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FOREWORD

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This book touches on the musical life of seventy years ago and dwells on it for the last thirty. Music, as every other part of cultural life, is, to a certain extent, connected with the current social and economic conditions, but never before has it been seized and exploited for the purposes of the “absolute state” in which art ceased to be independent.

The events of this book have actually happened. It is a document of the problems that arose out of the circumstances of an epoch, of men behaving according to their disposition and character. It intends to be an honest record of a period in which tradition, evolution and freedom fought their battle against dictatorship; of music in Germany fettered to Hitler’s huge machine, and music in England, neglected perhaps, but free.

B. G.

Two Worlds of Music

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