Читать книгу The Rise of Weaponized Flak in the New Media Era - Brian Michael Goss - Страница 10
ОглавлениеAs concerns the genesis of this volume, I will acknowledge that one title that I floated for it was Political Ebola. Instead, The Rise of Weaponized Flak finally won out over the perhaps more colorful if morbid and commercially suspect title.
As for people who have helped summon the book into being, I will name names. I thank the members of the Professional Development Advisory Committee at Saint Louis University-Madrid and its chair, Dave Howden, for granting me a teaching release in Spring 2019. The release enabled locked-on focus and completion of the book in a timely fashion.
While the book was in progress, I had the chance to rehearse and refine evidence and arguments through a series of presentations at different moments in the two-and-a-half-year sojourn through flak. I thank my colleagues Simona Elena Rentea and Joan Pedro Carañana for scheduling me three times (2016–2018) to deliver presentations for the Humanities and Social Sciences Division Research Seminars as I prepared the book proposal and while writing was in progress. Mulțumiri to Emilia Parpala-Afana and her colleagues at University of Craiova, Romania for giving me hospitality and the opportunity to address the Comparativism, Identity and Communication Conference as a plenary speaker. In Spring 2019, Tony Ozuna enabled the chance to present ←ix | x→findings at Anglo-American University in Prague, Czech Republic—with further support from Rob Warren and Andrew Giarelli who brought their students en masse. Arne Saeys was hands-on in arranging a Faculty of Social Sciences lecture later in Spring 2019 at the University of Antwerp, Belgium, in a room that memorably overlooked the final resting place of P.P Rubens in Saint Jacob’s Church.
Prior to crisscrossing Europe with the message on flak, I benefitted from the generosity that Intersections in Communication and Culture Series Editor Cameron McCarthy has afforded me, as well as countless other scholars, during his dazzling career. Cameron has been an encourager in first asking me to consider a book proposal more than ten years ago; the volume in your hands now is our fourth collaboration with Peter Lang. Speaking of Lang, although she is relatively new to the firm, Acquisitions Editor Erika Hendrix inspired total confidence as she shepherded the book to endgame and nailed even obscure questions with good cheer.
More thanks: a hand to Paul A. Vita, Director of the Saint Louis University-Madrid campus for his consistent support over many years, after bringing me to my first academic post coming out of University of Illinois. Anne Dewey and Cary Barney were among the first people I met on arrival at SLU’s distinctive and ahead-of-its-time international campus; their encouragement, wisdom, and example have been vital to my career trajectory. Daniel Chornet’s arrival on our campus in 2006 propelled our department forward and heralded a rigorous and positive culture within it. As noted, many people have now heard me present this book’s content at different moments of progress toward completion, but my colleague Dale Fuchs was brave enough to read an advanced draft. Students in my Political Communication course have also sharpened my concept of flak over the years; shout outs are in order for Ema Debeljak, Luis Garanzo Asensio, Paula Otero Santos, Bracey Parr, Nada Tahiri and Jennyfer D. Zuili.
El gran amigo John Kayan has listened to soliloquies on the emergent theory of flak across untold trajectories through zonas de marcha while Cristina Domingo Zaragoza has been similarly regaled at her kitchen table.
Finally, I hope the contents of the book on the written page are equal to the lofty artistic accomplishment of the cover artists: Paul Francis Goss (cover painting) and Lua Fischer (author photograph).
Brian Michael Goss
May 2019
Madrid, Spain
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