Читать книгу The Trial of the Chicago 7: History, Legacy and Trial Transcript - Bruce A. Ragsdale - Страница 16
Court theater
ОглавлениеFor the public that followed the trial in the daily media, the substantive arguments and procedural questions were overshadowed by the intentionally subversive behavior of the defendants and the high-handed dramatics of the judge. Jerry Rubin pleaded not guilty with a raised fist. When introduced to the jury, Abbie Hoffman blew them a kiss (and Judge Hoffman ordered them to “disregard that kiss”). The defendants often refused to rise when so instructed. On the day of the Moratorium to End the War in Vietnam, the defendants draped a Viet Cong flag over the defense table. Throughout the trial various defendants called out obscenities and labeled the judge and prosecutors liars or Gestapo officers. In the most theatrical display of contempt for judicial authority, Abbie Hoffman and Jerry Rubin entered the courtroom in judicial robes and then flung them to the floor and stomped on them.
Judge Hoffman was all too easily provoked by the antics of the defendants, and his own instinct for the theatrical added to the carnival atmosphere. By all accounts, his exaggerated reading of the indictment left the jury with no doubt about his opinion of the defendants’ guilt. He returned the defendants’ name calling and publicly referred to Weinglass as a “wild man.” Reporters described his “mimicking” voice as he read the Seale contempt convictions. Judge Hoffman defended himself against personal insults from the defendants, such as when he answered Seale’s cry of “racist!” with an account of his pro-civil rights decisions. The defendants believed Judge Hoffman intentionally mispronounced their names, such as when he repeatedly called Dellinger “Dillinger.”