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The advent of its regatta is usually the herald of a sea-side season's demise. Wivernsea, as yet, is not sufficiently developed to justify indulgence in a water festival. So far, its carnival flights have been confined within the limits of flower shows and the treats of its Sunday school.

The builder—his surname is Jerry—is around with a rule though. His conspiracy with the man who plots lands and dispenses free luncheons and railway tickets, will possibly wreak a change on that part of the map's countenance. Increased population may render the place more famous—or infamous. So very much depends on one's viewpoint.

The houses of Wivernsea are built in its bay. Stuck in round the fringe of it like teeth in a lower jaw. Picture to yourself the long ago—the bay's origin—and the present appearance of the place may come before you. If possible to introduce a belief that there were giants in the earth in those days it will make realization simpler. Because it looks as if a mammoth had snapped at the coast just there and bitten out a huge mouthful.

If your imagination is sufficiently elastic to give play to it, conceive houses being dropped into the marks left by the giant's teeth—a sort of dental stopping. So may be garnered a fair idea of the presentment of this particular indentation in the land.

When the goose of Michaelmas is shaking in its scales, Wivernsea lodging letters encroach on the farmer's privilege. The closing time of their harvest is near enough to be grumbled at. It is painful knowledge to them that visitors scuttle away as September ends. The exodus is due to some absurd belief that the weather then—like a school at the advent of the holidays—breaks up.

In the ears of one man—William Masters by name, binder-together-of-sensational-incidents in-book-form by profession—such grumbles tingled pleasantly. Because the usual October Wivernsea weather is mild and bright and rainless. Being a non-gregarious man, the place shaped before his eyes as a land flowing with milk and honey. He knew it to be good then.

Knowledge is the wing on which we fly to heaven. In this instance, the author's flight from London was via the London and South Western Railway Company's terminus. Later on he told himself that it was proving—veritably—his Waterloo.

Wivernsea's sea wall is known locally as the Esplanade. Euphemisms—sacrifices to vanity at the expense of truth—are not uncommon objects of the seashore. The walk terminated eastwards with the abruptness of a cinematograph view. A private owner claimed the land there.

It was not an undisputed claim. Opposition made the owner handle the matter with mailed fist. To make his position stronger he erected a high wall. If it did not prevent his opponents going further with their labial opposition, it effectually prevented them from going further along the parade.

The embellishments of the wall were, apparently, the outcome of deep thought. Its top was artistically embroidered with spikes and broken bottles. This sharply jagged crown was known locally as a shivery-freeze. Give the average man an opportunity to mispronounce a word and his success may be counted on every time.

Warnings to trespassers and threats of prosecution garnished the wall's face with the liberality of almonds in a piece of French rock. The everyday man might well be excused a fear that there was danger in letting an unguarded eye rest on it.

Amongst others, the wall barred the easterly progress of William Masters. In his instance no chagrin resulted. It was a boast of his that he possessed views of his own: the things which other people smile at unpleasantly and label eccentricities. The owner of the wall was a man after his own heart. Undoubtedly a fellow-feeling makes us wondrous kind.

It is not good that man should be alone. But the author had not yet realized the greatness of that truth. He had been heard to voice the nature of his Ultima Thule: undisturbed existence in a cot. Not beside the hill, but in the centre of a big field. The situation to be enhanced by possession of a shot gun, wherewith to pepper trespassers on his solitude.

Strangers who heard Masters speak so, felt inclination to move away a pace; were prompted to thoughts of Hanwell and Colney Hatch. His friends—another boast of his was the poverty of their number—smiled. The idea of Masters hurting a fly appealed to the humour in them.

But, as the blackest hat may have a silver-paper lining, so the wall served a good purpose. It acted as a shelter from the one thing which disturbed the enjoyment of October in Wivernsea: that wind which is said to be good for neither man nor beast. Thoughtful hands had placed a comfortable seat within the wall's shelter.

Knowledge of these things had inspired Masters' journey to Wivernsea. Where he had stayed before the landlady had rooms vacant. She knew his requirements and, hitherto, had suited him admirably. Had even acquired the knowledge that his visits to Wivernsea were not prompted solely by a desire to hear her talk!

Having done justice to a hastily prepared luncheon, Masters slipped a note book into his pocket and sallied forth. His route was easterly, its termination his favourite seat at the end of the Parade. There were some hours left of warmth and sunshine: the author's intent was to avail himself of them.

Seated, he for a time succumbed to the charm of the water as it stole out and away. Listened to its lapping as it broadened the ribbon of sand at each receding wave. Then, turning a deaf ear to the charm and his eyes on to his note book, he buried himself in the particular chapter on which he was engaged.

The writer's concentration was not of the plumbless kind. Sound of a girl's voice roused him from his depth of thought. It should not be gathered from that that the sex had any extraordinary influence over him—save when it was very young.

He loved children. Loved them best before the rubbing off of what is called their corners: the sweetness of what is actually the innocence we all come into the world with—which it seems the business of the world to destroy.

Masters guessed from the voice that it belonged to a very little girl. Looking up, saw standing in front of him proof of the correctness of his guess. A blue-eyed—wide-open-eyed-with-astonishment too at seeing him there—little maid. She had turned the parade corner, and in doing so came on him unexpectedly. It was plain that she had pulled up suddenly at seeing him there. Just as suddenly called out in her clear, childish treble:

"Oh! There's someone on your seat, Miss Mivvins!"

The young lady so addressed came into view at that moment, round the bushes planted at the corner—the little one having, as usual, run on ahead.

Miss Mivvins flushed a little. Becomingly, for otherwise the face might have been considered a trifle too pale. The possibility of the child's speech being considered rude induced her to say in an undertone:

"Hush, Gracie, dear!"

The speech reached Masters' ears. He was at once struck with the governess's singularly sweet voice. When he looked at the place whence the voice issued, he thought it the prettiest mouth he had ever set eyes on. The little droop of sadness at its corners mellowed rather than took away from the sweetness of it.

The lips—ripe red in colour, Cupid's bowed in shape—enchanting as they were, did not hold his attention in iron bonds. His glance wandered to her eyes and hair. From that inspection was formed an opinion—one which he never changed.

The features were the most beautiful and womanly ones he had ever seen. Just as sweet a face as a woman with golden hair—that peculiar tint of gold which the sun ever seems anxious to search amongst—and forget-me-not eyes, can possess at the age of three-and twenty. She was good to look upon.

Observation was a trick of Masters' trade. The practice of it enabled him to paint a picture in a paragraph. What he saw in one glimpse of Miss Mivvins' face was eloquence itself. But of that gentle, outward-going radiance in her eyes the merest layman would have been sentient. It was the kind of which one felt even a blind man must be conscious.

Details appealed to Masters just then. He happened to be engaged at the moment on the description of a heroine. When he saw Miss Mivvins his difficulty about shaping the book-woman vanished. In flesh and blood she stood before him. All he needed was to describe what he saw: she would fit in all respects.

Save her name. He was not particularly struck with that.