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PART I
MYTHS OF DIVINITIES AND HEROES
CHAPTER IV
THE GODS OF THE UNDERWORLD 44

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44. The Underworld was the region of darkness inhabited by the spirits of the dead and governed by Pluto (Hades) and Proserpina, his queen. According to the Iliad, this realm lay "beneath the secret places of the earth."45 And from the Odyssey we gather that it is not in the bowels of the earth, but on the under side at the limits of the known world, across the stream Oceanus, where is a waste shore, the land of the Cimmerians, shrouded in mist and cloud, never lighted by the sun "neither when he climbs up the starry heavens nor when again he turns earthward from the firmament."46 From that land one goes beside the stream till he reaches the dank house of Hades. The realm of darkness is bounded by awful rivers: the Styx, sacred even among the gods, for by it they sealed their oaths, and the Acheron, river of woe, – with its tributaries, Phlegethon, river of fire, and Cocytus, river of wailing. Hither past the White Rock, which perhaps symbolizes the bleaching skeletons of the dead, and past the gates of the sun, it is the duty of Hermes (Mercury) to conduct the outworn ghosts of mortals. One of the Greek dramatists, Sophocles, tells us that this shore of death is "down in the darkling west."47 In later poems we read that Charon, a grim boatman, received the dead at the River of Woe, and ferried them across, if the money requisite for their passage had been placed in their mouths and their bodies had been duly buried in the world above.48 Otherwise he left them gibbering on the hither bank. The abode of Pluto is represented as wide-gated and thronged with guests. At the gate Cerberus, a three-headed, serpent-tailed dog, lay on guard, – friendly to the spirits entering, but inimical to those who would depart. The palace itself is dark and gloomy, set in the midst of uncanny fields haunted by strange apparitions. The groves of somber trees about the palace, – the meads of Asphodel, barren or, at best, studded with futile bushes and pale-flowered weeds, where wander the shades, – and the woods along the waste shore "of tall poplars and willows that shed their fruit before the season" are, without any particular discrimination, celebrated by the poets as the Garden of Proserpine.


Fig. 34. The Greek Underworld


Fig. 35. Hermes conducting a Soul to Charon


Here life has death for neighbor,

And far from eye or ear

Wan waves and wet winds labor,

Weak ships and spirits steer;

They drive adrift, and whither

They wot not who make thither;

But no such winds blow hither,

And no such things grow here.


No growth of moor or coppice,

No heather-flower or vine,

But bloomless buds of poppies,

Green grapes of Proserpine,

Pale beds of blowing rushes,

Where no leaf blooms or blushes

Save this whereout she crushes

For dead men deadly wine.


      *       *       *       *       *


Pale, beyond porch and portal,

Crowned with calm leaves, she stands

Who gathers all things mortal

With cold immortal hands;

Her languid lips are sweeter

Than love's, who fears to greet her,

To men that mix and meet her

From many times and lands.


Fig. 36. Hypnos


She waits for each and other,

She waits for all men born;

Forgets the earth her mother,

The life of fruits and corn;

And spring and seed and swallow

Take wing for her and follow

Where summer song rings hollow,

And flowers are put to scorn.


      *       *       *       *       *


We are not sure of sorrow,

And joy was never sure;

To-day will die to-morrow;

Time stoops to no man's lure;

And love, grown faint and fretful,

With lips but half regretful

Sighs, and with eyes forgetful

Weeps that no loves endure.


From too much love of living,

From hope and fear set free,

We thank with brief thanksgiving

Whatever gods may be

That no life lives forever;

That dead men rise up never;

That even the weariest river

Winds somewhere safe to sea.


Then star nor sun shall waken,

Nor any change of light;

Nor sound of waters shaken,

Nor any sound or sight;

Nor wintry leaves nor vernal,

Nor days nor things diurnal:

Only the sleep eternal

In an eternal night.49


Fig. 37. A Fury


45. Tartarus and the Elysian Fields. With the ghosts of Hades the living might but rarely communicate, and only through certain oracles of the dead, situate by cavernous spots and sheer abysms, deep and melancholy streams, and baleful marshes. These naturally seemed to afford access to the world below, which with the later poets, such as Virgil, comes to be regarded as under the ground. One of these descents to the Underworld was near Tænarum in Laconia; another, near Cumæ in Italy, was Lake Avernus, so foul in its exhalations that, as its name portends, no bird could fly across it.50 Before the judges of the lower world, – Minos, Æacus, and Rhadamanthus, – the souls of the dead were brought to trial. The condemned were assigned to regions where all manner of torment awaited them at the hands of monsters dire, – the fifty-headed Hydra and the avenging Furies. Some evildoers, such as the Titans of old, were doomed to languish in the gulf of Tartarus immeasurably below. But the souls of the guiltless passed to the Elysian Fields, where each followed the chosen pursuit of his former life in a land of spring, sunlight, happiness, and song. And by the Fields there flowed the river Lethe, from which the souls of those that were to return to the earth in other bodies drank oblivion of their former lives.

46. The Islands of the Blest. Homer mentions, elsewhere, an Elysium of the western seas, which is a happy land, "where life is easiest for men: no snow is there, nor yet great storm, nor any rain; but always ocean sendeth forth the breeze of the shrill West to blow cool on men."51 Hither favored heroes pass without dying, and live under the happy rule of Rhadamanthus. The Elysium of Hesiod and Pindar is likewise in the Western Ocean, on the Islands of the Blessed, the Fortunate Isles. From this dream of a western Elysium may have sprung the legend of the island Atlantis. That blissful region may have been wholly imaginary. It is, however, not impossible that the myth had its origin in the reports of storm-driven mariners who had caught a glimpse of occidental lands. In these Islands of the Blest, the Titans, released from Tartarus after many years, dwelt under the golden sway of the white-haired Cronus.52

There was no heavy heat, no cold,

The dwellers there wax never old,

Nor wither with the waning time,

But each man keeps that age he had

When first he won the fairy clime.

The night falls never from on high,

Nor ever burns the heat of noon;

But such soft light eternally

Shines, as in silver dawns of June

Before the sun hath climbed the sky!


      *       *       *       *       *


All these their mirth and pleasure made

Within the plain Elysian,

The fairest meadow that may be,

With all green fragrant trees for shade,

And every scented wind to fan,

And sweetest flowers to strew the lea;

The soft winds are their servants fleet

To fetch them every fruit at will

And water from the river chill;

And every bird that singeth sweet,

Throstle, and merle, and nightingale,

Brings blossoms from the dewy vale, —

Lily, and rose, and asphodel, —

With these doth each guest twine his crown

And wreathe his cup, and lay him down

Beside some friend he loveth well.53


47. Pluto (Hades) was brother of Jupiter. To him fell the sovereignty of the lower world and the shades of the dead. In his character of Hades, the viewless, he is hard and inexorable.

By virtue of the helmet or cap given him by the Cyclopes, he moved hither and yon, dark, unseen, – hated of mortals. He was, however, lord not only of all that descends to the bowels of the earth, but of all that proceeds from the earth; and in the latter aspect he was revered as Pluto, or the giver of wealth. At his pleasure he visited the realms of day, – as when he carried off Proserpina; occasionally he journeyed to Olympus; but otherwise he ignored occurrences in the upper world, nor did he suffer his subjects, by returning, to find them out. Mortals, when they called on his name, beat the ground with their hands and, averting their faces, sacrificed black sheep to him and to his queen. Among the Romans he is known also as Dis, Orcus, and Tartarus. But Orcus is rather Death, or the Underworld, than ruler of the shades.


Fig. 38. Hades


48. Proserpina (Persephone) was the daughter of Ceres and Jupiter. She was queen of Hades, – a name applied both to the ruler of the shades and to his realm. When she is goddess of spring, dear to mankind, Proserpina bears a cornucopia overflowing with flowers, and revisits the earth in duly recurring season. But when she is goddess of death, sitting beside Pluto, she directs the Furies, and, like her husband, is cruel, unyielding, inimical to youth and life and hope. In the story of her descent to Hades will be found a further account of her attributes and fortunes.

49. The Lesser Divinities of the Underworld were:

1. Æacus, Rhadamanthus, and Minos, sons of Jupiter and judges of the shades in the lower world. Æacus had been during his earthly life a righteous king of the island of Ægina. Minos had been a famous lawgiver and king of Crete. The life of Rhadamanthus was not eventful.

2. The Furies (Erinyes or Eumenides), Alecto, Tisiphone, and Megæra, born of the blood of the wounded Uranus. They were attendants of Proserpina. They punished with the frenzies of remorse the crimes of those who had escaped from or defied public justice. The heads of the Furies were wreathed with serpents.

3. Hecate, a mysterious divinity sometimes identified with Diana and sometimes with Proserpina. As Diana represents the moonlight splendor of night, so Hecate represents its darkness and terrors. She haunted crossroads and graveyards, was the goddess of sorcery and witchcraft, and wandered by night, seen only by the dogs whose barking told of her approach.


Fig. 39. Death, Sleep, and Hermes laying a Body in the Tomb


4. Sleep, or Somnus (Hypnos), and Death (Thanatos), sons of Night.54 They dwell in subterranean darkness. The former brings to mortals solace and fair dreams, and can lull the shining eyes of Jove himself; the latter closes forever the eyes of men. Dreams, too, are sons of Night.55 They dwell beside their brother Death, along the Western Sea. Their abode has two gates, – one of ivory, whence issue false and flattering visions; the other of horn, through which true dreams and noble pass to men.56

45

Iliad, 22, 482; 9, 568; 20, 61.

46

Odyssey, 10, 508; 11, 20; 24, 1.

47

Sophocles, Œdipus Rex, 177.

48

Æneid, 6, 295.

49

From The Garden of Proserpine, by A. C. Swinburne.

50

Æneid, 6.

51

Odyssey, 4, 561.

52

Hes. Works and Days, 169.

53

From The Fortunate Islands, by Andrew Lang.

54

Iliad, 14, 231; 16, 672.

55

Odyssey, 24, 12; 19, 560. Æneid, 6, 893. Ovid, Metam. 11, 592.

56

For genealogical table, see Commentary.

The Classic Myths in English Literature and in Art (2nd ed.) (1911)

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