Читать книгу The Impeachment of the House of Brunswick - Bradlaugh Charles - Страница 8

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When George I. died there was so little interest or affection exhibited by his son and successor, that Sir Robert Walpole, on announcing to George II. that by the demise of his father he had succeeded to regal honors, was saluted with a volley of oaths, and "Dat is one big lie." No pretence even was made of sorrow. Greorge Augustus had hated George Lewis during life, and at the first council, when the will of the late King was produced by the Archbishop of Canterbury, the new monarch simply took it up and walked out of the room with the document, which was never seen again. Thackeray, who pictures George II. as "a dull, little man, of low tastes," says that he "made away with his father's will under the astonished nose of the Archbishop of Canterbury." A duplicate of this will having been deposited with the Duke of Brunswick, a large sum of money was paid to that Prince nominally as a subsidy by the English Government for the maintenance of troops, but really as a bribe for surrendering the document. A legacy having been left by this will to Lady Walsingham, threats were held out in 1733 by her then husband, Lord Chesterfield, and £20,000 was paid in compromise.

The eldest son of George II. was Frederick, born in 1706, and who up to 1728 resided permanently in Hanover. Lord Hervey tells us that the King hated his son Frederick, and that the Queen Caroline, his mother, abhorred him. To Lord Hervey the Queen says: "My dear Lord, I will give it you under my hand, if you are in any fear of my relapsing, that my dear first-born is the greatest ass, and the greatest liar, and the greatest canaille and the greatest beast in the whole world; and that I most heartily wish he were out of it." This is a tolerably strong description of the father of George HI. from the lips of his own mother. Along with this description of Frederick by the Queen, take Thackeray's character of George II.'s worthy father of worthy son: "Here was one who had neither dignity, learning, morals, nor wit—who tainted a great society by a bad example; who in youth, manhood, old age, was gross, low, and sensual."

In 1705, when only Electoral Prince of Hanover, George had married Caroline, daughter of the Margrave of Anspach, a woman of more than average ability. Thackeray describes Caroline in high terms of praise, but Lord Chesterfield says that "she valued herself upon her skill in simulation and dissimulation. … Cunning and perfidy were the means she made use of in business." The Prince of Anspach is alleged by the Whimperer to have raised some difficulties as to the marriage, on account of George I. being disposed to deny the legitimacy of his son, and it is further pretended that George I. had actually to make distinct acknowledgment of his son to King William III. before the arrangements for the Act of Settlement were consented to by that King. It is quite clear from the diary of Lady Cowper, that the old King's feeling towards George II. was always one of the most bitter hatred.

The influence exercised by Queen Caroline over George II. was purely political; and Lord Hervey declares that "wherever the interest of Germany and the honor of the Empire were concerned, her thoughts and reasonings were as German and Imperial as if England had been out of the question."

A strange story is told of Sir Robert Walpole and Caroline. Sir Robert, when intriguing for office under George I., with Townshend, Devonshire, and others, objected to their plans being communicated to the Prince of Wales, saying,

"The fat b———h, his wife, would betray the secret and spoil the project." This courtly speech being made known by some kind friend to the Princess Caroline, considerable hostility was naturally exhibited. Sir Robert Walpole, who held the doctrine that every person was purchasable, the only question being one of price, managed to purchase peace with Caroline when Queen. When the ministry suspended, "Walpole not fairly out, Compton not fairly in," Sir Robert assured the Queen that he would secure her an annuity of £100,000 in the event of the King's death, Sir Spencer Compton, who was then looked to as likely to be in power, having only offered £60,000. The Queen sent back word, "Tell Sir Robert the fat b———h has forgiven him," and thenceforth they were political allies until the Queen's death in 1737.

The domestic relations of George II. were marvellous. We pass with little notice Lady Suffolk, lady-in-waiting to the Queen and mistress to the King, who was sold by her husband for a pension of £12,000 a year, paid by the British tax-payers, and who was coarsely insulted by both their Majesties. It is needless to dwell on the confidential communications, in which "that strutting little sultan George II.," as Thackeray calls him, solicited favors from his wife for his mistress, the Countess of Walmoden; but to use the words of the cultured Edinburgh Review, the Queen's "actual intercession to secure for the King the favors of the Duchess of Modena precludes the idea that these sentiments were as revolting to the royal Philaminte as they would nowadays be to a scavenger's daughter. Nor was the Queen the only lady of the Royal Family who talked openly on these matters. When Lady Suffolk was waning at court, the Princess Royal could find nothing better to say than this: 'I wish with all my heart that he (i.e., the King) would take somebody else, that Mamma might be relieved from the ennui of seeing him forever in her room.'"

Lady Cowper in her diary tells us that George II., when Prince of Wales, intrigued with Lady Walpole, not only with the knowledge of the Princess Caroline, but also with connivance of the Prime Minister himself. Lord Hervey adds that Caroline used to sneer at Sir Robert Walpole, asking how the poor man—"avec ce gros corps, ces jambes enflees et ce villain ventre"—could possibly believe that any woman could love him for himself. And that Sir Robert retaliated, when Caroline afterwards complained to him of the King's cross temper, by telling her very coolly that "it was impossible it could be otherwise, since the King had tasted better things," and ended by advising her to bring pretty Lady Tankerville en rapport with the King.

In 1727 an Act was passed, directed against workmen in the woollen trade, rendering combination for the purpose of raising wages unlawful. Some years afterwards, this Act was extended to other trades, and the whole tendency of the Septennial Parliament legislation manifests a most unfortunate desire on the part of the Legislature to coerce and keep in subjection the artisan classes.

In February, 1728, the celebrated "Beggar's Opera," by Gay, was put on the stage at the Lincoln's Inn Fields Theatre, and, being supposed to contain some satirical reflections on court-corruption, provoked much displeasure on the part of Royalty. The Duchess of Queensborough, who patronized Gay, being forbidden to attend court, wrote thus: "The Duchess of Queensborough is surprised and well pleased that the King has given her so agreeable a command as forbidding her the court. … She hopes that, by so unprecedented an order as this, the King will see as few as she wishes at his court, particularly such as dare speak or think truth."

In 1729, £115,000 was voted by Parliament for the payment of the King's debts. This vote seems to have been obtained under false pretences, to benefit the King, whose "cardinal passion," says Phillimore, "was avarice."

The Craftsman during the first decade of the reign, fiercely assailed the Whig ministry for "a wasteful expenditure of money in foreign subsidies and bribes;" and in his place in the House of Commons William Pitt, "the great Commoner," in the strongest language attacked the system of foreign bribery by which home corruption was supplemented.

The rapidly increasing expenditure needed every day increased taxation, and a caricature published in 1732 marks the public feeling. A monster (Excise), in the form of a many-headed dragon, is drawing the minister (Sir Robert Walpole) in his coach, and pouring into his lap, in the shape of gold, what it has eaten up in the forms of mutton, hams, cups, glasses, mugs, pipes, etc.