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Chapter I

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Seventy-five years ago a young woman kept a diary in which she wrote some of her innermost thoughts, many of the daily happenings, and all of the weather.

This story is a fictionized version of that real diary. The thoughts more or less trite and pedantic have been curtailed, the happenings (for obvious reasons) sometimes changed, but the weather remains practically intact.

She was a modern girl of those late eighteen-sixties—our leading lady—for in her mushroom skirts, her silk manteau and butter-bowl hat, she set her face toward an adventure which led to exciting events and emotional experiences.

So, step out of the yellowed diary, Linnie Colsworth, and let us see your smooth dark hair, wide brown eyes, and warm generous mouth. Recreate yourself from the fading ink of its pages and help us understand something of the stanch heart that beat under those hard little stays, bidding you defy convention three-quarters of a century ago.

As the diary begins, so begins the story.

It is in the territory of Nebraska. Ne-brath-ke—in the Otoe Indian language, “flat water.” In the town of O-ma-ha, meaning “above all others on a stream.” Omaha! Now a city of homes, churches, and colleges, factories, airports, and bomber plants. Then but a raw new town above all others on a stream in the land of flat water.

An orator of the day said the young city stood there on the Missouri River like a goddess lighting the way to the territory’s hospitable borders and to the great west beyond. A disgruntled investor said the town wallowed in the mud like a harlot plucking at travelers’ sleeves and begging them to stay with her.

Whatever the interpretation of it, Omaha sprawled over the Missouri flats and the river bluffs, muddy or dusty, sun-browned or snow-packed, but always lustily noisy with the vehemence of youth and growth.

The war between the states was over, and hordes of land seekers poured into the west. Their canvas-covered wagons, stocked with supplies for the long trek, stood in the streets and in vacant acreages of the rambling town.

But not all new-comers were seeking homes beyond the little city perched there on the river’s bank. Farnam and Douglas streets already boasted many brick buildings, while up and down these two principal thoroughfares were a dozen yawning excavations, like the cavities of missing teeth in some giant denture, into which new ones were to be fitted. Even the side streets held a few scattered stores.

Up on a high hill stood the white territorial capitol (reportedly with a bar in the basement for the convenience of arid legislators), although it was soon to be removed out on the prairie, to the infinite disgust of Omahans and the scattered settlers north of the Platte River.

Already the young town had begun to put on airs by denying the privilege of stacking hay in the streets and passing an ordinance that any hogs found running loose were to be impounded and sold.

Freighters, land speculators, soldiers, blanketed Indians, transient railroad workers mingled in the streets with the permanent settlers. Dressed in eastern styles, the wives and daughters of the leading citizenry picked their way daintily through slush, mud, or dust, while at their elbows calico-clad women in sunbonnets went in and out of the stores, all alike discreetly averting their eyes when the orange-haired “other kind” went by.

Every morning stage-coaches, bulging with passengers, left for Topeka, Kansas, or Denver in the Colorado Territory, or back to Denison, Iowa, to meet at its terminus the incoming train from the east. Every day the steam ferry-boat crossed and recrossed the Missouri, plying between Omaha and the older Council Bluffs where Abe Lincoln had stood on a high cliff only a few years before and surveyed the distant territory, saying, “Not one but many railroads will center here.”

Although the first sixty miles of the Union Pacific to North Bend had been laid, no train smoke yet polluted the rolling country. Only the steamboats coming up from St. Louis sent their billowing smoke and their hoarse whistling into the prairie air.

The majority of Omaha houses were modest when not downright crude log cabins and tar-paper shacks, but a half-dozen really fine ones sat proudly behind their picket fences. Some were of brick, some of lumber, both commodities being equally high-priced and scarce. A priority then meaning merely “first come, first served,” Henry L. Colsworth, the possessor of one of the nicest of these homes, had a way of seeing to it that he always had a priority.

There had been much speculation about the possibility of the Union Pacific starting from the older Bellevue, a few miles down the river, and a few poor guessers, practically giving away their Omaha lots, had purchased property there on the chance that it would become the Nebraska terminus. But Henry L. Colsworth had gambled on Omaha, and Omaha had won. So now, for every hundred dollars he had brought with him to the new west, he possessed several thousand.

The Colsworth house stood behind its white picket fence on a corner which one day would be in the center of solid business blocks but which in the late sixties was merely a good location for a nice home with its barn, carriage house, cow-shed, pig-pen and grassy yard.

The house itself had a New England look, as though it might have been transported bodily from Concord or Lexington, an upright and long wing with wide white-painted weather boarding and generous green blinds. And the inside bore out the exterior’s promise. The shining new parlor was rather magnificent for anything in the territory: a fine flowered carpet, heavy mahogany furniture, dark tasseled drapes, Nottingham lace curtains, one of the new Rogers groups, pictures of nosegays in oval frames, steel cuts of famous historical events, a sturdy square piano brought up from St. Louis by boat, and, as the last touch in exquisite taste, a bust of Mozart looking down in supercilious silence on any potential performer.

Here to-night in this sumptuous new parlor was Linnie Colsworth, recently arrived from the east to stay with her Uncle Henry Colsworth, Aunt Louise, and Cousin Cynthia for a whole year. A journey was a journey in the sixties, and when one finally arrived at its wearisome end one was prone to settle down for a time.

As the plan stood now she was to remain here until the following spring, then go up the Missouri River by steamboat to the (likewise new) Iowa town of Sioux City, in order to spend a few weeks with a seminary friend who had married and come west. From there she could take the stage to the western terminus of the Illinois Central—the railroad might even be finished into Sioux City by that time—and back to New York.

So here she was for a long visit and already a co-hostess at her first western social event, a party to which Cousin Cynthia had invited a dozen young people.

There was Cynthia, herself, fair-haired, vivacious, as fluttery as a night moth and almost as irresponsible. There were five other Omaha young ladies dressed in their voluminous best gowns, a little palpitant at the proximity of so much masculinity. There were six young men of the professional type. One, a George Hemming, dry-goods clerk, was apparently the town cut-up, as the girls all started to laugh before he was fairly launched on any of his almost continuous remarks. And there was Lieutenant Norman Stafford, an officer in the Regular Army, who was in Omaha on leave while en route to Fort Leavenworth, Kansas.

The Regular Army, but lately finished with its war work, was now being called upon to relieve state troops in the west where, farther out on the prairie, the Sioux and Cheyennes were destroying cabins and wagon trains. Indeed, the Indians were so troublesome that some of the eastern insurance policies of the day contained a pointed paragraph to the effect that benefits accruing were null and void in case you crossed the Missouri River and were massacred.

But all that possible carnage was remote from the pleasant party to-night.

No young man had arrived with a girl, but all would squire the ladies home. Two fathers and a brother had brought their daughters and sister in buggies through the mud just as dusk was falling, depositing them at the new carriage block, thankful their duties were over. A pair of twin sisters had picked their own way down the moist hilly street, juggling from hand to hand the bags containing their best shoes, while trying to hold their identical dresses and long fringed shawls from the spring rivulets.

So far the party had consisted of much polite conversation, charades, and dancing. But now George Hemming, the cut-up, was asking Cynthia to play and sing.

After a satisfactory period of coaxing from the guests and demure reluctance from Cynthia, there she was at the piano beginning a ballad.

Several of the others grouped themselves around her. Lieutenant Stafford sauntered to the back of the instrument to stand in the shadows where he could drink in her fair loveliness.

A man whose name was Johnny Sands had married Betty Hague

And though she brought him gold and lands she proved a terrible plague.

So while Cynthia is leading in the lively and lengthy ballad, with some of the others joining in heartily, there is time to dip back into the past a bit.

The two Colsworth cousins were daughters of brothers. Linnie’s parents had died when she was small, and she had lived since with maternal relatives in the Washington Square district of New York, so that only as a little girl had she held any association with the Henry Colsworth family. But when Uncle Henry, accompanied by Cynthia, had come east on business, he had looked her up and insisted that she return with them for a long visit. He had been anxious to get back home but had allowed Cynthia to stay a while and take in the New York sights when he found she would have Linnie’s company on the long trip to Omaha.

All the way out from the east, Linnie had listened to Cynthia singing the praises of this Lieutenant Stafford whom she had met at a party given for the army officers stationed on Governor’s Island.

Cynthia had voiced her laudations until Linnie was tired hearing about the paragon—on the cinder-filled cars to Chicago, off and on during the twelve-hour wait there when they missed the western train, occasionally on the tedious ride out to Denison, Iowa, surreptitiously on the crowded stage from Denison to Council Bluffs, even a lingering bit on the ferry crossing to Omaha.

That stage ride had been the most disagreeable part of the long journey, miring down in the mud the last six miles, and so crowded, with all the other passengers men: an officer for Fort Laramie, a young doctor talking about getting up his shingle in Denver, drummers to sell goods in the river towns.

At the many half-concealed but admiring glances cast toward the girls, Cynthia would whisper, “Oh, I don’t know what I’d have done without you, Linnie. I’d have been too scared with all these men.”

But Linnie knew better. The one thing Cynthia would never be afraid of was men.

Over and over Cynthia had talked of her lieutenant friend’s charms. He was to be transferred to Fort Leavenworth, Kansas, but he was going to ask for leave to come to Omaha first and take a boat down the river to the fort.

“I’ll just admire to have you see him, Linnie. He’s my ideal ... right out of a novel. And I know he intends to ask me for my hand when he comes.”

And then to Linnie’s wondering surprise, after all the glorification of the lieutenant, when they were on the ferry crossing the Missouri, with the white territorial capitol of home in plain sight, Cynthia had suddenly begun to remember a young man in Omaha—George Hemming.

“I’ll admire to have you know him, Linnie. He’s so full of hi-jinks ... he just keeps you in stitches.”

It had all turned out as Cynthia wished. She’s one of those kittenish girls who always have their own way, Linnie was saying to herself. For Lieutenant Norman Stafford had succeeded in getting permission to come by the way of Omaha, and here he was standing back of the piano, not singing like the others but scarcely able to take his eyes from Cynthia’s pale prettiness.

And for once, Cynthia, the fly-up-the-creek, was right. He was fine and strangely attractive, with his lean strong face and well-knit uniformed figure.

And there was the George Hemming whom Cynthia had talked about, too, looking plump and sleek, singing clowningly, full of his capers, making Cynthia the center of his attention.

Standing back a little herself, Linnie was thinking how easily Cynthia did everything. Even her piano playing was characteristic of her, not at all accurate but made to appear so. Part of the time she could even look up from the keys at the young men around her, roll her eyes, and drop them coyly when their answering looks held her.

I can’t be coy, Linnie was thinking. I’m just not made to be flirtatious. I only know how to be cordial or cold ... friendly or unfriendly. I don’t seem to know any of the little between ways.

Cynthia had changed to another song now, the sad legend of the Weeping Water:

Oh do you remember the Indian tale

Of the maidens who wept by the creek in the vale

For the braves who were slain in Nehawka?

She was looking soulfully at the lieutenant and then smilingly at George Hemming.

It rather embarrassed Linnie to have Cynthia singling out the two for her coquetry, and before every one.

And the little creek fed by their weeping all day

Rose into a river that wended its way

To the sea with the tears from Nehawka.

She found herself wondering what the lieutenant would think of Cynthia if he knew how self-centered she was underneath those dainty soft ways. But a man in love never saw through that kind. He was just too fine to be hoodwinked by some one who would twist him around her little finger. Then she began to question how she knew he was so fine. An army man that way—maybe he was horrid—probably he wasn’t anywhere near good enough for Cynthia. No, that wasn’t true. What made her think so? She just knew. There was something about that grave manner, that lean sunburned face, those steady gray eyes.

But here was Olga, the Swedish woman who came across the alley every day to help with the housework, making pantomimic motions from the double doors of the back parlor to signal that refreshments were ready.

Long before this time, already after half-past ten, Aunt Louise, a delicate little wisp of a person, had succumbed to the excitement and gone up to bed. So Cynthia passed the candy hearts with their red mottoes, and there was much laughter over the matching of them for partners to walk into the dining-room.

And then Linnie found herself with the identical motto of Cynthia’s lieutenant—I saw you wink—and for some reason or other was strangely excited over the trivial happening.

The seven couples marched through the back parlor and into the fine dark-paneled dining-room, with George Hemming in the lead calling back that they looked as though they were going into the ark two by two, and—swinging one arm back and forth slowly from his face like a trunk—that he and Cynthia were the elephants.

“Our friend George,” the lieutenant said low to Linnie, “he’s quite a card, isn’t he?”

“The joker,” she whispered back. And they both laughed.

She liked the way his grave eyes crinkled suddenly and the corners of his mouth drew downward in their droll grin.

But all the others were laughing by that time, too, for Aunt Louise’s parrot, excited over the crowd coming in, was thumping her scabby old legs up and down on the floor of her cage and calling raucously: “Ha! Ha! Fit to kill.”

The mahogany sideboard was crowded with dishes of food which Olga soon passed to the guests sitting in chairs around the wall. There were platters of cold chicken and sliced beef and pork, buttered raised biscuits and pickles and jam, and two silver baskets piled high with huge wedges of cake.

Sometimes Olga in her friendly way would urge: “Oh, take more’n dat. I got blenty in kitchen.”

While eating was the prime occupation, there was much low talk between partners, but when it grew too quiet Polly would emit sadly the one other phrase in her repertoire: “So sorry! So sorry!”

Linnie could not remember when she had enjoyed a person more than her partner. Sometimes young men were shy when they talked to her, and, feeling sorry for them, she would carry the burden of the conversation. Sometimes they were silly, trying to please her with bungling compliments, so that she had only dislike for them.

But this Lieutenant Stafford was neither one. He was sensible and interesting, treating her as though she were an intelligent person and not a flirt or a dolt.

They talked about the east and the places there they knew in common. Sometimes she asked him questions about army life to which he gave thoughtful answers. Once when he looked across at her cousin in that fascinated way she had noticed before, she said, to test him: “Cynthia’s pretty, isn’t she?”

“She’s ... everything,” he answered tensely.

This was no polite surface talk but sincere and serious. It made her envy Cynthia a little, wondering if she could comprehend his feeling, was mature enough to meet it in kind. Then she smiled ironically—talking that way to herself, as though she were years older than Cynthia instead of five months.

Suddenly there was commotion in the kitchen, a great stomping of feet and bellowing of voice. The dining-room door swung back, and no longer did the party belong to the young people. For Uncle Henry had arrived.

He was a large man. Vitality exuded from every pore. His two-part whiskers were long and flowing, his vest expansive but seemingly held down by the huge gold links of a watch-chain and cigar-cutter.

Although it inconvenienced every one with his plate, Uncle Henry shook hands all around, chucked the girls under their chins and told them they were as pretty as pansies. He asked the young men what they were doing these days to make Omaha known to the easterners and sometimes insisted embarrassingly on finding out whether they were Union-Republicans or Democrats, dropping their hands as though they were hot coals if they ventured to acknowledge the latter. It was as though a midwestern tornado had struck the house, with Polly adding her screeching, “Ha! Ha! Fit to kill.”

Finally Uncle Henry withdrew, and it was like the passing of the storm.

Refreshments over and with Polly stumping about in agitation at their leaving, the crowd all went into the parlor to end the evening singing again, this time on a sentimental how-can-I-bear-to-leave-thee note.

The party was breaking up, the men asking the young ladies if they might have the pleasure of their company home. Because it was moonlight there were no lanterns out on the porch, although George Hemming said audaciously that he always kept one in his buggy so young ladies’ parents would trust him.

Every one came up to Linnie to bid her good night, some of the young men saying politely: “I’m sorry you don’t have to be escorted anywhere.” But of them all, the one who attracted her had eyes only for Cynthia.

The crowd was at the door, then out on the porch, with many formal speeches for the pleasant evening, and only Lieutenant Norman Stafford was left, standing near the piano examining the song-books there.

Linnie knew he was remaining to be with Cynthia alone, so she slipped out to the back stairway and up to the room the girls shared. There she lighted her lamp and looked in the oval glass over the highboy, studying her appearance, comparing it with Cynthia’s. Dark smooth hair where Cynthia’s was light and fluffy. Serious dark eyes. Cynthia’s were blue and childlike. Wide mouth. Cynthia’s was a red embroidered buttonhole.

“Just plain and ladylike and uninteresting,” she said disparagingly to the reflection there. “Sort of a female calf.”

She turned away from her youthful image with distaste and undressed for bed.

After a long time she heard the soft rustle of Cynthia’s skirts on the stairway, caught a whiff of eau de cologne, and sensed that her cousin was tiptoeing in.

“Linnie!” The scent was stronger. “Are you awake?”

She jumped with assumed confusion and sat up. “Oh ... you startled me.”

Cynthia put her lamp on the highboy and climbed up on the edge of the bed, settling herself in a swirling nest of blue.

“Well, Linnie ... look at me. I’m betrothed.”

“George? Or the lieutenant?”

“Oh, Linnie, how funny you are.” Cynthia laughed, but softly so as not to waken her parents. “Mrs. Norman Stafford, wife of Lieutenant Stafford, an officer in the Regular Army. How does that sound?”

“It sounds ... very nice. So it’s the lieutenant?”

“Norman! I call him Norman now, and you can, too, because he will be your cousin. You like him, don’t you, Linnie?”

“Why, yes ... I like him ... very much.”

A bit of the girl’s amiability fell away. “But not too much. Don’t think I didn’t see you at refreshment time. You know he’s mine.”

Sitting there with arms around her knees, her dark hair pleated in neat braids, Linnie was suddenly remembering from a little-girl past: “You can’t have that doll either, Linnie. They’re all mine.”

But she only said, “I’m glad for you ... and I hope you’ll be happy, Cynthia. What are your plans?”

“Well, first he has to go to that old Fort Leavenworth, but maybe he’ll be sent back to Governor’s Island, and I could live in New York then. Or he might be sent to Washington. I would just admire to be in Washington society. They say the army crowd is having parties ...”

“But, Cynthia, when you marry him you’ll be an army wife. You’ll have to go anywhere he’s ordered. It might be farther out west to that Fort Laramie or up the river to those Dakota Territory forts your father was telling us about or ...”

“Oh, he wouldn’t be sent there ... not as handsome and citified an officer as he is.” She pursed her small mouth a moment, then changed to low laughter. “Linnie, you should have seen George. It was too funny. He was trying to be the last one to leave, and he hung back and hung back, but Norman just went over to the piano and started looking at the music so unconcerned, and I said, ‘George, would you be so kind as to accompany Victoria and Virgilla to their home?’ And there was nothing he could say but ‘With pleasure,’ and go with them. You should have seen the look he gave me when he left ... cross with me, but melting, too, and so sad. Oh, my good granny!”

She put her hands to her face in chuckling remembrance, then dropped them to say excitedly: “I gave him my picture—the tinted one in the white carved case, and he is going to send me one of him.”

“George?”

“No, silly! Norman!” She smiled to herself again with memory of the evening. “Do you know, Linnie, I’m going to feel downright sorry for him, thinking so much of me the way I just know he does.”

“The lieutenant?”

“No, Geor.... Oh, you go on, you tease!”

After Cynthia had come to bed, Linnie lay and looked out toward the river. A long time afterward, when sleep had not come, she rose quietly and went over to the window. Life was so queer. Here she was thinking about Norman Stafford, who was over at the Hernden House thinking about Cynthia, who had been chattering away about George Hemming.

The May moon shone down on the river and the levee and the steamboats tied there. She could hear all the night sounds of the sprawling town—cattle bawling, the throbbing of a steamer’s engine, ribald laughter, the pounding on some building where they were working by the light of the moon, a near-by “Gee ... gee” (did those freighters never sleep?), almost the slosh-slosh of the muddy river against the piling of the dock.

To-morrow morning that same river would carry him away. But what difference would that make? He was away already. He was Cynthia’s. And the little creek fed by their weeping all day ... rose into a river that wended its way ... to the sea with the tears from Nehawka.

The Lieutenant's Lady

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