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Bret Harte
Published by Good Press, 2019
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Except for the few words spoken on that eventful morning, Ridgeway was reticent of the past. When Jenny strove to gather some details of the affray that might offer a clew to his unknown assailant, a subtle twinkle in his brown eyes was the only response. When Mr. McClosky attempted the same process, the young gentleman threw abusive epithets, and, eventually slippers, teaspoons, and other lighter articles within the reach of an invalid, at the head of his questioner. “I think he's coming round, Jinny,” said Mr. McClosky: “he laid for me this morning with a candlestick.”
Nevertheless, for two or three days after her return, Mr. McClosky followed his daughter about the house with yearning eyes, and occasionally with timid, diffident feet. Sometimes he came upon her suddenly at her household tasks, with an excuse so palpably false, and a careless manner so outrageously studied, that she was fain to be embarrassed for him. Later, he took to rambling about the house at night, and was often seen noiselessly passing and repassing through the hall after she had retired. On one occasion, he was surprised, first by sleep, and then by the early-rising Jenny, as he lay on the rug outside her chamber-door. “You treat me like a child, father,” said Jenny. “I thought, Jinny,” said the father apologetically—“I thought I heard sounds as if you was takin' on inside, and, listenin' I fell asleep.”—“You dear, old simple-minded baby!” said Jenny, looking past her father's eyes, and lifting his grizzled locks one by one with meditative fingers: “what should I be takin' on for? Look how much taller I am than you!” she said, suddenly lifting herself up to the extreme of her superb figure. Then rubbing his head rapidly with both hands, as if she were anointing his hair with some rare unguent, she patted him on the back, and returned to her room. The result of this and one or two other equally sympathetic interviews was to produce a change in Mr. McClosky's manner, which was, if possible, still more discomposing. He grew unjustifiably hilarious, cracked jokes with the servants, and repeated to Jenny humorous stories, with the attitude of facetiousness carefully preserved throughout the entire narration, and the point utterly ignored and forgotten. Certain incidents reminded him of funny things, which invariably turned out to have not the slightest relevancy or application. He occasionally brought home with him practical humorists, with a sanguine hope of setting them going, like the music-box, for his daughter's edification. He essayed the singing of melodies with great freedom of style, and singular limitation of note. He sang “Come haste to the Wedding, Ye Lasses and Maidens,” of which he knew a single line, and that incorrectly, as being peculiarly apt and appropriate. Yet away from the house and his daughter's presence, he was silent and distraught. His absence of mind was particularly noted by his workmen at the Empire Quartz Mill. “Ef the old man don't look out and wake up,” said his foreman, “he'll hev them feet of his yet under the stamps. When he ain't givin' his mind to 'em, they is altogether too promiskuss.”
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