Читать книгу The Complete Short Stories: The 1960s - Brian Aldiss - Страница 14
ОглавлениеShe too was obsessed with pelting images. Phil Brasher, her husband, was growing more and more violent with Charteris, as if he knew the power was passing from him to the foreigner. Charteris had the certainty Phil lacked, the gestalt. Certainty, youth, handsome. He was himself. Also, perhaps, a saint. Also other people. But clearly a bit hipped, a heppo. Two weeks here, and he had spoken and the drugged Loughborough crowds had listened to him in a way they never did to her husband. She could not understand his message, but then she had not been sprayed. She understood his power.
The pelting images caught him sometimes naked.
Nerves on edge. Army Burton, played lead guitar, passed through her mind, saying, ‘We are going to have a crusade.’ Lamp posts flickered by, long trees, a prison gate, furry organs. She could not listen to the two men. As they walked over the withdrawn meaning of the wet and broken pavement, the hurtling traffic almost tore at their elbows. That other vision, too, held her near screaming pitch; she kept hearing the squeal of lorry wheels as it crashed into her husband’s body, could see it so clear she knew by its nameboards it was travelling from Glasgow down to Naples. Over and over again it hit him and he fell backwards, disintegrating, quite washing away his discussion, savage discussion of multi-value logic, with Charteris. Also, she was troubled because she thought she saw a dog scuttle by wearing a red and black tie. Bombardment of images. They stood in a web of alternatives.
Phil Brasher said, ‘I ought to kill Charteris.’ Charteris was eating up his possible future at an enormous pace. Brasher saw himself spent, like that little rat Robbins, who had stood as saint and had not been elected. This new man, whom he had at first welcomed as a disciple, was as powerful as the rising sun, blanking Brasher’s mind. He no longer got the good images from the future. Sliced bread cold oven. It was dead, there was a dead area, all he saw was that damned Christmas cactus which he loathed for its meaninglessness, like flowers on a grave. So he generated hate and said powerfully and confusedly to Charteris, ‘I ought to kill Charteris.’
‘Wait, first wait,’ said Colin Charteris, in his own English, brain cold and acid. ‘Think of Ouspenski’s personality photographs. There’s a high gloss. You have many alternatives. We are all rich in alternatives.’ He had been saying that all afternoon, during this confused walk, as he knew. Ahead a big blind wall. The damp smudged crowded city, matured to the brown nearest black, gave off this rich aura of possibilities, which Brasher clearly was not getting. Charteris had glimpsed the world-plan, the tides of the future, carried with them sailor-fashion, was not so much superior to as remote from the dogged Brasher and Brasher’s pale-thighed wife, Angelina, flocking on a parallel tide-race. Many alternatives; that was what he would say when next he addressed the crowds. Power was growing in him; he stood back modest and amazed to see it and recognise its sanctity like his father had. Brasher grabbed his wet coat and waved a fist in his face, an empty violent man saying ‘I ought to kill you!’ Traffic roared by them, vehicles driven by drivers seeing visions, on something called Inner Relief Road.
The irrelevant fist in his face; teeth in close detail; in his head, the next oration. You people – you midland people are special, chosen. I have come from the south of Italy from the Balkans to tell you so. The roads are built, we die on them and live by them, neural paths made actual. The Midlands of England is a special region; you must rise and lead Europe. Start a new probability. Less blankly put than that, but the ripeness of the moment would provide the right words, and there would be a song, Charteris we cry! He could hear it although it lay still coiled in an inner ear. Not lead but deliver Europe. Europe is laid low by the psychedelic bombs; even neutral France cannot help, because France clings to old nationalist values. I was an empty man, a materialist, failed Communist, waiting for this time. You have the alternatives now to wake yourselves and kill the old serpent.
You can think in new multi-value logics, because that is the pattern of your environment. The fist swung at him. The entire sluggish motion of man aiming it. Angeline’s face was taking in the future, traffic-framed, dark of hair, immanent, luminous, freight-ful. It seemed to me I was travelling aimlessly until I got here stone cold from hotter beds too young father I called you from that flooded damned bank.
‘I was just passing through on my way to Scotland, belting up the motorway in expedition. But I stopped here because of premonitions shy as goldfish thought. Think in fuzzy sets. There is no either-or black-white dichotomy any more. Only a spectrum of partiallys. Live by this, as I do – you will win. We have to think new. Find more directions make them. It’s easy in this partially country.’
But Brasher was hitting him. World of movement lymphatic bursting. He looked at the fist, saw all its highways powerlines and tensions as Brasher had never seen it, fist less human than many natural features of the man-formed landscape in this wonderful traffic-tormented area. A fist struck him on the jaw. Colliding systems shock lost all loot.
Even in this extreme situation, Charteris thought, multivalue logic is the Way. I am choosing something between being hit and not being hit; I am not being hit very much.
He heard Angeline screaming to her husband to stop. She seemed not to have been affected by the PCA Bombs, carrying her own neutrality through the brief nothing hours of the Acid Head War. But it was difficult to tell; bells rang even when classrooms looked empty or birds startled from cover. Charteris had a theory that women were less affected than men. Stridulations of low tone. He would be glad to measure Angeline’s rhythm but disliked her screaming now. Bombardment of images, linked to her scream – theory of recurrence? – especially toads and the new animal in the dead trees at home.
There was a way to stop her screaming without committing oneself to asking her to cease. Charteris clutched at Brasher’s ancient blue coat, just as the older wattled man was about to land another blow. The great wheeling scab of metropolis. Behind Brasher, on the other side of Inner Relief, lay an old building made of the drab ginger stone of Leicestershire, to which a modern glass-and-steel porch had been tacked. A woman was watering a potted plant in the porch. All was distinct to Charteris while he pulled Brasher forward and then heaved him backward into Inner Relief little watering can of copper she had.
The lorry coming from the north swerved out to avoid. The old Cortina blazing along towards it spun across the narrow verge, swept away lady’s glass-and-steel porch, copper can gone like that, and was itself hit by a post office van which had swerved to avoid the lorry. The lorry still bucking across the road hit another oncoming car which could not stop in time. The world’s noise on granite. Another vehicle its Brakes squealing ran into the wall within feet of where Charteris and Angeline stood, and crumpled to a prearranged device too quickly, cicatrices chirping open. A series of photographs, potentialities multiplying or cancelling, machines as bulls herded.
‘So many alternatives,’ Charteris said wonderingly. He was interested to see that Brasher had disappeared, bits of him distributed somewhere among the wreckage. He remembered the multiple crash on the autostrada near Milano. Or was it a true memory? Was the Milano crash merely a phantasm of a mind already on the swerge of delision or some kind of dream-play-back awry both the crashes the same crash or another his own predestination already in the furniture maybe wrong delivery wrong addrents from the dreamvelope where that stamping grind unsorted the commutations of the night’s post orifices or who knew who was in serge of what when on.
At least the illusion was strong on particularity with the photograves unblurred. If it happened or not or would or did it on this internal recurrence was a jolt, sparky as all algebra, and he saw a tremendous rightness in the blossom of the implact and shapes of wreckage; it was like a marvellous – he said it to the girl, ‘It is like a marvellous complex work of sculpture, where to the rigorous manformed shapes is added chance. Wider theory of numbers aids decimation. The art of the fortuitous.’
She was green and drab, swaying on her heels. He tried looking closely at the aesthetic effect of this colour-change, and recalled from somewhere in his being a sense of pity like a serpentstir. She was hurt, shocked, although he saw a better future for her. He must perform a definite action of some sort: remove her from the scene and the blood-metal steaming.
She went unprotestingly with him.
‘I think Charteris is a saint. He has spoken with great success in Rugby and Leicester,’ Army Burton said.
‘Wide to whatever comes along,’ Banjo Burton said. ‘Full of loot.’
‘He has spoken with great success in Rugby and Leicester,’ Robbins said, thinking it over. Robbins was a faded nineteen, the field of his hair unharvested; he was the eterminal art student; his psychedelic-disposed personality had disintegrated under the efflict of being surrandied by add heads, although not personally caught by the chemicals of Arab design.
They sat in an old room dark bodies curtains drawn tight and light a blur on the papered walls.
Outside in the Loughborough streets night and day kept to the dialogue. Small dogs ran between stone seams.
Army used his uniform as barracks. Banjo had been a third-yearer, had turned agent, ran the pop group, the Escalation, operated various happenings; he had run Robbins as a saint with some reward, until Robbins had deflated one morning into the role of disciple cold cracked lips on the blue doorstep. They all lived with a couple of moronic girls in old housing in the middle of tumbletown, overlooking the square high moronic rear of F. W. Woolworth’s. All round the town waited new buildings designed to cope with hypothetical fast-growing population; but conflicting eddies of society had sent people hearing echoes in each other’s rooms gravitating towards the old core. The straggle of universities and technical colleges stood in marshy fields. It was February.
‘Well, he spoke with great success in Leicester,’ Burton said, ‘made them believe in a sex-style.’
‘Ay, he did that. Mind you, I was a success in Leicester,’ Robbins said, ‘Apathy’s like bricks there to build yellow chapels on some fields you care to name.’
‘Don’t run down Leicester,’ Greta squeaked. ‘I came from there. At least, my uncle did the one with the dancing cat I told you about ate the goldfish. Did I ever tell you my Dad was a Risparian? An Early Risparian. My Mum would not join. She only likes things.’
Burton dismissed all reminiscence with a sweep of his hand. He lit a reefer and said, ‘We are going to have a crusade, burn trails, make a sparky party of our Charter-flightboy, really roll. Play the noise-game.’
‘Who’s gone off Brasher then?’
‘Stuff Brasher. You’ve seen our new boy. He’s a song!’
He could see it. Charteris was good. He was foreign and people were ready for foreigners and exotic toted even in a tuning eyeball. Foreigners were exotic. Charteris had this whole thing he believed in some sort of intellectual thing fitted the machine-scene. People could take it in or leave it and still grab the noise of his song. Charteris was writing a book too. You couldn’t tell he was real or phoney it didn’t matter so he couldn’t switch off.
The followers were already there. Brasher’s following. Charteris beat Brasher at any meeting. You’d have to watch for Brasher. Big munch little throat. The man thought he was Jesus Christ Even if he is Jesus Christ, my money’s on Charteris. He’s got loot! Colin Charteris. Funny name for a Jugoslav!
‘Let’s make a few notes about it,’ he said ‘Robbins, and you, Gloria.’
‘Greta.’
‘Greta, then. A sense of place is what people want – something to touch among all the metaphysics, big old jumbos in the long thin grass. Charteris actually likes this bloody dump its dogshitted lanes. I suppose it’s new to him. We’ll take him round the houses, tape-record him. Where’s the tape-recorder?’ He was troubled by images and a presentiment that they would soon be driving down the autobahns of Europe. He saw a sign to Frankfurt, rubbed hands over his Yorkskull pudding eyes.
‘I’ll show him my paintings,’ Robbins said. ‘And he’ll be interested about the birds all close local stuff.’
‘What about the birds in all areas?
‘A sense of place, you said with the jumbos in the long grapes. What they do, you know, like the city, the birds like the city.’ They liked the city, the birds. Took its bricks for leaves. He had watched, down where the tractor was bogged down in the muddy plough, stood himself bogged all day in content, the landscape the brown nearest black under the thick light. It was the sparrows and starlings, mainly. There were more of them in the towns. They nested behind neon signs, over the fish and chip shops, near the Chinese restaurants, by the big stores, furniture stores, redemption shops, filling stations, for warmth, and produced more babies than the ones in the country, learning a new language. More broods annually. The seagulls covered the ploughed field. They were always inland. You could watch them, and the lines of the grid pencilled on the sky. They were evolving, giving up the sea. Woodgulls. The Greater Mole Gull. Or maybe the sea had shrivelled up and gone. Shrunk like melted plastic God knows what the birds are up to, acid-headed like everything else. Doing the pattern-thing themselves. ‘City suits the birds. It has built-in pattern.’
‘What are you talking about?’ She loved him really, but you had to laugh. His dandy lion-yellow hair.
‘We aren’t the only ones with a population expulsion. The birds too. Remember that series of painting I did of birds, Banjo? Flowers and weeds, too. Like a tide. Pollination expulsion.’
‘Just keep it practical, sonny. Stick to buildings, eh?’ Maybe he could unzip his skull, remove the top like a wig, and pull that distracting Frankfurt sign dripping out of his brain batter.
‘The Pollination Explosion,’ Charteris said. ‘That’s a good title. I write a poem called The Pollination Explosion, about the deep pandemic of nature. The idea just came into my head. And the time will come when you try to betray me to leave me desolate between four walls.’
She said nothing.
‘There could be trees in our future if the brain holds up.’
Angeline was walking resting on his arm, saying nothing. He had forgotten where he had left the Banshee; it was pleasure padding through the wet, looking for it. They strolled through a new arcade, where one or two shops functioned on dwindling supplies. A chemist’s; Get Your Inner Relief Here; a handbill for the Escalation, Sensational and Smelly. Empty shells where the spec builder had not managed to sell shop frontage, all crude concrete, marked by the fossil-imprints of wooden battens. City pattern older than wood stamped by brainprint. Messages in pencil or blue crayon, YOUNG IVE SNOGGED HERE, BILL HOPKINS ONLY LOVES ME, LOVES LOST ITS LOOT, CUNT SCRUBBER. What was a cunt scrubber? Something like a loofah, or a person? Good opening for bright lad!
The Banshee waited in the rain by a portly group of dustbins exchanging hypergeometic forms, moduli of the cosmic rundown. It was not locked. They turned out an old man sheltering inside it.
‘You killed my husband,’ Angeline said, as the engine started. The filling station up the road gave you quintuple Green Shields on four gallons. Nothing ever changed except thought. Thought was new every generation, or they thought it was new, and she heard old wild music playing.
‘The future lies fainting in the arms of the present.’
‘Why don’t you listen to what I’m saying Colin? You’re not bloody mad, are you? You killed my husband and I want to know what you’re going to do about it!’
‘Take you home.’ They were moving now. Although his face ached, he felt in a rare joking mood as after wine in the deep home forests.
‘I don’t live out this direction.’
‘Take you to my home. My place. Where I build a sort of project from. I’ve started making a new model for thought. You came once, didn’t you, with Brasher in some untidy evening? It’s not town, not country. You can’t say which it is; that’s why I like it – it stands for all I stand for. In the mundane world and France, things like art and science have just spewed forth and swallowed up everything else. There’s nothing now left that’s non-art or non-science. A lot of things just gone. My place is neither urban nor non-urban. Fuzzy set, its own non categorisable catasgory. Look outwards, Angeline! Wonderful!’ He gave a sort of half-laugh by a wall, his beard growing in its own silence.
‘You Serbian bastard! There may have been a war, the country may be ruined, but you can’t get away with murder! Justice doesn’t just fuzz off! You’ll die, they’ll shoot you!’ There was no conviction in her voice; his sainthood was drowning her old self, or whatever he had behind eyes.
‘No, I shall live, be justice. I haven’t fulfilled any purpose yet, a sailor but the ocean’s still ahead, hey?’ The car was easing on to the Inner Relief. Behind them, ambulances and a fire engine and police cars and breakdown vans were nuzzling the debris. ‘I’ve seen reality, Angeline – Kragujevac, Metz, Frankfurt – it’s lying everywhere. And I myself have materialised into the inorganic, and so am indestructible, auto-destruct!’
The words stoned him. Since he had reached England, the psychedelic effect had gained on him daily in gusts. Cities had speaking patterns, worlds, rooms. He had ceased to think what he was saying; the result was he surprised himself, and this elation fed back into the system. Every thought multiplied into a thousand. Words, roads, all fossil tracks of thinking. He pursued them into the amonight, struggling with them as they propagated in their deep burrows away from the surface. Another poem: On the Spontaneous Generation of Ideas During Conversation. Spontagions Ideal Convertagion. The Conflation of Spongation in Idations. Agenbite of Auschwitz.
‘Inwit, the dimlight of my deep Loughburrows. That’s how I materialised, love! Loughborough is me, my brain, here – we are in my brain, if s all me. The nomad’s open to the city. I am projecting Loughborough. All its thoughts are mine, in a culmination going.’ It was true. Other people, he hardly saw them, caught in bursts, crossflare, at last shared their bombardment of images.
‘Don’t be daft – it’s raining again! Don’t go daft. Talk proper.’ But she sounded frightened.
They swerved past factories, long drab walls, filling stations, long ochre terraces, yards, many genera of concrete.
Ratty little shops now giving up; no more News of the World, Guinness. Grey stucco urinal. Coal yard, Esso Blue. A railway bridge, iron painted yellow, advertising Ind Coope, sinister words to him. More rows of terrace houses, dentured, time-devoured. A complete sentence yet to be written into his book; he saw his hand writing the truth is in static instants. Then the semis, suburbanal. More bridges, side roads, iron railings, the Inner Relief yielding to fast dual-carriage, out onto the motorway, endless roads crossing over it on primitive pillars. Railways, some closed, canals, some sedge-filled, a poor sod pushing a sack of potatoes on the handlebars of his bike across a drowning allotment, footpaths, cycle-paths, catwalks, nettlebeds, waste dumps, scrap-pits, shortcuts, fences.
Geology. Strata of different man-times. Tempology. Each decade of the past still preserved in some gaunt monument. Even the motorway itself yielding clues to the enormous epochs of pre-psychedelic time: bridges cruder, more massive in earliest epoch, becoming almost graceful later, less sick-orange; later still, metal; different abutment planes, different patterns of drainage in the under-flyover bank, bifurcated like enormous Jurassic fern-trees Here we distinguish by the characteristics of this medium-weight aggregate the Wimpey stratum; while, a little further along, in the shade of these cantilevers, we distinguish the beginning of the McAlpine seam. The layout of that service area, of course, belongs characteristically to the Taylor Woodrow Inter-Glacial. Further was an early electric generating station with a mock-turkish dome, desolate in a field. All art, assuaging. Pylons, endlessly, too ornate for the cumbersome land, assuaging. Multiplacation.
The skies were lumped and flaky with cloud, Loughborough skies. Squirting rain and diffused lighting. No green yet in the hedges. The brown nearest black. Beautiful. …
‘We will abolish that word beautiful. It carries implications of ugliness in an Aristotelian way. There are only gradations in between the two. They pair. No ugliness.’
‘There’s the word “ugliness”, so there must be something to attach it to, mustn’t there? And don’t drive so fast.’
‘Stop quoting Lewis Carroll at me!’
‘I’m not!’
‘You should have allowed me to give you the benefit of the doubt.’
‘Well, steer properly! You lost your loot or something?’
He flicked away back onto his own side of the motorway, narrowly missing an op-art Jag, its driver screaming over the wheel. I also drive by fuzzy sets, he thought admiringly. The two cars had actually brushed; between hitting and not-hitting were many degrees. He had sampled most of them. The lookout to keep was a soft watch. It was impossible to be safe – watering your potted plant, which was really doing well, impossible. A Christmas cactus it could be, you were so proud of it. The Cortina, Consortina, buckling against – you’d not even seen it, back turned, blazing in a moment’s sun, Christ, just sweeping the poor woman and her pathetic little porch right away in limbo!
‘Never live on Inner Relief.’ Suddenly light-hearted and joking.
‘Stop getting at me! You’re really rather cruel, aren’t you?’
‘Jebem te sunce! Look, Natrina – I mean, Angelina, I love you, I dream you.’
‘You don’t know the meaning of the word!’
‘So? I’m not omniscient yet. I don’t have to know what it is to do it, do I? I’m just beginning, the thing’s just beginning in me, all to come. I’ll speak, preach! Burton’s group, Escalation Limited, I’ll write songs for them. How about Truth lies in Static Instants? Or When We’re Intimate in the Taylor Woodrow Inter-Glacial. No, no – Accidents and Aerodynamics Accrete into Art. No, no! How about … Ha, I Do My Personal Thinking In Pounds Sterling? Or Ouspenski Has It All Ways Always. Or The Victim and the Wreckage Are The Same. The Lights Across the River. Good job I threw away my NUNSACS papers. Too busy. I’ll fill the world till my head bursts. Look – zbogom, missed him! What a driver! Maybe get him tomorrow! Must forget these trivialities, which others can perform. Kuwait was the beginning! I’m just so creative at present, look, Angelina –’
‘It’s Angeline. Rhymes with “mean”.’ She couldn’t tell if he was joking.
‘My lean angel mean, Meangeline. I’m so creative, feel my temple! And I sense a gift in you too as you struggle out of old modes towards creams of denser feeling. What’s it going to be we got to find together eh?’
‘I’ve got no gins. My ma told me that.’
‘Anyhow, see that church of green stone? We’re there. Almost. Partially there. Fuzzy there. Kundalinically there. Etwas there.’
But this etwas country was neither inhabitable nor uninhabitable. It functioned chiefly as an area to move through a dimensional passage, scored, scarred, chopped by all the means the centuries had uncovered of annihilating the distance between Loughborough and the rest of Europe, rivers, roads, rails, canals, dykes, lanes, bridges, viaducts. The Banshee bumped over a hump-backed bridge, nosed along by a municipal dump, and rolled to a stop in front of a solitary skinned house.
Squadrons of diabolical lead birds sprang up to the roof of the house, from instant immobility to instant immobility on passage from wood to city. Slates were broken by wind and birds. Sheer blindness had built this worthy middle-class house here, very proper and some expense spared in the days before currency had gone decimal. It stood in its English exterior pluming as if in scaffolding. A land dispute perhaps. No one knew. The proud owner had gone, leaving the local council easy winners, to celebrate their triumph in a grand flurry of rubbish which now lapped into the front garden, eroded, rotting intricate under the creative powers of decay. Cans scuttled down paths. Caught by the fervour of it, the Snowcem had fallen off the brick, leaving a leprous dwelling, blowing like dandruff round the porch. And she looked up from the lovely cactus – he had admired it so much, bless him, a good husband – just in time to see the lorry sliding across the road towards her. And then, from behind, the glittering missile of the northbound car. …
Charteris leant against the porch, covering his eyes to escape the repetitive image. It had been, was ever coming in the repetitive web.
‘It was a conflux of alternatives in which I was trapped, all anti-flowered. I so love the British – you don’t understand! I wouldn’t hurt anyone. … I’m going to show the world how –’
‘You won’t bring him back by being sorry.’
‘Her, the woman with the cactus! Her! Her! Who was she?’
The Escalation had taken over an old Army Recruiting Office in Ashby Road. These surroundings with their old english wood and gymnast smells had influenced two of their most successful songs, ‘The Intermittent Tattooed Tattered Prepuce’ and ‘A Platoon of One’ in the Dead Sea Sound days. There were four of them, four shabby young men, sensational and smelly, called, for professional purposes, Phil, Bill, Ruby and Featherstone-Haugh; also Barnaby, who worked the background tapes to make supplementary noise or chorus. They were doing the new one. They could hear the ambulances still squealing in the distance, and improvised a number embodying the noise called ‘Lost My Ring In the Ring Road’. Bill thought they should play it below, or preferably on top of, ‘Sanctions, Sanctions’; they decided to keep it for a flip side if they ever made the old circuit of recording.
They began to rehearse the new one.
Bank all my money in slot machines
These new coins are strictly for spending
Old sun goes on its rounds
Now since we got the metric currency
I do my personal thinking in pounds
We haven’t associated
Since twelve and a half new pence of money
Took over from the half-a-crowns
Life’s supposed to be negotiable, ain’t it?
But I do my personal thinking in pounds
Greta and Flo came in, with Robbins and the Burtons following. Army Burton had lost his lovely new tie, first one he ever had. He was arguing that Charteris should speak publicly as soon as possible – with the group at Nottingham on the following night; Robbins was arguing that there had been a girl at the art college called Hypothermia; Banjo was telling about London. Greta was saying she was going home.
‘Great, boys, great, break it up! You’ve escalated, like I mean you are now a choir, not just a group, okay, this secular stint? At Nottingham tomorrow night, you’re a choir, see? So we hitch our fortunes to Colin Charteris, tomorrow’s saint, the author of Fuzzy Sets.’
Oh, he’s on about sex again! I’m going home,’ said Greta, and went. Her mum lived only just down the road in a little house on the Inner Relief; Greta didn’t live there any more, but they had not quarrelled, just drifted gently apart on the life-death stream. Greta liked squalor and the arabesque decline. What she could not take were the rows of indoor plants with which her mother hedged herself.
Sister, they’ve decimalised us
All of the values are new
Bet you the five-penny piece in my hip
When I was a child on that old £.s.d.
There was a picture of a pretty sailing ship
Sailing on every ha-penny …
They were used to Burton’s madness. He had got them the crowds, the high voices from the front aisles. They needed the faces there, the noise, the interference, the phalanx of decibels the audience threw back at them in self-defence, needed it all, and the stink and empathy, to give right out and tear a larynx. In the last verse, The goods you buy with this new coinage, they could have talkchant as counterpoint instead of instrument between lines. May be even Saint Charteris would go for that. Saint Loughborough? Some people said he was a Communist, but he could be all the things they needed, even become fodder for song. They looked back too much. The future and its thoughts they needed. Lips close, New pose, Truth lies in static instants. Well, it had possibilities.
With Charteris tranced, labouring at his masterwork, cutting, superimposing, annotating, Angeline wandered about the house. A tramp lived upstairs in the back room, old yellow mouth like an eye-socket. She avoided him. The front room upstairs was empty because it got so damp where the rain poured in. She stood on the bare frothy boards staring out at the sullen dead sea with shores of city rubbish, poor quality rubbish, becalming flocks of gulls, beaks as cynical as the smiles of reptiles from which they had originated. Land so wet, so dark, so brown nearest black, late February and the trains all running half-cocked with the poor add head drivers forgetting their duties, chasing their private cobwebs, hot for deeper stations. Nobody was human any more. She’d be better advised to take LSD and join the psychotomimjority, forget the old guilt theories, rub of old mother-sores. Charteris gave her hope, seemed he thought the situation was good and could be improved within fuzzy limits, pull all things from wreckage back.
Wait till you read ‘Man the Driver’, he told Phil Brasher. You will see. No more conflicts once everyone recognises that he always was a hunter, all time. The modern hunter has become a driver. His main efforts do not go towards improving his lot, but complicating ways of travel. It’s all in the big pattern of time-space-mind. In his head is a multi-value motorway. Now, after the Kuwait coup, he is free to drive down any lane he wants, any way. No external frictions or restrictions any more. Thus spake Charteris. She had felt compelled to listen, thus possibly accomplishing Phil’s death. There had been a rival group setting up in the cellars of Loughborough, the Mellow Bellows. They had taken one title out of thin air: There’s a fairy with an Areopagitica, No external frictions or restrictions, We don’t need law or war or comfort or that bourgeois stuff, No external frictions or restrictions. Of course, they did say he was a communist or something. What we needed was freedom to drive along our life lines where we would, give or take the odd Brasher. More irrational fragments of the future hit her: through him, of course; a weeping girl, a – a baked bean standing like a minute scruple in the way of self-fulfilment.
She wanted him to have her, if she could square her conscience about Phil. He was okay, but – yes, a change was so so welcome. Sex, too, yes, if he didn’t want too much of it. The waste always lay outside the window. He was clean-looking; good opening for bright lad – where had she overheard that? Well, it was self-defence. Wow that smash-up, still she trembled.
The gulls rose up from the mounds of rotting refuse, forming lines in the air. A dog down there, running, free, so free, companion of man, sly among the mountains. Perhaps now man was going to be as free as his companion. Trees in their future? Green? Bare?
Tears trickling down her cheek. Tears falling new from her sad speckled dreams. Even if it proved a better way of life, good things would be lost. Always the loss, the seepage. My sepia years. Sorry, Phil, I loved you all I could for six of them, but I’m going to bed with him if he wants me. The big gymnastic sergeant marching marching. It’s you I’m going to betray, not him, if I can make it, because he really has something, don’t know what. I don’t know if he’s what he says, but he is a sort of saint. And you did hit him first. You hit him first. You were always free with your fists. You were that.
She went downstairs. Either that running dog wore a tie or she was going acid head like the others.
‘It’s a bastard work, a mongrel,’ he said. He was eating something out of a can; that was now his way, no meals, only snacks, the fuzzy feeder. Kind of impersonal.
‘I’m a mongrel, aren’t I? Some Gurdjieff, more Ouspenski, time-obsessed passages from here and there, no zen or that – no Englishmen, but it’s going to spread from England out, we’ll all take it, unite all Europe at last. A gospel. Falling like PCA. America’s ready, too. The readiest place, always.’
‘If you’re happy.’ She touched him. He had dropped a baked bean on to the masterwork. It almost covered a word that might be ‘self-fulfilment’.
‘See those things crawling in the bare trees out there? Elms, are they? Birds as big as turkeys crawling in the trees, and toads, and that new animal. I often see it. There is an intention moving in them, as there is in us. They seem to keep their distance.’
‘Darling, you’re in ruins, your mind, you should rest!’
‘Yes. Happiness is a yesterday phase. Say, think, “tension-release”, maintain a sliding scale, and so you do away with sorrow. Get me, you just have a relief from tension, and that’s all you need. Nothing so time-consuming as happiness. Nothing personal. If you have sorrow, you are forced to seek its opposite, and vice versa, so you should try to abolish both. Wake, don’t live automatic, I’ll get it clear. Time … I must speak to people, address them. You have some gift I need. Come round with me, Angelina? Take me on, share my sack.’
She put her arms about him. The big gymnastic sergeant. There was some stale bread on the table, crumbs among the books he was breaking up and crayoning. Activity all the time, her windows, wind over the turning mounds. ‘When you love me, love, there’ll be something personal in it?’
‘It’s all evolving, angel, stacked with loot.’
When the Escalation came along, the two of them were half-lying on the camp-bed, limbs entangled, not actually copulating.
Greta wept, supported by two of the group. Featherstone-Haugh touched a chord on his balalaika and sang, ‘Her mother was killed by a sunlit Ford Cortina, and the road snapped shut’.
Ruby Dymond turned his cheeks into a poor grey.
‘Man the Driver,’ Chapter Three. Literature of the Future Affecting Feeling of the Future. Ouspenski’s concept of mental photographs postulates many photographs of the personality taken at characteristic moments; viewed together, these photographs will form a record by which man sees himself to be different from his common conception of himself – and truer. So, they will suggest the route of life without themselves having motion. The truth is in static instants; it is arrived at through motion. Motion of auto-crash, copulation, kinetic self-awakenings of any kind. There are many alternatives. Fiction to be mental photographs, motion to be supplied purely by reader. Music as harpoon to sleeping entrails, down out the howls of smaller dogs. Action a blemish as already in existence. Truth thus like a pile of photos, self-cancelling for self-fulfilment, multi-valued. Indecision multi-incisive and non-automatic Impurity of decision one of the drives towards such truth-piles; the Ouspenskian event of a multiple crash on a modern motorway an extreme example of such impurities.
Wish for truth involved here. Man and landscape interfuse, science presides. Machines predominate.
Charteris stood at the window listening to the noise of the group, looking out at the highly carved landscape. Hedges and trees had no hint of green, were cut from iron, their edges jagged, ungleaming with the brown nearest black, although the winds drove rain shining across the panorama. Middays reduced job-lots from Coventry. Vehicles scouring down the roads trailed spume. Roads like seas like fossilised thought, coproliths of ancestral loinage, father-frigger. The earlier nonsense about the terrors of the population explosion; one learned to live with it. But mistakes still being made. The unemployed were occupied, black midland figures of animated sacks, inplanting young trees along the grand synclines and barrows of the embankments and cuttings and underpasses, thereby destroying their geometry, mistakenly interfusing an abstract of nature back into the grand equation. Got to banish that dark pandemic nature. But the monstrous sky, squelching light out of its darkest corners, counteracted this regressive step towards out-dated reality moulds. The PCA bombs had squirted from the skies; it was their region. Science presided.
There was a picture of a pretty sailing ship
Sailing every ha’penny.
The goods you buy with this new coinage
Weren’t made any place I heard of
They give out the meagerest sounds
But I don’t hear a thing any longer
Since I do my personal thinking in pounds
I had a good family life and a loving girl
But I had to trade them in for pounds
The damned birds were coming back, too, booking their saplings, grotesques from the pre-psychedelic twilife, ready to squirt eggs into the first nests at the first opportunity. They moved in squadrons, heavy as lead, settled over the mounds of rubbish, picking out the gaudy Omo packets. They had something planned, they were motion without truth, fugitive, to be hated. He had heard them calling to each other in nervous excitement, ‘Omo, Omo’. Down by the shores of the dead sea, down by the iron sunset, they were learning to read, a hostile art. And the new animal was among them by the dead elms.
Angeline was comforting Greta, Ruby watching her every fingertip, Burton was turning the pages of ‘Man the Driver’, thinking of a black and red tie he had worn, his only tie. Words conveyed truth, he had to admit, but that damned tie had really sent him. He thought he had tied it round the neck of a black dog proceeding down Ashby Road. Spread the message.
‘Greet, you didn’t hear of a dog involved in this pile-up?’
‘Leave her alone,’ Angeline said ‘Let her cry it out. It’s like a tide.’
