Читать книгу The Turn of the Balance - Brand Whitlock - Страница 18

Archie was loitering along Market Place, not sure of what he would do that evening, but ready for any sensation chance might offer. Men were brushing through the flapping green doors of the small saloons, talking loudly, and swearing, many of them already drunk. Pianos were going, and above all the din he heard the grating of a phonograph grinding out the song some minstrel once had sung to a banjo; the banjo notes were realistic, but the voice of the singer floated above the babel of voices like the mere ghost of a voice, inhuman and not alive, as perhaps the singer might not then have been alive. Archie, wondering where the gang was, suddenly met Mason. The sight gave him real pleasure.

"Hello, Joe!" he cried as he seized Mason's hand.

Mason smiled faintly, but Archie's joy made him happy.

"Je's," said Archie, "I'm glad to see you–it makes me feel better. When 'd you get out?"

"This morning," Mason replied. "Which way?"

"Oh, anywhere," said Archie. "Where you goin'?"

"Up to Gibbs's. Want to go 'long?"

Archie's heart gave a little start; to go to Danny Gibbs's under Mason's patronage would be a distinction. The evening opened all at once with sparkling possibilities.

"An old friend o' mine's there," Mason explained as they walked along up Kentucky Street. "He's just got out of a shooting scrape; he croaked that fellow Benny Moon. Remember?"

Gibbs's place was scarcely more than a block away; it displayed no sign; a three-story building of brick, a side door, and a plate-glass window in front; a curtain hiding half the window, a light above–that was all.

Mason entered with an assurance that impressed Archie, who had never before felt the need of assurance in entering a saloon. He looked about; it was like any other saloon, a long bar and a heavy mirror that reflected the glasses and the bottles of green and yellow liqueurs arranged before it. At one table sat a tattered wreck of a man, his head bowed on his forearms crossed on the table, fast asleep–one of the many broken lives that found with Danny Gibbs a refuge. Over the mirror behind the bar hung an opium pipe, long since disused, serving as a relic now, the dreams with which it had once relieved the squalor and remorse of a wasted life long since broken.

At Mason's step, however, there was a stir in the room behind the bar-room, and a woman entered. She walked heavily, as if her years and her flesh were burdensome; her face was heavy, tired and expressionless. She was plainly making for the bar, as if to keep alive the pretense of a saloon, but when she saw Mason she stopped, her face lighted up, becoming all at once matronly and pleasant, and she smiled as she came forward, holding out a hand.

"Why, Joe," she said, "is that you? When did you get out?"

"This morning," he said. "Where's Dan?"

"He's back here; come in," and she turned and led the way.

Mason followed, drawing Archie behind him, and they entered the room behind the bar-room. The atmosphere changed–the room was light, it was lived in, and the four men seated at a round bare table gave to the place its proper character. Three of the men had small tumblers filled with whisky before them, the fourth had none; he sat tilted back in his chair, his stiff hat pulled down over his eyes, his hands sunk in the pockets of his trousers; his fat thighs flattened on the edge of his chair. He was dressed in modest gray, and might have been taken for a commonplace business man. He lifted his blue eyes quickly and glanced at the intruders; his face was round and cleanly shaved, save for a little blond mustache that curled at the corners of his mouth. His hair, of the same color as his mustache, glistened slightly at the temples, where it was touched by gray. This man had no whisky glass before him–he did not drink, but he sat there with an air of presiding over this little session, plainly vested with some authority–sat, indeed, as became Danny Gibbs, the most prominent figure in the under world.

Gibbs's place was only ostensibly a saloon; in reality it was a clearing-house for thieves, where accounts were settled with men who had been robbed under circumstances that made it advisable for them to keep the matter secret, and where balances were adjusted with the police. All the thieves of the higher class–those who traveled on railway trains and steamboats, fleecing men in games of cards, those of that class who were well-dressed, well-informed, pleasant-mannered, apparently respectable, who passed everywhere for men of affairs, and stole enormous sums by means of a knowledge of human nature that was almost miraculous–were friends of Gibbs. He negotiated for them; he helped them when they were in trouble; when they were in the city they lived at his house–sometimes they lived on him. The two upper floors of his establishment, fitted like a hotel, held many strange and mysterious guests. Gibbs maintained the same relation with the guns, the big-mitt men, and sneak-thieves, and he bore the same relation to the yegg men and to the prowlers. By some marvelous tact he kept apart all these classes, so different, so antipathetic, so jealous and suspicious of one another, and when they happened to meet he kept them on terms. There never were loud words or trouble at Gibbs's. To all these classes of professional criminals he was a kind of father, an ever-ready friend who never forgot or deserted them. When they were in jail he sent lawyers to them, he provided them with delicacies, he paid their fines. Sometimes he obtained pardons and commutations for them, for he was naturally influential in politics and maintained relations with Ralph Keller, the boss of the city, that were as close as those he maintained with the police. He could provide votes for primaries, and he could do other things. The police never molested him, though now and then they threatened to, and then he was forced to increase the tribute money, already enormous. A part of his understanding with the police, a clause in the modus vivendi, was that certain friends of Gibbs's were to be harbored in the city on condition that they committed no crimes while there; now and then when a crime was committed in the city, it would be made the excuse by the police for further extortion. The detectives came and went as freely at Gibbs's as the guns, the yeggs, the prowlers, the sure-thing men, the gamblers and bunco men.

"Ah, Joe," said Gibbs, glancing at Mason.

"Dan," said Mason, as he took a chair beside Gibbs. They had spoken in low, quiet tones, yet somehow the simplicity of their greeting suggested a friendship that antedated all things of the present, stretching back into other days, recalling ties that had been formed at times and under circumstances that were lost in the past and forgotten by every one, even the police. However well the other three might have known Gibbs, they delicately implied that their relation could not be so close as that of Joe Mason, and they were silent for an instant, as if they would pay a tribute to it. But the silence held, losing all at once its deference to the friendship of Gibbs and Mason, and taking on a quality of constraint, cold and repellent, plainly due to Archie's presence. Archie felt this instantly, and Mason felt it, for he knew the ways of his kind, and, turning to Gibbs, he said:

"A friend of mine; met him in the boob." And then he said: "Mr. Gibbs, let me introduce Mr. Koerner."

Gibbs looked at Archie keenly and gave him his hand. Then Mason introduced Archie to the three other men–Jackson, Mandell and Keenan. Gibbs, meanwhile, turned to his wife, who had taken a chair against the wall and folded her arms.

"Get Joe and his friend something to drink, Kate," he commanded. The woman rose wearily, asked them what they wished to drink, and went into the bar-room for the whisky glasses.

The little company had accepted Archie tentatively on Mason's assurance, but they resumed their conversation guardedly and without spontaneity. Mason, however, gave it a start again when he turned to Jackson and said:

"Well, Curly, I read about your trouble. I was glad you wasn't ditched. I thought for a while there that you was the fall guy, all right."

Jackson laughed without mirth and flecked the ash from his cigarette.

"Yes, Joe, I come through."

"He sprung you down there, too!" said Mason with more surprise than Archie had ever known him to show. "I figured you'd waive, anyhow."

"Well, I wanted a show-down, d'ye see?" said Jackson. "I knew they couldn't hold me on the square."

"Didn't they know anything?"

"Who, them chuck coppers?" Jackson sneered. "Not a thing; they guessed a whole lot, and when I got out they asked if I'd object to be mugged." Jackson was showing his perfect teeth in a smile that attracted Archie. "They'd treated me so well, I was ready to oblige them–d'ye see?–and I let 'em–so they took my Bertillon. I didn't think one more would hurt much."

Jackson looked down at the table and smiled introspectively. The smile won Archie completely. He was looking at Jackson with admiration in his eyes, and Jackson, suddenly noticing him, conveyed to Archie subtly a sense of his own pleasure in the boy's admiration.

"Well, I tell you, Curly," Mason was going on. "You done right–that fink got just what was comin' to him. You showed the nerve, too. I couldn't 'ave waited half that long. But I didn't think you'd stand a show with Bostwick. I knowed you'd get off in front of a jury, but I had my misdoubts about that fellow Eades. God! he's a cold proposition! But in front of Bostwick–!" Mason slowly and incredulously shook his head, then ended by swallowing his little glassful of whisky suddenly.

"Well, you see, Joe," Jackson began, speaking in a high, shrill voice, as if it were necessary to convince Mason, "there was nothin' to it. There was no chance for the bulls to job me on this thing," and he went on to explain, as if he had to vindicate his exercise of judgment in a delicate situation, seeming to forget how completely the outcome had justified it.

Archie had scarcely noticed Keenan and Mandell; once he had wrested his eyes from Gibbs, he had not taken them from Jackson. He had been puzzled at first, but now, in a flash, he recognized in Jackson the man who had shot Moon.

"You see, Joe," Mandell suddenly spoke up–his voice was a rumbling bass in harmony with his heavy jaws–"it was a clear case of self-defense. The shamming-pusher starts out to clean up down the line, he unsloughs up there by Connie's place on Caldwell, and musses a wingy, and then he goes across the street and bashes a dinge; he goes along that way, bucklin' into everybody he meets, until he meets Curly, who was standing down there by Sailor Goin's drum chinnin' Steve Noonan–he goes up to them and begins. Curly mopes off; he dogs him down to Cliff Decker's corner, catches up and gives Curly a clout in the gash–"

Mason was listening intently, leaning forward, his keen eyes fixed on Mandell's. He was glad, at last, to have the story from one he could trust to give the details correctly; theretofore he had had nothing but the accounts in the newspapers, and he had no more confidence in the newspapers than he had in the courts or the churches, or any other institution of the world above him. Archie listened, too, finding a new fascination in the tale, though he had had it already from one of the gang, Pat Whalen, who had been fortunate enough to see the tragedy, and had had the distinction of testifying in the case. Whalen had seen Moon, a bartender with pugilistic ambitions, make an unprovoked assault on Jackson, follow him to the corner, and knock him down; he had seen Jackson stagger to his feet, draw his revolver and back away. He had told Archie how deathly white Jackson's face had gone as he backed, backed, a whole block, a crowd following, and Moon coming after, cursing and swearing, taunting Jackson, daring him to shoot, telling him he was "four-flushing with that smoke-wagon," warning him to make a good job when he did shoot, for he intended to make him eat his gun. He had told how marvelously cool Jackson was; he had said in a low voice, "I don't want to shoot you–I just want you to let me alone." And Whalen had described how Moon had flung off his coat, how bystanders had tried to restrain him, how he had rushed on, how Jackson had gone into the vacant lot by old Jim Peppers's shanty, coming out on the other side, until he was met by Eva Clason, who tried to open a gate and let Jackson into the brothel she called home. Whalen had given Archie a sense of the ironical fate that that day had led Eva's piano player to nail up the gate so that the chickens she had bought could not get out of the yard. The gate would not open and Moon was on him again; and Jackson backed and backed, clear around to the sidewalk on Caldwell Street, and then, when he had completed the circuit, Moon had sprung at him. Then the revolver had cracked, the crowd closed in, and there lay Moon on the sidewalk, dead–and Jackson looking down at him. Then the cries for air, the patrol wagon, and the police.

As Mandell told the story now, Archie kept his eyes on Jackson. At the point where he had said, "I don't want to shoot you," Jackson's eyes grew moist with tears; he blinked and knocked the ashes from his cigarette with the nail of his little finger, sprinkling them on the floor. When Mandell had done, Mason looked up at Jackson.

"Well, Curly," he said, "you had the right nerve."

"Nerve!" said Mandell. "I guess so!"

"Nerve!" repeated Keenan. "He had enough for a whole mob!"

"Ach!" said Jackson, twisting away from them on his chair.

"I'd 'a' let him have it when he first bashed me," said Keenan.

"Yes!" cried Jackson suddenly, rising and catching his chair by the back. "Yes–and been settled for it! I didn't want to do it; I didn't want to get into trouble. You always was that way, Jimmy."

Archie looked at Curly Jackson as he stood with an arm outstretched toward Keenan; his figure was tall and straight and slender, and as he noted the short brown curls that gave him his name, the tanned cheeks, the attitude in which he held himself, something confused Archie, some thought he could not catch–some idea that evaded him, coming near till he was just on the point of grasping it, then eluding him, like a name one tries desperately to recall.

"I didn't have my finger on the trigger," Jackson went on, speaking in his high, shrill, excited voice. "I held it on the trigger-guard all the time."

And then suddenly it came to Archie–that bronzed skin, that set of the shoulders, that trimness, that alertness, that coolness, Jackson could have got nowhere but in the army. He had been a soldier–what was more, he had been a regular. And Archie felt something like devotion for him.

"Sit down, Curly," said Gibbs, and Jackson sank into his chair. A minute later Jackson turned to Mason and said quietly:

"You see, Joe, I don't like to talk about it–nor to think of it. I didn't want to kill him, God knows. I don't see anything in it to get swelled about and be the wise guy."