Palissy the Huguenot Potter

Palissy the Huguenot Potter
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Brightwell Cecilia Lucy. Palissy the Huguenot Potter

PREFACE

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

CHAPTER VIII

CHAPTER IX

CHAPTER X

CHAPTER XI

CHAPTER XII

CHAPTER XIII

CHAPTER XIV

CHAPTER XV

CHAPTER XVI

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In the south-west of France is the ancient town of Saintes, the capital of Saintonge, charmingly situated on the river Charente, and once the most flourishing city of all Guienne. It is a very ancient place, and was, in the time of the Romans, one of the principal cities of Aquitaine. There are still some slight remains of an amphitheatre, and a fine Roman bridge spans the waters of the Charente, bearing a Latin inscription (now illegible) upon its frieze. Placed at the foot of a mountain, the aspect of the town from a distance is impressive, but its streets are narrow and winding, and its houses low and ill-built. In olden times it boasted an ancient cathedral dedicated to St. Peter, and said to have been built by Charlemagne; but only the bell-tower now remains, and, indeed, most of the antiquities in which the town once abounded must be named among the things that were. A great deal of this destruction is attributed to the religious struggles which were carried on in Saintes with especial fierceness, and of which some record will be found interwoven in the story of Palissy the Potter.

It was in the year 1538, one morning in May, that the people of the old narrow-streeted town we have described, were surprised to find a strange family had arrived among them. The new-comers were a young couple who brought with them an infant in arms, and presently established themselves in a small house on the outskirts of the city, the frontage of which looked upon one of the steep crooked streets, and presented to view a workshop, in which were displayed various objects calculated to attract the eyes of passers-by. Above all, at the entrance of the door was placed the figure of a dog, modelled and painted in such life-like fashion, that many a time was this sturdy-looking guardian of the threshold challenged to single combat by the perplexed dogs of the good town.

.....

At that moment Lisette, who had risen from the bench on which they had seated themselves, looking toward the palings of their garden, perceived a tall figure leaning there. She directed the attention of her husband to this person, and then retired into the chamber with her infant. A few moments after, Bernard was in eager conversation with the stranger. They spoke in low accents, as though anxious not to be overheard. “Let us go down to the field together,” said Palissy; “I must speak with thee, master Philibert, where our words may be freely uttered;” and presently the two had disappeared in the twilight.

This Master Philibert Hamelin, who was so eagerly accosted by our artist, was one of those “poor and unlearned men,” whose names were chronicled in the list of “heretics,” as infected with the taint of disloyalty to the Roman Catholic Church. At the time when Palissy came forth into life, the minds of men were greatly agitated by those religious struggles which convulsed Europe during the sixteenth century. From Germany the desire of spiritual emancipation had spread abroad, and before long the fire which burned with such fierceness during the terrible wars of the Huguenots, was kindled in France. Examples of religious persecution, cruel punishments of heretics, and expressions of much discontent on matters of faith, must, without fail, have often attracted the notice of Palissy during his years of travel.

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