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As Riley stared at the blurred image, she wondered …

What happened next?

After the camera was knocked from the woman’s hands, what happened to her?

What did she experience?

Did she struggle against her assailant until he somehow subdued and bound her?

Did she remain conscious throughout her ordeal? Or was she knocked unconscious right there and then, when the picture was taken?

Did she then awaken to the horror of her final moments?

Maybe it doesn’t matter, Riley thought.

She remembered what the ME had said about the likelihood that Janet had died from an overdose of amphetamines.

If that was true, she had actually been frightened to death.

And now Riley was looking at the frozen moment when that fatal terror had really begun.

She shuddered deeply at the thought.

Crivaro pointed to the photo and said to Charlie, “Magnify everything. Not just this one, all the photographs, every square centimeter.”

Charlie scratched his head and asked, “Looking for what?”

“People,” Crivaro said. “Any people you can find. Janet Davis seems to have thought she was alone, but she was wrong. Someone was lying in wait for her. Maybe—just maybe—she caught him on film without realizing it. If you find anybody at all, get as clear a blow-up as you can.”

Although she didn’t say so aloud, Riley felt skeptical.

Will Charlie find anybody?

She had a feeling about the killer—that he was far too stealthy to let himself be accidentally photographed. She doubted that even a microscopic search of the photos would reveal any trace of him.

At that moment, Crivaro’s phone buzzed in his pocket. He said, “That’s got to be McCune.”

Riley and Crivaro left the darkroom, and Crivaro stepped away to take the call. He seemed to be excited by whatever McCune was saying to him. When he ended the call, he said to Riley …

“McCune has located the costume store where Janet Davis took some pictures. He’s on his way there, and says he’ll meet us there. Let’s get going.”

*

When Crivaro pulled up to the store called Costume Romp, Agent McCune was already there waiting in his own vehicle. He got out and joined Riley and Crivaro as they approached the store. It looked to Riley at first like a modest storefront establishment. The front windows were filled with costumes, of course—ranging from a vampire and a mummy to fancy dress outfits suggestive of earlier centuries. There was also an Uncle Sam costume for the upcoming Fourth of July.

When she followed Crivaro and McCune inside, Riley was startled by the vastness of the long brick interior, filled with racks loaded with what appeared to be hundreds of costumes, masks, and wigs.

The sight of so much make-believe took Riley’s breath away. The costumes included pirates, monsters, soldiers, princes and princesses, wild and domestic animals, space aliens, and every other kind of character she could imagine.

It boggled Riley’s mind. After all, Halloween only came once a year. Was there really a year-round market for all these costumes? If so, what did people want with them?

A lot of costume parties, I guess.

It occurred to her that she shouldn’t be surprised, considering the horrors she was starting to learn about. In a world where such awful things happened, it was small wonder that people wanted to escape into fantasy worlds.

It also wasn’t surprising that a talented photographer like Janet Davis would enjoy taking photographs here, in the midst of such a rich array of images. No doubt she used real film here, not a digital camera.

The monster masks and costumes reminded Riley of a TV show she’d enjoyed during the last couple of years—the story of a teenage girl who fought and slew vampires and other kinds of demons.

Lately, though, Riley had found that show less appealing.

After learning about her own ability to enter a killer’s mind, the saga of a girl with superpowers and super-obligations now seemed to cut a little too close to home for comfort.

Riley, Crivaro, and McCune looked all around but didn’t see anybody.

McCune called out, “Hello—is anybody here?”

A man stepped out from behind one of the costume racks.

“May I help you?” he asked.

The man cut a startling figure. He was tall and extremely thin, wearing a long-sleeved T-shirt that was printed to resemble a tuxedo. He was also wearing familiar “Groucho” glasses—the kind with an enormous white nose, black-rimmed glasses, and bushy eyebrows and a mustache.

Obviously taken somewhat aback, Crivaro and McCune took out their badges and told the man who they and Riley were.

Seeming utterly unsurprised to be visited by the FBI, the man introduced himself as Danny Casal, the owner of the business.

“Just call me Danny,” he said.

Riley found herself waiting for him to take off the nose glasses. But as she looked at him more closely, she realized …

Those are prescription glasses.

They also had remarkably thick lenses. Danny Casal apparently wore these glasses all the time, and he surely would be quite myopic without them.

McCune opened a manila folder.

“We have photos of two women,” he said. “We need to know if you’ve ever seen either of them.”

The eyebrows and fake nose and mustache all bobbed up and down as Danny nodded. He struck Riley as a peculiarly serious and dour man to be wearing such a getup.

McCune pulled out one photo and held it for the shop owner to see.

Danny peered at the photo through his glasses.

He said, “She’s not one of our regular customers. I can’t guarantee that she’s never been in the shop, but I don’t recognize her.”

“You’re sure?” McCune asked.

“Quite positive.”

“Does the name Margo Birch mean anything to you?”

“Uh, maybe something in the news. I’m not sure.”

McCune pulled out another photo. “What about this woman? We believe she came to your establishment to take pictures.”

Riley, too, looked closely at the photograph. This must be Janet Davis. It was the first time she’d seen her living, unpainted face—smiling and happy and unaware of the terrible fate that awaited her.

“Oh, yes,” Casal said. “She was in here not long ago. Janet something.”

“Davis,” Crivaro said.

“That’s right,” Casal said with a nod. “A nice lady. A nice camera too—I’m something of a photography buff myself. She offered to pay me to let her take pictures here, but I wouldn’t accept. I was flattered that she found my establishment worthy of her efforts.”

Casal tilted his head and looked at his visitors.

“But I don’t suppose you’re here with good news about her,” he said. “Is she in some kind of trouble?”

Crivaro said, “I’m afraid she was murdered. Both of these women were.”

“Really?” Casal said. “When?”

“Margo Birch was found dead five days ago. Janet Davis was murdered the night before last.”

“Oh,” Casal said. “I’m sorry to hear that.”

Riley barely noticed any change in his tone of voice or facial expression.

McCune changed tactics. He asked, “Do you sell clown costumes here?”

“Of course,” Casal said. “Why do you ask?”

McCune abruptly took another photo out of his folder. Riley almost gasped when she got a look at it.

It showed another dead woman dressed in a clown costume. She was splayed on concrete next to an alley dumpster. The costume was similar to the one that Janet Davis, the victim found in the park this morning, had worn—puffy fabric with huge pompom buttons. But the colors and patterns were somewhat different, and so was the makeup.

Margo Birch, Riley realized. The way she was found.

McCune asked Casal, “Do you sell costumes like this one?”

Riley noticed that Crivaro was scowling at McCune. McCune was obviously testing Casal’s response to the photo, but Crivaro seemed to disapprove of his blunt approach.

But like McCune, Riley was curious as to how the man was going to react.

Casal turned to look at Riley. She simply couldn’t read his expression. In addition to the bushy eyebrows and mustache, she could now see how really thick the lenses were. Although he was surely making eye contact with her, it didn’t look like it. Refracted through the lenses, his eyes appeared to be directed slightly elsewhere.

It’s like he’s wearing a mask, Riley thought.

“Is this Ms. Davis?” Casal asked Riley.

Riley shook her head and said, “No. But Janet Davis’s body was found in a similar condition this morning.”

Still with no change in his tone of voice, Casal said to McCune …

“In answer to your question—yes, we do sell this sort of costume.”

He led his visitors over to a long rack full of clown costumes. Riley was startled at how varied they were.

As Casal browsed among some tattered jackets and baggy, patched up pants, he said, “As you can see, there are several different types of clowns. For example, there’s the ‘tramp’ here, often personified as a hobo or a vagabond, with a worn-out hat and shoes, sooty sunburned makeup, a sad frown, and a painted stubble of beard. The female equivalent is often a bag lady.”

He moved on to group of more motley costumes.

“Somewhat related to the tramp is the ‘Auguste,’ a traditional European type, more of a trickster than a vagabond, an underling and a flunky. He wears a red nose and mismatched clothes and alternates between inept clumsiness and agile cunning.”

Then he shuffled through some costumes that seemed to be mostly white, some of them spangled and with colored trim.

He said, “And here we have the traditional European whiteface, the ‘Pierrot’—composed, poised, graceful, intelligent, always in control. His makeup is simple—completely white, with regular features painted in red or black, like a mime, and he often wears a conical hat. He’s an authority figure, often Auguste’s boss—and not a very nice boss. Small wonder, though, since many of Auguste’s jokes are at his expense.”

He moved through dozens of wildly different costumes, saying …

“Now here we’ve got lots of different ‘character’ clowns, based on types familiar from everyday life—cops, maids, butlers, doctors, firemen, that kind of thing. But here’s the type you’re looking for.”

He showed his visitors a row of brightly colored costumes that definitely reminded Riley of the victims in the picture and the field.

“This is the ‘grotesque whiteface,’” he said.

That word caught Riley’s attention.

Grotesque.

Yes, that certainly described what had been done to Janet Davis’s body.

Fingering one of the outfits, Casal continued, “This is the most common type of clown, I suppose, at least here in America. It doesn’t reflect any particular type or profession or status. The grotesque whiteface is just generally clownish-looking, ridiculous and silly. Think Bozo the Clown, or Ronald McDonald—or Stephen King’s ‘It,’ to cite a scarier example. The grotesque typically wears a baggy colorful costume, outsized shoes, and white makeup with exaggerated features, including a huge wig and a bright red nose.”

Crivaro seemed to be genuinely interested in what Casal was now saying.

He asked, “Have you sold any of these grotesque-type costumes lately?”

Casal thought for a moment.

“Not that I remember—not at least during the last few months,” he said. “I could look through our receipts, but that might take a while.”

Crivaro handed him his FBI card and said, “I’d appreciate if you’d do that and get back to me.”

“I’ll do that,” Casal said. “But remember, the grotesque costume is extremely common. It might have been bought at any costume shop anywhere in the city.”

McCune smirked a little and said, “Yeah, but this isn’t just any costume store. One of the victims was here pretty recently taking pictures.”

His expression still inscrutable, Casal put his hands in his pockets and said, “Yes, I can understand why that might concern you.”

Casal looked off into space for a moment, as if deep in thought.

Then his whole body seemed to jerk to attention.

“Oh, my,” he said, finally sounding unsettled. “I just thought of something I think you’d better know.”