Читать книгу A Rude Awakening - Brian Aldiss - Страница 5

A Rude Awakening is the final volume of the Stubbs trilogy. The title I derived from a remark by Gustave Flaubert, who said:

‘A man has missed something if he has never woken up in an anonymous bed beside a face he’ll never see again, and if he has never left a brothel at dawn feeling like jumping off a bridge into the river out of sheer physical disgust with life.’

The Second World War is over; the problems of post-war remain. Nevertheless, the tone here is not as dark as it was in A Soldier Erect, as befits a novel which encompasses the terrible madness of world war.

The action now moves to Medan, the capital city of the island of Sumatra, where the armed forces were engaged with repatriating to Tokyo the disorganised remainder of the Japanese forces.

The overall situation was somewhat problematic. On the British side, now that the war was won, India had to be given its independence as promised. This put all operations east of India into question. At the time that the novel opens, British-Indian forces were deployed a) to ship the surviving Japanese back to their rightful homes and b) to release all Dutch and Chinese prisoners from camps and reinstate the Dutch in the lands they had formerly possessed. But politics had changed. Soekarno, first President of Indonesia, had declared Indonesia an independent republic – this included not only Java and the string of islands to the east of Java, but also the mighty island of Sumatra, straddling the equator.

The British were scarcely eager to reinstate the Dutch into their former colony whilst being so soon to quit their own vast colony, India. Whilst angry native mobs, assisted by fire-power, hardly strengthened the little eagerness that there was.

So the Anglo-Indian divisions stood by. They had, in fact, no choice but to stand by, because there were no aircraft or ships at that stage to guarantee a peaceful withdrawal.

These are the clouds beneath which Stubbs and his fellows make the best of things. In regular army fashion, they grumble but hold their fire.

Holding their semen is a different matter. Within a couple of chapters we witness Stubbs and his Chinese lady, Margey, being amorous and rather playful. Problems naturally predominate, but there is much humour – for instance when Stubbs, riding in an officer’s car, manages to drop his cigar to the floor of the car and set everything there alight. ‘Funny, sexy, and brutal,’ my American publisher described the novel – quite well I think.

Ultimately, Stubbs has to leave his Chinese love. He also leaves Sumatra. It is a time for mild regret. As perhaps we regret leaving Horatio, whose terrifying initiation into adult society is now complete.

Brian Aldiss,

Oxford 2012