werlatton parish, and now Campion was remembering one of those sermons. It had been his usual two-hour length, the servants and family expected to be still on the hard benches as he preached, and she remembered the sermon about the secret places of a man’s heart. It was not enough, her father had said, to be an outward Christian, praying much and giving much, because there were secret places in a man’s heart where evil could lurk. It was in those secret places that God looked.

It is like, Matthew Slythe had preached, a strong box. When the lid is open a thief in the night will see only an ordinary chest, but the owner knows that there is a secret layer at the bottom of the chest. God is the owner, and he knows what is in the secret part of each person’s life. Campion remembered the story and turned slowly, knowing that her father drew his stories and examples from his own life.

It would not be this chest but his own, and Campion went soft as the night across the floor, like a thief in the darkness, into the room that was strewn with his clothes, pulled the untidy mess out of the huge wooden chest and made a pile of clothes on the floor.

She searched the bare, wooden box, finding nothing, but always hearing the voice across the years from the kitchen garden. ‘Look, child!’

She tried to lift the chest, but it was impossibly heavy, and she probed at its corners, pushed each knothole in the wood. Nothing moved, nothing gave, yet still she knew she was warm.

In the end it was simple. The base of the chest was surrounded by a thick skirting board of varnished wood which she had tugged and pushed. Then she thought that it might be easier to lift the chest at one end, jam a pair of her father’s great shoes beneath, and thus feel the chest’s base. She shuffled slowly to the right-hand side of the huge chest, moved a pair of her father’s breeches out of the way, and saw something she had missed in the thick darkness of the room. There was a handle cut into the skirting board, presumably to facilitate the lifting of the heavy chest, and she knelt in front of it, gripped the simple handle, and tried once more to lift the chest.

It would not move. It was simply too heavy, but the skirting board moved. Only the smallest fraction, but she knew she had not been deceived, and she hauled on it again, and again she felt the tiny movement.

There was a small window behind her, its wooden shutter open, and she was aware that the sky was lightening. Dawn would come soon.

She frowned, the tiredness heavy on her, as she contemplated the skirting board with its cut-out handle. It had moved, but it revealed nothing, and she tugged it again, knowing the effort to be useless, and trying to think what she should do.

She put her hand into the hole and felt with her fingers at the back of the board. There was something cold there, something made of metal, and her long fingers explored the metal, found a ring, and she tugged on it.

She heard the sound of a bolt sliding open. She froze, half expecting the small sound to bring Goodwife from her room, but the house was still.

Campion’s heart was beating as it did before she went naked into the water.

She gripped the handle again, pulled, and this time the skirting board moved easily, sliding out as the front of a shallow, secret drawer, and then the runners of wood shrilled and she froze again.

She bit her lip, closed her eyes, as if those actions might lessen the noise, and pulled again.

The drawer opened. She had found her father’s secret place and she knelt there, not exploring the contents, waiting to see if anyone in the house stirred.

The first birds were calling outside. Soon, she knew, Werlatton would be busy, and the knowledge made her hurry.

Two bundles were in the drawer. She lifted the first, hearing the clink of money, and she guessed that this had been her father’s secret reserve of cash. Most houses, even the poorest, tried to keep a little money hidden against the bad times. Agnes had told her that her mother had pushed a leather purse of two gold coins into the eave of the thatch, and this heavy bag was Matthew Slythe’s equivalent. She put the purse on to one of his shirts, then lifted out the smaller, lighter package.

Then, holding her breath, she pushed the drawer home. There was no need for anyone to know she had been there. Her fingers found the ring of the bolt, pushed, and the chest looked innocent again.

Somewhere a pail clanged against stone; she heard the creak and groan of the yard pump, and she knew Werlatton was about to wake up. She wrapped the shirt about the two packages, crept from the room, then went on silent feet to her own bedroom.

There were fifty pounds in the purse, more money than most men would ever dream of owning. Fifty golden pounds, each with the head of King James on them, and she looked at the money on her bedroom table and she knew now she could run away. She smiled at the thought that the money which her father had saved against calamity would be used to take her away from Werlatton. Carefully, slowly, she placed the coins back in the purse, putting each heavy piece of gold in separately so that the noise would not alert any of the servants.

The second packet was tied tight with string. She cut the knot with the scissors she used for her sewing, then unwrapped the old, yellow linen that hid her father’s secret.

Inside was a pair of gloves.

She frowned, lifting them, seeing two other things still in the package, and she saw that the gloves were made of lace, delicate and beautiful, fragile as thistledown, and as unlikely in a Puritan’s house as a drunken game of cards would be. They were women’s gloves, made for someone with long, slender hands, and Campion gently pulled one of them on and held her hand out to the window light. The glove was old and yellowed, but still beautiful. At the wrist was a ring of small, sewn pearls. Sheathed in the lace glove, it seemed to her that her hand belonged to someone else. She had never worn anything beautiful, anything pretty, and she stared at her lace-covered hand and smiled at the effect. She could not understand why something so lovely should be described as sinful.

She carefully pulled the glove off, folding it on its partner, and picked up the second object. This was a piece of parchment, its folds crackling and stiff, and she feared that the paper might break as she opened it. It was a letter, written in an ornate and bold hand, and she sat on her window-seat to read it.

‘You have been sent the Jewell by the Jewe, tell mee if this bee not so. Thou knowest its importance. I have long worked for this, and its power bee in your disposall at least till the girl be of twenty-five years. The Covenant is secure if the jewell bee secure.

‘It is important that you sende an impression of the Seale to the name I furnished you with, and I doe earnestlie require that you Marke the Seale in a Privatt way that wee bee not undone by counterfeiting. Wee have not seen the Seales of Aretine and Lopez, though they have seen oures, and this device of a Secrett Marke I have made a parte of oure Agreement. Doe not fail mee in this.

‘Guard the Jewell well. It is the key to great Wealth, and though the Other Seales are needed too, you may bee sure that One Day this Jewell will bee much sought.

‘The Gloves are of the Prescott Girl. You may have them.

‘Guard the Jewell.’

It was signed Grenville Cony.

Cony, Covenant. She read the letter again. ‘Till the girl be of twenty-five years’ must, she knew, refer to herself. Isaac Blood had said that the monies of the Covenant would be hers at twenty-five, unless she was married. ‘The Prescott Girl’ had to be her own mother, Martha Slythe, whose maiden name had been Prescott, but Campion could not imagine her fat, bitter mother ever owning lace gloves. She picked up one of the gloves, seeing the pearls hanging at its wrist, and she wondered by what mystery her mother had owned them.

The letter raised more mysteries than it solved. ‘Aretine and Lopez’, whoever they were, were names that meant nothing to Campion. ‘You may bee sure that One Day this Jewell will be much sought.’ That had come true. Ebenezer and Scammell had ransacked the house, the strange man had come from London and thrust his leg between hers, and all for the last object in the packet.

Grenville Cony, in his letter, had described the seal as a jewel. She lifted it, marvelling at its weight. The jewel was made of gold, suspended from a gold chain so it could be worn as a necklace, and Campion, brought up in the rigours of her father’s religion, had never seen an object so beautiful.

It was a cylinder of gold, banded by tiny, glowing stones that were white like stars and red like fire. The whole pendant was the size of her thumb.

On its base was the seal, duller than the gold of its setting, and she guessed it was made of steel. It had been cut by a craftsman who had made the seal into a work of art, as beautiful as the gold jewel itself.

Light was flooding the cornfields, touching grey silver on the bend in the stream far to the north, and Campion held the seal up to the dawn light from her window.

The rim of the seal was chased with an ornate design. In the centre was an axe, short handled and wide bladed, and on either side of the axe’s handle were small letters in mirror-writing: ‘St Matt’.

This was the Seal of St Matthew, showing the axe which legend said had cut off the disciple’s head.

She fingered the heavy gold, wondering at it, looking at it in her hands when, just as the skirting board had moved, so now the seal seemed to give in her fingers. She frowned, tried to repeat what she had just done, and realised that the seal was in two halves, the joint concealed cunningly by one band of the precious stones. She unscrewed the two halves.

The half of the cylinder which bore the Seal of St Matthew fell away in her right hand. She lifted the other half into the light. The jewel, on its long golden chain, held a secret.

There was a tiny carving inside the cylinder, a carving that had been made with exquisite skill and cast in silver so that the gold cylinder enclosed a tiny silver statue. The statue shocked her. It was a symbol of such ancient power, a symbol of all that she had been taught to hate, and it had been in this house. Her father would have abominated this, yet he had kept it, and Campion stared at it, fascinated and repelled. It was a crucifix.

A crucifix of silver in a cylinder of gold, a seal made into a jewel, the key to great wealth. She looked at the letter again, noting once more the urgent appeal for Matthew Slythe to mark the seal. She lifted the jewel into the light and saw that her father had scratched a line across the face of the axe-blade. To stop counterfeiting, the letter said, but who was the man to whom the impression had to be sent? Who was Aretine? Lopez? Her discovery of the seal had uncovered new mysteries and she knew the answers did not lie in Werlatton.

The answers would be in London. The letter was signed Grenville Cony, and beneath his signature he had written, simply, ‘London’.

London. She had never seen a town, let alone a city. She was not even sure which was the road that led from Werlatton towards London.

Grenville Cony was in London, whoever he was, and Toby Lazender was certainly in London, and Campion looked at her table and saw the heavy, leather purse with her father’s hoard of gold. That could take her to London! She gripped the jewel in her hands, stared at the flooding of the summer light into the valley, and she felt the excitement rise within her. She would run away, away from Ebenezer and Scammell, from Goodwife and Werlatton, from all the people who wanted to crush her and make her into what she was not. She would go to London.