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THE DIVINITY SCHOOL, OXFORD.

At eight o’clock, Mary Blandy, calm and stately, stands beneath the graceful fretted ceiling, facing the tribunal. From wall to wall an eager crowd has filled the long chamber, surging through the doorway, flowing in at the open windows, jostling even against the prisoner. A chair is placed for her in case of fatigue, and her maid is by her side. A plain and neat dress befits her serene manner—a black bombazine short sacque (the garb of mourning), white linen kerchief, and a thick crape shade and hood. From the memory of those present her countenance can never fade. A broad high forehead, above which her thick jet hair is smoothed under a cap; a pair of fine black sparkling eyes; the colouring almost of a gipsy; cheeks with scarce a curve; mouth full, but showing no softness; nose large, straight, determined—it is the face of one of those rare women who command, not the love, but the obedience of mankind. Still it is intelligent, not unseductive, compelling; and yet, in spite of the deep, flashing eyes, without radiance of soul—the face of a sombre-hearted woman.

Black, indeed, is the indictment that Bathurst, a venerable young barrister who represents the Crown, unfolds against her, but only once during his burst of carefully-matured eloquence is there any change in her serenity. When the future Lord Chancellor declares that the base Cranstoun “had fallen in love, not with her, but with her fortune,” the woman’s instinct cannot tolerate the reflection upon her charms, and she darts a look of bitterest scorn upon the speaker. And only once does she show a trace of human softness. When her godmother, old Mrs. Mountenay, is leaving the witness-box, she repeats the curtsey which the prisoner had previously disregarded, and then, in an impulse of pity, presses forward, and, seizing Miss Blandy’s hand, exclaims, “God bless you!” At last, and for the first time, the tears gather in the accused woman’s eyes.

Many abuses, handed down from a previous century, still render barbarous the procedure of criminal trials. The case is hurried over in one day; counsel for the prisoner can only examine witnesses, but not address the jury; the prosecution is accustomed to put forward evidence of which the defence has been kept in ignorance. Yet no injustice is done to Mary Blandy. Thirteen hours is enough to tear the veil from her sombre heart; the tongue of Nestor would fail to show her innocent; of all that her accusers can say of her she is well aware. Never for one moment is the issue in doubt. What can her scoffing, sceptic age, with its cold-blooded sentiment and tame romance, think of a credulity that employed a love-potion in the guise of affection but with the result of death! How is it possible to judge a daughter who persisted in her black art, although its dire effects were visible, not once, but many times! Her defence, when at last it comes, is spoken bravely, but better had been left unsaid.

“My lords,” she begins, “it is morally impossible for me to lay down the hardships I have received. I have been aspersed in my character. In the first place, it has been said that I have spoke ill of my father; that I have cursed him and wished him at hell; which is extremely false. Sometimes little family affairs have happened, and he did not speak to me so kind as I could wish. I own I am passionate, my lords, and in those passions some hasty expressions might have dropt. But great care has been taken to recollect every word I have spoken at different times, and to apply them to such particular purposes as my enemies knew would do me the greatest injury. These are hardships, my lords, extreme hardships!—such as you yourselves must allow to be so. It was said, too, my lords, that I endeavoured to make my escape. Your lordships will judge from the difficulties I laboured under. I had lost my father—I was accused of being his murderer—I was not permitted to go near him—I was forsaken by my friends—affronted by the mob—insulted by my servants. Although I begged to have the liberty to listen at the door where he died, I was not allowed it. My keys were taken from me, my shoe-buckles and garters too—to prevent me from making away with myself, as though I was the most abandoned creature. What could I do, my lords? I verily believe I was out of my senses. When I heard my father was dead and the door open, I ran out of the house, and over the bridge, and had nothing on but a half sack and petticoat, without a hoop, my petticoats hanging about me. The mob gathered about me. Was this a condition, my lords, to make my escape in? A good woman beyond the bridge, seeing me in this distress, desired me to walk in till the mob was dispersed. The town sergeant was there. I begged he would take me under his protection to have me home. The woman said it was not proper, the mob was very great, and that I had better stay a little. When I came home they said I used the constable ill. I was locked up for fifteen hours, with only an old servant of the family to attend me. I was not allowed a maid for the common decencies of my sex. I was sent to gaol, and was in hopes, there, at least, this usage would have ended, but was told it was reported I was frequently drunk—that I attempted to make my escape—that I never attended the chapel. A more abstemious woman, my lords, I believe, does not live.

“Upon the report of my making my escape, the gentleman who was High Sheriff last year (not the present) came and told me, by order of the higher powers, he must put an iron on me. I submitted, as I always do to the higher powers. Some time after, he came again, and said he must put a heavier upon me, which I have worn, my lords, till I came hither. I asked the Sheriff why I was so ironed? He said he did it by command of some noble peer, on his hearing that I intended to make my escape. I told them I never had such a thought, and I would bear it with the other cruel usage I had received on my character. The Rev. Mr. Swinton, the worthy clergyman who attended me in prison, can testify that I was very regular at the chapel when I was well. Sometimes I really was not able to come out, and then he attended me in my room. They likewise published papers and depositions which ought not to have been published, in order to represent me as the most abandoned of my sex, and to prejudice the world against me. I submit myself to your lordships, and to the worthy jury. I can assure your lordships, as I am to answer it before that Grand Tribunal where I must appear, I am as innocent as the child unborn of the death of my father. I would not endeavour to save my life at the expense of truth. I really thought the powder an innocent, inoffensive thing, and I gave it to procure his love. It was mentioned, I should say, I was ruined. My lords, when a young woman loses her character, is not that her ruin? Why, then, should this expression be construed in so wide a sense? Is it not ruining my character to have such a thing laid to my charge? And whatever may be the event of this trial, I am ruined most effectually.”

A strange apology—amazing in its effrontery!

Gentle Heneage Legge speaks long and tenderly, while the listeners shudder with horror as they hear the dismal history unfolded in all entirety for the first time. No innocent heart could have penned that last brief warning to her lover—none but an accomplice would have received his cryptic message. Every word in the testimony of the stern doctor seems to hail her parricide—every action of her stealthy career has been noted by the watchful eyes of her servants. And, as if in damning confirmation of her guilt, there is the black record of her flight from the scene of crime. Eight o’clock has sounded when the judge has finished. For a few moments the jury converse in hurried whispers. It is ominous that they make no attempt to leave the court, but merely draw closer together. Then, after the space of five minutes they turn, and the harsh tones of the clerk of arraigns sound through the chamber.

“Mary Blandy, hold up thy hand. … Gentlemen of the jury, look upon the prisoner. How say you: Is Mary Blandy guilty of the felony and murder whereof she stands indicted, or not guilty?”

“Guilty!” comes the low, reluctant answer.

Never has more piteous drama been played within the cold fair walls of the divinity school than that revealed by the guttering candles on this chill March night. Amidst the long black shadows, through which gleam countless rows of pallid faces, in the deep silence, broken at intervals by hushed sobs, the invincible woman stands with unruffled mien to receive her sentence. As the verdict is declared, a smile seems to play upon her lips. While the judge, with tearful eyes and broken voice, pronounces her doom, she listens without a sign of fear. There is a brief, breathless pause, while all wait with fierce-beating hearts for her reply. No trace of terror impedes her utterance. Thanking the judge for his candour and impartiality, she turns to her counsel, among whom only Richard Aston rose to eminence, and, with a touch of pretty forethought, wishes them better success in their other causes. Then, and her voice grows more solemn, she begs for a little time to settle her affairs and to make her peace with God. To which his lordship replies with great emotion:

“To be sure, you shall have proper time allowed you.”

When she is conducted from the court she steps into her coach with the air of a belle whose chair is to take her to a fashionable rout. The fatal news has reached the prison before her arrival. As she enters the keeper’s house, which for so long has been her home, she finds the family overcome with grief and the children all in tears.

“Don’t mind it,” she cries, cheerfully. “What does it matter? I am very hungry. Pray let me have something for supper as soon as possible.”

That sombre heart of hers is a brave one also.

All this time William Cranstoun, worthy brother in all respects of Simon Tappertit, had been in hiding—in Scotland perhaps, or, as some say, in Northumberland—watching with fearful quakings for the result of the trial. Shortly after the conviction of his accomplice he managed to take ship to the Continent, and luckily for his country he never polluted its soil again. There are several contemporary accounts of his adventures in France and in the Netherlands, to which the curious may refer. All agree that he confessed his share in the murder when he was safe from justice. With unaccustomed propriety, our Lady Fate soon hastened to snap the thread of his existence, and on the 3rd of December of this same year, at the little town of Furnes in Flanders, aged thirty-eight, he drew his last breath. A short time before, being seized with remorse for his sins, he had given the Catholic Church the honour of enrolling him a proselyte. Indeed the conversion of so great a ruffian was regarded as such a feather in their cap that the good monks and friars advertised the event by means of a sumptuous funeral.

Worthy Judge Legge fulfils his promise to the unhappy Miss Blandy, and she is given six weeks in which to prepare herself for death. Meek and more softened is the sombre woman, who, like a devoted penitent, submits herself day after day to the vulgar gaze of a hundred eyes, while she bows in all humility before the altar of her God. Yet her busy brain is aware that those to whom she looks for intercession are keeping a careful watch upon her demeanour. For she has begged her godmother Mrs. Mountenay to ask one of the bishops to speak for her; she is said to entertain the hope that the recently-bereaved Princess will endeavour to obtain a reprieve. In the fierce war of pamphleteers, inevitable in those days, she takes her share, playing with incomparable tact to the folly of the credulous. Although the majority, perhaps, believe her guilty, she knows that a considerable party is in her favour. On the 20th of March is published “A Letter from a Clergyman to Miss Blandy, with her Answer,” in which she tells the story of her share in the tragedy. During the remainder of her imprisonment she extends this narrative into a long account of the whole case—assisted, it is believed, by her spiritual adviser, the Rev. John Swinton, who, afflicted possibly by one of his famous fits of woolgathering, seems convinced of her innocence. No human effort, however, is of any avail. Both the second and third George, knowing their duty as public entertainers, seldom cheated the gallows of a victim of distinction.

Originally the execution had been fixed for Saturday, the 4th of April, but is postponed until the following Monday, because the University authorities do not think it seemly that the sentence shall be carried out during Holy Week. A great crowd collects in the early morning outside the prison walls before the announcement of the short reprieve, and it speaks marvels for the discipline of the gaol that Miss Blandy is allowed to go up into rooms facing the Castle Green so that she can view the throng. Gazing upon the assembly without a tremor, she says merely that she will not balk their expectations much longer. On Sunday she takes sacrament for the last time, and signs a declaration in which she denies once more all knowledge that the powder was poisonous. In the evening, hearing that the Sheriff has arrived in the town, she sends a request that she may not be disturbed until eight o’clock the next morning.

It was half-past the hour she had named when the dismal procession reached the door of her chamber. The Under-Sheriff was accompanied by the Rev. John Swinton, and by her friend Mr. Rives, the lawyer. Although her courage did not falter, she appeared meek and repentant, and spoke with anxiety of her future state, in doubt whether she would obtain pardon for her sins. This penitent mood encouraged the clergyman to beg her declare the whole truth, to which she replied that she must persist in asserting her innocence to the end. No entreaty would induce her to retract the solemn avowal.

At nine o’clock she was conducted from her room, dressed in the same black gown that she had worn at the trial, with her hands and arms tied by strong black silk ribbons. A crowd of five thousand persons, hushed and expectant, was waiting on the Castle Green to witness her sufferings. Thirty yards from the door of the gaol, whence she was led into the open air, stood the gallows—a beam placed across the arms of two trees. Against it lay a step-ladder covered with black cloth. The horror of her crime must have been forgotten by all who gazed upon the calm and brave woman. For truly she died like a queen. Serene and fearless she walked to the fatal spot, and joined most fervently with the clergyman in prayer. After this was ended they told her that if she wished she might speak to the spectators.

“Good people,” she cried, in a clear, audible voice, “give me leave to declare to you that I am perfectly innocent as to any intention to destroy or even hurt my dear father; that I did not know, or even suspect, that there was any poisonous quality in the fatal powder I gave him; though I can never be too much punished for being the innocent cause of his death. As to my mother’s and Mrs. Pocock’s deaths, that have been unjustly laid to my charge, I am not even the innocent cause of them, nor did I in the least contribute to them. So help me, God, in these my last moments. And may I not meet with eternal salvation, nor be acquitted by Almighty God, in whose awful presence I am instantly to appear hereafter, if the whole of what is here asserted is not true. I from the bottom of my soul forgive all those concerned in my prosecution; and particularly the jury, notwithstanding their fatal verdict.”

Then, having ascended five steps of the ladder, she turned to the officials. “Gentlemen,” she requested, with a show of modesty, “do not hang me high.” The humanity of those whose task it was to put her to death, forced them to ask her to go a little higher. Climbing two steps more, she then looked round, and trembling, said, “I am afraid I shall fall.” Still, her invincible courage enabled her to address the crowd once again. “Good people,” she said, “take warning by me to be on your guard against the sallies of any irregular passion, and pray for me that I may be accepted at the Throne of Grace.” While the rope was being placed around her neck it touched her face, and she gave a deep sigh. Then with her own fingers she moved it to one side. A white handkerchief had been bound across her forehead, and she drew it over her features. As it did not come low enough, a woman, who had attended her and who had fixed the noose around her throat, stepped up and pulled it down. For a while she stood in prayer, and then gave the signal by thrusting out a little book which she held in her hand. The ladder was moved from under her feet, and in obedience to the laws of her country she was suspended in the air, swaying and convulsed, until the grip of the rope choked the breath from her body.

Horrible! Yet only in degree are our own methods different from those employed a hundred and fifty years ago.

During the whole of the sad tragedy, the crowd, unlike the howling mob at Tyburn, maintained an awestruck silence. There were few dry eyes, though the sufferer did not shed a tear, and hundreds of those who witnessed her death went away convinced of her innocence. An elegant young man named Edward Gibbon, with brain wrapped in the mists of theology, who for three days had been gentleman commoner at Magdalen, does not appear to have been attracted to the scene. Surely George Selwyn must be maligned, else he would have posted to Oxford to witness this spectacle. It would have been his only opportunity of seeing a gentlewoman in the hands of the executioner.

After hanging for half an hour with the feet, in consequence of her request, almost touching the ground, the body was carried upon the shoulders of one of the sheriff’s men to a neighbouring house. At five o’clock in the afternoon the coffin containing her remains was taken in a hearse to Henley, where, in the dead of night, amidst a vast concourse, it was interred in the chancel of the parish church between the graves of her father and mother.

So died ‘the unfortunate Miss Blandy’ in the thirty-second year of her age—with a grace and valour which no scene on the scaffold has ever excelled. If, as the authors of The Beggars Opera and The History of Jonathan Wild have sought to show, in playful irony, the greatness of the criminal is comparable with the greatness of the statesman, then she must rank with Mary of Scotland and Catherine of Russia among the queens of crime. Hers was the soul of steel, theirs also the opportunity.

In every period the enormity of a sin can be estimated only by its relation to the spirit of the age; and in spite of cant and sophistry, the contemporaries of Miss Blandy made no legal distinction between the crimes of parricide and petty larceny. Nay, the same rope that strangled the brutal cut-throat in a few moments might prolong the agony of a poor thief for a quarter of an hour. Had the doctors succeeded in saving the life of the old attorney, the strange law which in later times put to death Elizabeth Fenning would have been powerless to demand the life of Mary Blandy for a similar offence. The protests of Johnson and Fielding against the iniquity of the criminal code fell on idle ears.

Thus we may not judge Mary Blandy from the standpoint of our own moral grandeur, for she is a being of another world—one of the vain, wilful, selfish children to whom an early Guelph was king—merely one of the blackest sheep in a flock for the most part ill-favoured. As we gaze upon her portrait there comes a feeling that we do not know this sombre woman after all, for though the artist has produced a faithful resemblance, we perceive there is something lacking. We look into part, not into her whole soul. None but one of the immortals—Rembrandt, or his peer—could have shown this queen among criminals as she was: an iron-hearted, remorseless, demon-woman, her fair, cruel visage raised mockingly amidst a chiaroscuro of crime and murkiness unspeakable.

“a narrow, foxy face,

Heart-hiding smile, and gay persistent eye.”

In our own country the women of gentle birth who have been convicted of murder since the beginning of the eighteenth century may be counted on the fingers of one hand. Mary Blandy, Constance Kent, Florence Maybrick—for that unsavoury person, Elizabeth Jefferies, has no claim to be numbered in the roll, and the verdict against beautiful Madeleine Smith was ‘Not proven’—these names exhaust the list. And of them, the first alone paid the penalty at the gallows. The annals of crime contain the records of many parricides, some that have been premeditated with devilish art, but scarce one that a daughter has wrought by the most loathsome of coward’s weapons. In comparison with the murderess of Henley, even Frances Howard and Anne Turner were guilty of a venial crime. Mary Blandy stands alone and incomparable—pilloried to all ages among the basest of her sex.

Yet the world soon forgot her. “Since the two misses were hanged,” chats Horace Walpole on the 23rd of June, coupling irreverently the names of Blandy and Jefferies with the beautiful Gunnings—“since the two misses were hanged, and the two misses were married, there is nothing at all talked of.” Society, however, soon found a new thrill in the adventures of the young woman Elizabeth Canning.

Miss MARY BLANDY


B. Cole Sculp

Aged 33 and Executed at Oxford April 6, 1752, for poisoning her Father.

Some Distinguished Victims of the Scaffold

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