Читать книгу Buy the Ticket, Take the Ride - Brian Sweany - Страница 10

Chapter Two

My family is sorta semi-nomadic. When I was born, we lived in an apartment on the south side of Indianapolis off Thompson Road. It shared a parking lot with a Red Lobster. Our next door neighbor, Uncle Angelo, was a fat, bald guy with black-rimmed glasses and a salt-and-pepper mustache. He tended bar at the Milano Inn but moonlighted as the Fitzpatrick family’s guardian angel. When someone broke into our apartment when Dad was out of town, Mom grabbed me and went straight to Uncle Angelo’s place.

“Debbie, you-anna-uh-Hank stay here with-uh-yur Aunt-uh-Pat,” he said with his thick Italian brogue. He went over to our place in full crime-stopping gear—white ribbed tank top, stained boxer shorts, loaded rifle on his hip. Uncle Angelo’s wife’s name was Pasqualina, or “Aunt Pat” to everyone who knew her. She fed me my first solid food—pasta in marinara sauce.

After the place on Thompson, we moved a couple miles south to Southport, an incorporated town inside Indianapolis that got the South part of its name because it’s on the far Southside of Indy and the port part of its name apparently because the town’s founders had a perverse sense of irony about having a port in the middle of a waterless stretch of farmland. Our backyard overlooked the playground at St. Ambrose, the Catholic parish my family attended for most of the first ten years of my life. My sister, Jeanine, was born when I was three years old. Mom wrapped our piss-yellow, velvety living room couch in white sheets for Jeanine’s first formal photo shoot. She was too fat to smile.

After I turned four, we moved outside the city. Claiming it was “an unbelievable opportunity,” Dad took a sales job with a Chrysler dealership in Kokomo. Mom had to pull up the olive-green shag carpet in our two-bedroom ranch because the floors smelled like cat urine, while Dad found out the deal he got on our house had less to do with his negotiating skills and more to do with the previous owner hanging herself in the garage.

There was a large gray gas tower crowned by red-and-white checkers that served as Mom’s primary guidepost when she drove around Kokomo. She spent most of her day at the mall with me and Jeanine in lieu of fraternizing with our neighbors who had cigarettes permanently attached to their lips and drank Budweiser for breakfast. Mom was so depressed she started taking belly dancing lessons. It would be the only time in my mother’s life she would feel inclined to do anything that could be interpreted as exercise, so essentially we should have been on suicide watch.

On some afternoons, Mom would take me to see Dad at the dealership. Dad showed me off to the wrinkled suits and grease monkeys, who I thought were the coolest bunch of guys I’d ever met. But mostly I stayed at home and did my best to stay out of the way of my mom’s misery. My favorite thing to do was skip rocks across the creek running through our backyard, at least until a mosquito bit Grandma Eleanor and she almost died from encephalitis. We fled Dad’s “unbelievable opportunity” after less than six months. As we were driving out of town for the last time, Dad thought Jeanine and I were sleeping when he pointed to his rearview mirror and said to Mom, “Hey, Debbie, did you know Kokomo pronounced backward is oh muh cock?”

After Kokomo, Dad got a job selling Mercedes while his family sought refuge in a newer neighborhood back in Southport just off Meridian Street called Clematis Gardens. No matter how many times Mom pointed out “clematis” was a flower and not a sexually transmitted disease, Dad still snickered at the name.

The summer after my sixth birthday, we moved into an old farmhouse north of County Line Road, during which time I attended St. Ambrose through all of elementary school. St. Ambrose had separate girls’ and boys’ monkey bars on opposite sides of the playground. The boys would “launch” periodic attacks into the girls’ monkey bars, pretending with our outstretched arms and fake propeller noises to be fighter planes as we weaved in and out of the biting and scratching flurry of plaid skirts and white oxfords.

In the first grade, I fell in love with Kimberly Thompson after she rescued me, bloodied and torn, following a kamikaze dive into the girls’ monkey bars. As a token of my devotion, I stole a silver tin of consecrated hosts from the church sacristy for Kimberly. Stealing the body of Christ for love—where does a guy go from there to impress the ladies?

Kimberly refused my gift. She always did the right thing, except for the time she swallowed aspirin when she had chicken pox and died of Reye’s syndrome. Mom made me wear my First Communion suit to Kimberly’s funeral. It was navy-blue polyester wrapped around a butterfly-collared shirt of powder blue. I remember standing at the funeral and Mom whispering to me that Kimberly would have thought I was handsome. I remember thinking her casket was too small and that I hated my haircut.

We moved to Louisville, Kentucky, the summer before my fifth-grade year. Dad felt bad about moving out of state, what with his mother, Grandma Eleanor, getting sick and all. But the financial security afforded him as general manager of a BMW franchise in northern Kentucky was too good to pass up.

Our new house stood on a wooded hilltop just off Highway 42. Uncle Mitch and Aunt Ophelia drove down from Indianapolis to help us unpack. Uncle Mitch was not my real uncle, but Dad was an only child and Mitchell Hass had been Dad’s best friend since they were kids. A month after I was born, Mom and Dad asked Mitch to be my godfather, so calling him “Uncle” became an afterthought. Three years after that, they extended the same courtesy to his wife, “Aunt” Ophelia, after Jeanine was born.

Our first night in the house, there was a thunderstorm that knocked out our power. Dad went down into the basement to check the fuse box. He left me alone with Uncle Mitch in my bedroom. It wasn’t the first time or the last time Dad left me alone with him, and it wasn’t the first or last time Uncle Mitch took advantage of the situation. My godfather handed me his beer and moved next to me on my bed. He winked at me and said, “Our little secret, Hank.” It was my first beer. It tasted awful, but I kept the beer on my lips and drank the whole thing. I stared at the ceiling while Uncle Mitch put his hands down the front of my underwear. He liked touching me. A godfather’s love measured by the length of his godson’s erection.

Our little secret, Hank.

Dad cried when he told us the news. The owner of the BMW franchise fired Dad because his employees preferred Dad’s leadership to that of the guy signing their checks—plus Dad busted said owner for having drinks with his mistress. Dad was rewarded a nice severance package from a judge who agreed Dad’s former boss was a complete asshole. It was the second time I ever saw my father cry. The other time was when Grandma Eleanor died. Our Pentecostal cleaning lady, Charlotte Fayne, sang “The Old Rugged Cross” at the funeral. Charlotte wore her hair and skirts long because the Devil had a place reserved in hell for shorthaired women who wore pants.

We moved from Louisville back to the south side of Indianapolis—Greenwood this time, a town that’s of course more grey colored and relatively devoid of trees. Dad took a job as a stockbroker for Paine Webber, commuting back and forth to downtown Indy. He worked sixteen hour days in a three by five cubicle doing a job that a monkey flipping a coin could perform with equal competence. Dad’s new career came and went in a span of less than two years.

Those two years were much kinder to me. In addition to being the home of the Grand Wizard of the Ku Klux Klan, Greenwood staked its claim to a Chinese restaurant with the state’s largest indoor Koi pond and a Catholic school with the state’s largest pool of pubescent hormones. My seventh and eighth grade years at Our Lady of Perpetual Help were what I classify as my awkward, albeit enriching, years. Faced with the prospect of fading into adolescent obscurity, I compensated better than most for bad acne and twenty extra pounds. I quit football and became a wrestler, a sport my singlet-wearing fat ass inexplicably peddled into a higher-than-deserved social status. My sly sense of humor disarmed my peers and teachers into thinking I was harmless, and thanks to a couple years of cotillion, I could pull out dance moves that embarrassed the guys and enflamed the girls.

After a three-month flirtation with an eighth grade volleyball player during which I was crowned King of All Seventh Graders, I became drawn to Twyla Levine, a tall, brunette vixen who sat next to me in Mr. Marker’s seventh grade class. On an overnight field trip to St. Louis, Twyla and I made out during a game of spin the bottle. Later, on the bus ride home to Greenwood, I put my hand up Twyla’s skirt and managed to fiddle with the elastic on her panties. Someone witnessed the panties episode, so by the time we got back to Greenwood, Twyla had given me a hand job while I fingered her in the back of the bus. None of this was true, but over the years, as the story followed me and took on a life of its own, I never tried very hard to deny the rumors. Years later, I would have sworn on a stack of Bibles I lost my virginity in the back of that bus. True or not, you have to admit the image of a thirteen-year-old stumbling around a bus looking for a place to stick his dick has a humorously scandalous quality to it.

The truth was Twyla did give me an orgasm. After I got back from St. Louis I locked myself in the bathroom with Twyla—or at least, Twyla’s seventh grade class picture cut out of my yearbook and taped to the body of 1984 Playboy Playmate of the Year, Barbara Edwards. Twyla’s ambitions were “To fulfill my dream as a promising artist and actress and to contribute my share of help to the starving children of the world.” Her turn-ons were “Being a Sigma Chi sister of USC, drawing, traveling, and attending musicals.”

Even though I was a Notre Dame fan, I let the USC comment slide. Anything for Twyla.

In the wake of Dad’s stock broker experiment, a couple investors whose portfolios quite miraculously quadrupled on his watch set up my father as president of his own car dealership. We moved, again, putting down what turned out to be permanent roots in Empire Ridge, a mill town about halfway to Cincinnati. We said our driveway goodbyes to our Greenwood neighbors, a brand-new Oldsmobile Custom Cruiser station wagon hunched low over the tires with the weight of a couple more years of memories. I mailed a goodbye letter to Twyla, outing myself as the town pervert with the affecting words, “How about you take a picture of yourself naked and send it to me?” And in the fall of 1985, with the “Fitzpatrick Olds-Cadillac-Subaru” marquee hoisted and lit and my family settling down after our eighth move in twelve years, I enrolled as a freshman at Empire Ridge Public High School.

It’s been more than two infant-free years since Dad reversed his sterility. Much like his failed attempts to cajole disinterested sperm cells in the general direction of my mother’s worn-out uterus, I’m still finding my stride in Empire Ridge. I grew ten inches without gaining a pound, my complexion cleared up, and I carry one hundred and seventy pounds of taut muscle over a five foot ten inch frame. Student council, the wrestling team, Catholic youth group—everything to me is an opportunity for initiation. And there is no faster road to acceptance in a sleepy Indiana town than getting drunk, something I try to do as much as possible.

I hold the shot of Jim Beam to the light. Its amber glow is the color of hope—my hope it will somehow magically disappear without having to touch my lips. A goofy-looking guy sits next to me. He’s skinny, skinnier than me at least, and maybe a half inch taller, with a round face and a head sprouting random cowlicks rather than curls.

“Drink it, you fucking pussy,” he says.

“Hatch,” I reply, “shut the fuck up.”

Elias Hatcher has been my best friend since I met him at freshman orientation. Hatch is your typical child of divorce. His mother is a recovering hippie who now raises free-range ostriches somewhere in Oklahoma, his father a Vietnam vet turned semipro sport fisherman who’s spent the better part of the eighties chain smoking clove cigarettes and crawling out from the bottom of a liquor bottle. Hatch’s every move, at least in public when he has an audience, is a premeditated, loud, and more often than not obnoxious attempt to draw attention to himself. He is overly protective and sentimental toward his closest friends to the point of making you feel uncomfortable. Stick Jimmy Buffett’s “A Pirate Looks at Forty” in the tape deck, and Hatch is hugging you while bawling his eyes out—guaranteed. If you’re unwilling to commit any impulsive act—shotgun six beers in a row, jump off high bridges into shallow water, or drop everything and take a road trip because you’ve snagged some warm Natty Light with your fake ID and need an excuse to drink it—Hatch invokes the word “pals” and you have no say in the matter.

Like tonight.

“We’ve almost downed this entire half gallon.” I hold up the nearly empty bottle of Jim Beam save for an inch of bourbon—the remains of a sobriety lost hours earlier. “How about we take a break?”

“Pals, Fitzy.” Hatch grabs the half gallon from me. He finishes it, drinking it straight from the bottle. “Bring it!”

“Come on, Hatch.”

“Pals!”

“But I can’t feel my legs.”

“Pals!”

“Ah, fuck it.” I open my mouth and raise the shot glass to my lips. I throw the warm brown liquid down the back of my throat, doing whatever I can to prevent the harsh, woody bite of cheap whiskey from gagging me. I slam the empty shot glass down.

“That’s what I’m talking about!” Hatch offers me a large cup of Mountain Dew. “Chaser?”

I nod, grabbing the cup. I drink the lemony soda until it runs out the sides of my mouth and down my face.

Last weekend Hatch and I got kicked out of the big hockey matchup versus Prep. Half-cocked on a bottle of Jägermeister we split before the game, we started taking liberties with the last names of the Prep players. By the middle of the third period, Mrs. Pocock tired of the demonstrative harassment of her son and had us removed.

Founded as Whiskeyville by a couple drunken Scotch-Irish trappers in the eighteenth century, Empire Ridge was renamed in the nineteen-twenties in honor of the large quarry just outside of town that supplied every inch of limestone to the Empire State Building’s exterior. Empire Ridge Preparatory Academy and Empire Ridge Public High School, or simply “Prep” and “The Ridge,” are separated by a mere three and a half miles.

If the stereotypes are to be believed—and given that I have neither the time nor inclination to get to know most people beyond their subjectively imposed stereotypes—Prep is a bastion of entitled fucksticks. The school’s coffers are lined by old money trust funds and new money CEOs who buy their “Prepsters” Beamers on their sixteenth birthdays. Meanwhile we “Ridgies” aspire to little more than attending the next pig roast, slugging pure grain alcohol, and shouting as racecars make left turns for three hours. Excepting the fact I have my own personal automobile pipeline courtesy of Dad, most of us Ridgies drive fifteen-year-old cars inherited from an older sibling—Camaros, Firebirds, Dodge Royal Monacos, and trucks. Lots and lots of trucks.

After the hockey game, we were eating our way to sobriety at the McDonald’s down the street when two Prep girls, one a petite brown-haired girl named Carrie, the other a taller brunette named Mary, introduced themselves. They were new in town, their fathers both engineers who’d transferred in from the East Coast. After a half hour of dedicated flirting on both sides, Mary invited us to her house that following Saturday on Gotham Lake, punctuating her invitation with four very unfortunate words: “Bring whoever you want.”

Hatch has procured a new half-gallon of Beam. He pours himself another shot. “Some party,” he says.

I wipe the traces of Mountain Dew from my mouth. “Yeah.”

By my rough calculations, “Bring whoever you want” has translated into two hundred and fifty people since the party started. Hatch and I sit at a table on the second floor balcony overlooking the carnage. Every potted plant is dumped out on the floor, creating a carpet of peace lilies, rubber trees, philodendrons, and potting soil. There are zero exposed surfaces. Wine cooler bottles line the fireplace, cigarette butts floating in every third or fourth bottle. A case or so of shot-gunned beer cans are piled high in the kitchen sink, and multiple decks of playing cards are crawling amongst the refuse.

I’ve been drinking off and on since we got here this morning, some eight hours ago. I’m wearing nothing but a towel. Someone bet me twenty bucks to walk out to the middle of Gotham Lake, which is half-frozen at best. Formed by two limestone quarries adjacent to Empire Quarry that were later connected and flooded, Gotham Lake is shaped like a horseshoe. The bet was to walk out to the middle of the widest part of the lake, which is in the middle of the right curve of the horseshoe. I won the bet, but I lost my clothes, plunging chest-deep into the horseshoe just as I was nearly back to shore.

Steve Miller Band’s Greatest Hits 1974–1978 starts up on the back deck of the house, replacing Fore! by Huey Lewis and the News, which inexcusably made the playlist. “Swingtown” is a few chords old before someone skips to “Jungle Love.” The techno introduction echoes across Gotham Lake. Hatch and I simultaneously mimic the whistle with our fingers in our mouths, transitioning to dueling air guitars, and then dueling air drums. Aside from us both flubbing the second line and saying “you thought you’d been lonely before” instead of “you thought you had known me before,” we sound pretty good.

Hatch ducks into the bathroom, reemerging with two beers in one hand and a set of car keys in the other. “Shotgun?” He pretends as if I even have the option of saying no.

This time around I don’t even bother going through the motions. “Give it here.”

Hatch hands me the beer. We each take turns cutting a quarter-sized hole in the bottom half of our cans with his dirty car key.

Hatch drives a serious piece-of-shit Volkswagen Beetle that burns through a couple fan belts every month. His idea of a car stereo is me holding a boom box in my lap and making sure his fourth copy of Van Halen’s OU812 doesn’t get eaten by his ravenous tape player. Hatch and I have developed a growing affection for Sammy Hagar, much to the distaste of our diehard David Lee Roth friends. Although Van Halen’s self-titled ’78 debut has to be considered one of rock’s all-time great albums, lately I look to Roth less for his debatable musicianship and more for the gratuitous D-cups and G-strings in his music videos.

Hatch asks if I’m ready. Grunting in reply, I put my mouth on the opening of the can, careful not to cut my lips on the jagged aluminum edges. I pop the tab on the other side of the can and suck the beer through the opening. One full beer down in maybe five seconds. I let out a relieved belch. Hatch leaves a good three or four swallows in his can as he crushes it and throws it on the floor.

We work our way through three more beers. I point to the foam dripping out of his third can. “Fucking cheater.” I punctuate the accusation with a loud, wet belch.

As is the natural order of a party in southern Indiana, Johnny Cougar’s Uh-huh finds its way to the front of the playlist. The opening guitar riff of “Pink Houses” commands a wave of dutiful shouts and catcalls in the house. Although most Ridgies choose to defer to the more sentimental “Jack and Diane” or the more obvious “Small Town,” for me and Hatch it doesn’t get any better than “Pink Houses.” This is our “New York, New York,” our “Yellow Rose of Texas,” our “Old Kentucky Home.”

Hatch and I stand up. When “Pink Houses” plays, you’re required to stand up. We hold our beers high in the air, crooning to no one in particular.

“Ahh, but ain’t that America, for you and me…”

“Hank?”

Hatch and I turn to the sound of the voice. It’s coming from the master bedroom. It’s Mary.

“Yeah?”

Mary steps out of the room, my shirt and pants in her right hand. “I think your clothes are dry. You want to come in and, uh, get dressed?”

“You tired of me walking around half-naked or something?”

Mary smiles and winks. “I’m hardly tired of that, Henry.” She turns and walks back into the bedroom.

I stand up. Hatch stands up as well, shaking his head. “Henry?” He punches me in the shoulder, then sings, “Little pink houses, for my pal, Fitzy!”

“Oh, shut up.” I pretend as if the girl who has just invited me into her room to get undressed has not been flirting with me all day.

“Don’t forget this.” Hatch picks my Velcro Def Leppard Pyromania wallet off the table and throws it at me. “Try to be careful in there.”

“Careful?” I feel the impression of the off-brand condom I bought out of a machine in a gas station bathroom. “It’s not like she’s going to eat me.”

“She might only be sixteen, but she’s an East Coast girl,” Hatch says. “There’s no telling what she’ll do to you.”

I enter the bedroom. Mary is sitting on the edge of the bed, smoking a cigarette. With her brunette hair she looks like a much younger, tanning bed version of Erin Gray—the Buck Rogers in the 25th Century Erin Gray as opposed to the Silver Spoons Erin Gray. I try to picture her in one of Erin Gray’s signature skintight bodysuits, although the elongated cigarette in Mary’s left hand and the bottle of Heineken in her right skews the fantasy.

“Here,” Mary says, patting the bed with her left hand. “Have a seat.”

I stumble forward. The alcohol in my system has made the outer edges of her face fuzzy. I manage to find my way to the bed and sit down beside her.

“Smoke?” Mary hands me a long, peculiarly thin cigarette.

“Sure.” I roll the cigarette between my fingers. I grab the pack off the bed and hold it up to the light. “Virginia Slims?”

Mary nods toward the closet to her right. “My mom’s stash.”

I can feel the butterflies in my stomach. I’m nervous. “My friends and I call these Vagina Slimes,” I say, chuckling.

She doesn’t laugh, which makes me even more nervous. I fumble around with the cigarette, managing to get it in my mouth by sheer dumb luck.

“Please, allow me.” Mary holds the lighter to my face. With a quick roll of her thumb, a small tongue of fire ticks the end of my cigarette. She never looks at the cigarette, staring into my eyes and then down to my lips—textbook flirting. I stare at the cigarette—textbook avoidance.

Mary leans off the side of the bed. I hear the rattle of ice cubes. She produces another bottle of Heineken. The bottle is already open, like she was expecting me. “Beer?”

“Of course.” I take a quick swig. The beer tastes like canned corn, like all Heineken does in my opinion, but I pretend to like it. “Pretty fancy beer. Part of the parents’ stash, too?”

“Uh-huhhhh.” Her affirmative is more of a moan than a response. She sips her beer and then licks her lips. Her hand has somehow found its way onto my leg.

“Look, Mary, I—”

“You want to watch a movie?” Mary grabs my beer and sits it on the floor. She nods at the videos stacked on top of the television.

“Sure.” I cross one arm over my bare chest, squeeze my shoulder in awkward modesty. “Whatever.”

“Here you go.” Mary hands me my boxers and jeans but not my shirt.

“Thanks.” I pull my boxers and jeans on with my towel still attached at the waist. I stuff my wallet in my back pocket.

Mary is neither awkward nor modest in her intent. “Oh, you’re no fun.”

Mary suggested Peggy Sue Got Married. I suggested Hoosiers. Somehow we decided Crocodile Dundee was a good compromise. We sit on the floor in front of the bed. A half hour into the film, Mary has wedged herself under my arm, wrapping her right leg around my left leg. We are at the part when Sue Charlton tells Mick Dundee she can make it in the Outback on her own. Mick lets her go, but hangs back out of sight. Sue gets tired, takes a break by a watering hole, and undoes her pants. She’s wearing a black one-piece swimsuit, but with a thong back that’s all but swallowed up by her beautiful rotund ass.

As if that moment could have gotten any better, a crocodile lunges at Sue Charlton. Mary flinches, burying her face in my chest. She isn’t scared so much as looking for her opening. She runs her pursed lips up my chest, and then starts nibbling the side of my neck. She presses her chest against mine. I can feel Mary’s erect nipples beneath her shirt because she isn’t wearing a bra. Mary finds her way to my fly as Mick Dundee saves his lady-in-distress. She unbuttons one button, then two, then a third. She is inside my jeans and past the slit in my boxers before I even know what’s happening. We kiss, but just for a second or two before she goes back to work on my neck. She kisses my neck and then starts to move down my chest. She bites my nipples, licks my navel, then…

“Wait a second, Mary.” I push her away with my forearm and tuck myself inside my boxers, all in the same motion. “We can’t do this.”

“What?” Mary says.

The blood coursing through my drunk, engorged erection is equally taken aback with my decision. But this is not going to happen.

“I don’t know what to say.” I stand up, buttoning my fly. “I’m sorry.”

Mary folds her arms in front of her chest. She seems more sad than angry. “Is it me? Did I do something wrong? I thought this is what you—”

“Oh no, Mary, it’s not you at all.” I offer my hand to her. She takes it, standing. We sit face-to-face on the bed.”

“Then what’s the problem?”

I scratch my chin. I grab the pack of cigarettes off the bed and pull out a cigarette. I offer it to Mary and light it for her. She takes a long, frustrated drag.

“My problem isn’t so much a what,” I say. “It’s a who.”

“A who?” Mary blows her Vagina Slimes disgust in my face. I wave it off, eyes squinting.

“Yeah, see, the thing is, I kind of have a girlfriend.”

“Fuck you, Hank!”

“Mary, wait. Can I just—”

“Can you just what?”

“Can I, umm, have my shirt?”

Mary slams the door behind me as I walk out of the bedroom. I put on my clothes, scanning my general vicinity. No one is upstairs. Hatch has disappeared, which is a good thing. I’m not in the mood for him fucking with me, not to mention I still have an erection. I see the bathroom just to my right. I walk in, shut the door, and lock it.

I test the door, making sure the lock is secure. I pull my wallet out of my pants pocket. Inside is a picture of a headless belly dancer.

I was casually introduced to the record album Exotic Music of the Belly Dancer in the nineteen-seventies, back when my mom took belly dancing lessons in Kokomo. Soon thereafter, the album went into exile until Dad invested an obscene amount of money in a new stereo system and pulled his dusty old record collection out of the attic to justify his new investment.

The year was 1983. I had just finished listening to the Urban Cowboy movie soundtrack, an album I played on a regular basis from when I was nine years old until the LP disintegrated sometime in the mid-eighties. I loved the album because it had the unedited version of the Charlie Daniels Band’s “The Devil Went Down to Georgia” and my parents let me get away with screaming “son of a bitch” during the song. Granted, it isn’t quite the glorious, profane karaoke experience of the Grease soundtrack and its signature song, “Greased Lightning,” which since 1978 has afforded me the opportunity to shout, without so much as a head-shaking reprisal, things like “you know that ain’t no shit we’ll be getting lots of tit,” “you are supreme the chicks’ll cream,” and “you know that I ain’t bragging she’s a real pussy wagon.”

For whatever reason that April day, only a few days after my twelfth birthday, I decided to stick Urban Cowboy toward the back of the collection rather than its usual place near the front with my parents’ favorites: Kenny Rogers Greatest Hits, Barry Manilow Live, Larry Gatlin & The Gatlin Brothers Greatest Hits, Helen Reddy’s Greatest Hits (And More), the original Broadway cast recording of Annie, and of course Dad’s prized Chuck Mangione albums. Aside from Urban Cowboy and Grease, some Jim Croce, the soundtracks to Hair and Jesus Christ Superstar, a few Eagles albums, and exactly one Beatles album—A Hard Day’s Night—my parents’ taste in music sucks balls. When I slid my hand between the albums to make room for John Travolta in a black cowboy hat, a sexy headless belly dancer invited me into her world.

Even the album’s title was fucking sexy: Exotic Music of the Belly Dancer by Mohammed El-Bakkar and His Oriental Ensemble. A voluptuous belly dancer shimmied up the left side of the album cover, her hands raised above her head and her right hip thrusting out. The album’s title bar cut off the belly dancer’s face at the chin and her raised arms just above the elbows, giving her an air of mystery. A shadow covered half of the belly dancer’s body like a question mark, bisecting her creamy-white skin at the navel, running up from her waist, around the bottom of her left breast and then across her underarms and chin. Below her navel, she wore a multi-layered silk skirt fastened low on her hips with a pearl-encrusted belt, all of the ensemble in various shades of gold to match her pasties. The pasties themselves were pointed teacups. Shiny, metallic moons ending in gold tassels that crowned the smoothest, most perfectly rounded breasts I’d ever seen. They became the standard by which all breasts were compared for the rest of my life.

I took the belly dancer to my bedroom and had my way with her.

When Dad told me he was phasing out his vinyls to make way for a cassette collection—a collection that, in continuing the Fitzpatrick musical tradition of sucking balls, would be dominated by compilations of movie and television theme songs—I took a box cutter to the front sleeve of Exotic Music of the Belly Dancer. I was very careful to separate the image from the cardboard corrugation. For being folded and refolded into my wallet on multiple occasions over the last five years, my girl has held up pretty well. I hold on to her for emergency situations, like today.

The sink and toilet are to my left, a washer and dryer tucked in a closet to my right. Bright white crown moldings and baseboards trim walls of barn red. I reach for some toilet paper and undo my pants. Taking my erection in my hands, I look at my belly dancer.

Thanks to Mary, I’m pretty well primed, but I try to hold on as long as I can. I hover over the toilet, my pelvis thrusting, my pants pulled down to my knees. I close my eyes right when it starts.

I tuck the belly dancer snuggly back into my wallet. I have to piss so bad I can almost feel it coming out my ocular cavities, but I’m still hard as a rock. I try to push my erection down so I can piss on the back of the toilet seat. A few drops trickle out, but I can’t piss unless my penis is bent well below perpendicular to my body. And I know if I hazard an attempt at anything close to perpendicular, my urine is destined for multiple and varied locales maybe or maybe not in the general vicinity of the toilet.

I finally decide to sit on the toilet seat backwards. I straddle the seat with my legs while leaning over the back of the toilet. My penis is still hard, touching the inside of the toilet bowl. The cold toilet water gets things going. The clear liquid comes out in multiple streams, like a sprinkler. It burns. It feels toxic, punitive. The bleachy odor of ejaculate hovers in the bathroom. An unmistakable odor of adolescence. Like sweaty polyester athletic uniforms, dirty ashtrays, cheap beer, vomit, and too much Drakkar Noir cologne. Like the inside of a girl.

I gather myself. With a hand towel I wipe the sweat off my face. Pausing one last time to wipe some errant sperm off the wall above the toilet, I exit the bathroom and head downstairs.

Hatch is sitting on the family room couch watching a movie on the big screen projection television. Most of the crowd has cleared out. I try to sneak by him into the kitchen.

“Where the hell you think you’re going?” Hatch asks.

“Me?” I veer toward the couch, pretending as if this were my intention all along. I sit down. “Just looking for you.”

Hatch hands me a lukewarm, already opened Natty Light. I force down a swallow of it. I wipe my mouth, looking at the animated image on the projection television. “What are you watching?”

“Some kind of cartoon.”

“That’s no ordinary cartoon. That’s Fritz the Cat.”

“Fritz the what?”

“Fritz the Cat. It was the first ever X-rated animated film.”

Hatch scratches his head. “Well, that explains a lot. I thought the dope was just making me see things. So this cartoon has a lot of psychedelic colors?”

“Yep.”

“And the occasional cow, pig, cat, or crow with enormous tits getting fucked by, what’s his name again?”

“Yep, a lot of big-breasted farm animals getting fucked by Fritz.”

“And a lot of them smoking weed?”

“Lots of weed smoking.”

“Okay, then…” Hatch pauses. He stares at the television. An effeminate crow shouts an expletive onscreen. Hatch sips his beer, sits it down on the coffee table. “But it still freaks me out.”

I force out one of those fake laughs, the kind you do when you’re thankful full frontal nudity, even the animated feline kind, can distract your buddy enough that he doesn’t remember to ask you—

“How’d it go with Mary, stud man?”

I play dumb. “What do you mean?”

“Don’t be a jackass.” Hatch punches me in the shoulder. “How was she?”

“Relax, dude.” I pull a long white cigarette out of my back pocket. I light it with the still-burning ember of a butt nesting in an ashtray on the coffee table. “We just watched a movie.”

Hatch opens his mouth, speechless, but not for long, I suspect. He stands with his hands on his hips. “You’ve gotta be fist fucking me!”

“Nope.” I hold in a long drag of smoke. Man, I was one lame piece of shit.

Hatch points at me. “Man, you’re one lame piece of shit.”

“She’s just not my type.”

“Since when is drunk, hot, and naked not your type?”

He has a point. “I don’t know. I guess since…well, I don’t know.”

“Since Laura maybe?”

Her name breaks the tenuous peace. “Listen, shithead.” I lurch up from the couch, so sudden and awkward the top of my head smacks the bottom of Hatch’s chin on the way up. “Leave her out of this!”

Hatch staggers back onto the couch. I hover over him, fists clenched, face reddening. He rubs his chin. “Jesus Christ, Fitzy. I’m just fucking with you.”

I relax my shoulders, the color already fading from my face. As always, this is the extent to which we argue, never beyond this point. I extend my hand to help him up. Hatch accepts the gesture.

“Sorry, buddy.” I pat him on the back. “Got any of that pot left?”

Hatch straightens his shirt. “Hello, remember me? I’m your best friend, Hatch, son of an alcoholic marine who’d whip my fucking ass if he ever found that shit on me.”

“So you’re not high right now?”

“I didn’t say that, did I? Yours truly is fucked up as a football bat.” Hatch motions to the backdoor. “Hockey team is out back lighting up.”

For whatever reason, our hockey team always has the best pot. I step aside, offering Hatch a path to the backdoor. “Ladies first, then.”

Hatch shakes his head, waves me off. “No, thanks. You go ahead. I need to come down off this buzz a little.”

“You sure?”

“Yeah. I’m going to watch the rest of this movie, try to get my feet back under me.”

Hatch eyes the door to the upstairs bedroom as he says this. I pretend not to notice, but I know what he’s thinking. “Suit yourself.”