Читать книгу Flowers for the Dead - C. K. Williams - Страница 15

The house smells like baking. It is a smell that makes me feel all loose-limbed. All happy, like it hasn’t in years. The locksmith has been by and put a new lock in. And I sent out ten applications. Surely, one of them will work out. I’m a trained florist, did some gardening work as well. Something just has to work out.

Getting ready for bed, on my first night in this house that I was so scared of, I am in the bathroom, a plate of shortbread precariously balancing on the edge of the sink next to me. No cinnamon rolls. I have earned shortbread. As I remove my makeup, I don’t think of silly Anvi and her silly allusions, but of the businesses, their sleek websites. I will have clients. Colleagues. After-work drinks. There might be promotions. There will be money.

I need to reopen my bank account. Put in the money my parents left me, the money that will tide me over in the meantime.

Once the makeup has come off, I bend over the sink and have a drink straight from the tap. The water tastes wonderful up here, clean and fresh, very different from London. I collect it in both hands, then splash it onto my face. Drying my skin off on my parents’ plush towels, I look into the mirror once more. For a moment, it doesn’t even scare me, the prospect of work, of a new job, a new life. That I will have to leave the house every day. That I will be in a place I don’t know, that I can’t navigate. That it might be loud and dirty and confusing and there will be buses with a silly numbering system. Like when Oliver and I moved to London for the first time. It was our second flat; we’d never lived on such a busy street … It was lovely though. Oliver had found it by marching straight into a local pub, getting drunk and then asking everyone in the vicinity if they knew of somewhere that was available. It got us a two-bedroom flat. Not bad. Only one set of keys, the heating working intermittently at best, and a leaky tap, but still not bad.

Now, it does not scare me, the prospect of a new place. No, it actually … it gives me a thrill. Like seeing the shock on Anvi’s and Kaitlin’s faces when I walked into their shop today. Like I couldn’t be overlooked. Like I was really there.

I haven’t felt a thrill like that in years.

It is what bolsters me as I take one last look into the mirror. Take up the plate. Straighten my shoulders.

Then I go into my parents’ bedroom.

The floorboards creak as I cross the threshold. The bed in the centre of the room is still the same, its frame of dark wood, its tall headboard, the small nightstands. The bed almost disappears under all the pillows and blankets. The wallpaper has changed, midnight blue on one wall, a wooden texture on the others. To the right of the bed is a door to the en suite I did not use – it feels too much like my parents’ bathroom still – and on its left a window overlooking the hollow, right above the roof of the front porch.

Carefully, I put the plate of shortbread onto the nightstand on the right. My nerves are fluttering. Have been ever since I decided to sleep up here tonight.

To see if it will trigger a memory.

I stare at the bed. At the spot at its foot, the wooden floorboards in front of it.

That is where I woke up.

Slowly, I pad over there. My dressing gown billows up around me as I lie down. My bare skin touches cold wood, my thighs, the sides of my legs, my panties. I put my cheek to the floor, feeling the cold seep through me, and close my eyes. Ready to remember.

The floorboards creak. Outside, the wind sneaks through the hollow, through the treetops, shaking their leaves, whispering at the edges of the old window frames. The room smells dusty. There is a hint of another scent, but they are both overshadowed by the shortbread, still warm, sitting on my nightstand.

It smells really good, that shortbread.

I sit back up.

Well, this isn’t working.

I let out a breath I didn’t know I’d been holding. Then, out of nowhere, I feel something rise in my throat. A giggle. It comes out before I have even realised what is happening. Goodness, look at me. Crouching on the floor, hoping for some kind of revelation.

I stand up, dust off my nightgown, draw the curtains and return to the hallway to take out fresh sheets. On the way, I fetch my begonias as well, and once I’m back inside the bedroom I put them on the nightstand next to the shortbread. Then I take the nightshade from the pocket of my dressing gown and stow it in the drawer of the nightstand. Making up the bed with the fresh sheets, I realise that I do not recognise them: black flowers climbing across dark blue fabric, a silken touch to them. They must be new. They feel soft on my skin.

Taking up a piece of shortbread, I sink into the bed. Gently, I stroke the purple petals of the begonias sitting on my nightstand as the warm dough fills my mouth. They have raised their heads a little. I feel the earth in their pot, just to make sure they have had enough to drink. Then I smile at them, swallowing the shortbread. ‘Goodnight, my darlings.’

Snuggling down into the covers, I breathe in their familiar smell. Still the same detergent. It feels as if I’d never left. As if Mum and Dad were merely away on a holiday, a hiking weekend in the Highlands. And the dried flowers, too, spreading their scent all through the house. Mum had such a passion for them. People brought dried flowers to her funeral, hers and Dad’s. Heaps of them. There were piles of dried roses, of rosemary and thyme and laurel, even some bell heather and globeflowers. The Kenzies sent me pictures. They were dropped onto the coffins, they surrounded the funeral wreaths gifted by those who didn’t really know my parents.

One of those wreaths was mine.

I know what you must be thinking. I wish I could make you understand what it’s like to hear that the two people who’ve always been there, as long as you can remember, are gone, and not feel anything. Your mum, who used to be your idol, with her white hair and incredible bravery, and your dad, who would hug you like it meant everything just to hold you. To look at your husband as he takes you into his arms, trying to give you comfort, and swallowing down the truth, which is that you’re feeling nothing. That he might as well have told you about the death of a badger he had hit on the way home, or a wasp he had squished outside the pub with his beermat.

Maybe that was when it became unbearable, actually. When I decided something needed to change. That I needed the truth. Maybe it wasn’t the Kenzies’ parcel and the deadly nightshade. Maybe that was just the last straw.

We had a ceremony in London, of course, Sweet-O and me. That’s how I said goodbye to my parents.

I turn on my back, staring at the white ceiling. And here I am. Lying in their bed. Finally back in their house. Our house.

The deadly nightshade is back too, sitting inside the nightstand drawer, on top of one of Mum’s old Chilcott catalogues: one of those mail-order companies where you could get homely pillows and handmade blankets and scent diffusers. Every single one of their products came with a pouch of British lavender. I wonder if they still exist.

Above the bed hangs a spray of lavender. When my parents still lived here, it always smelled so much like lavender in this room, like there wasn’t any other smell in the world. Only once or twice a year would my mother go for rosemary and thyme instead, usually in winter and spring. She would never have both out at the same time; it was either lavender or rosemary and thyme. Now the scent is so subtle it barely registers with the shortbread right next to me. It’s comforting. The pillow feels soft beneath my head. I feel like I am floating. It may be a little frightening, but it’s also exhilarating. To be so light. I did the right thing.

I will have the truth.

Before I turn off the light, I have another piece of shortbread. I feel like I can have as much shortbread as I like now. Don’t know what to call this feeling. Maybe it’s the shortbread feeling. The-world-is-your-shortbread.

Involuntarily, I giggle again as I close my eyes. The pillows smell like home and the crumbs taste delicious and the night is deep and dark.

It is still dark when I wake up.

The room smells like lavender. Just like that night. The odour of the old, dry flowers feels heavy in the air. Like it is pushing down on the blanket. Like it is wrapping itself around me.

My legs are sweaty. So are my armpits. It smells.

Slowly, I breathe in and out. It’s cold. Why do I feel trails of perspiration on my body when it is so cold? Like light cuts on my skin.

I turn onto my other side, keeping my eyes closed. Go back to sleep, I tell myself.

Why is it cold?

Why does sweat run across my skin like clammy fingers?

I open my eyes. The curtains are too thick. It is dark.

I close my eyes again. Maybe I’m running a fever. That’s why I might feel cold and hot at the same time. That’s it.

Wrapping the blankets more tightly around my body, I tell myself to go back to sleep and close my eyes again.

I am already dozing off when I think:

Why did I wake up?

The doorbell rings.

I turn onto my other side, mumbling into the pillow. The drunks from the pub. They’ll go away eventually. It smells like lavender.

It takes me a moment to realise.

I am not in Leyton. I am not in my flat with Oliver.

I open my eyes. It is dark.

That is what has woken me.

Someone is standing in the hollow. Someone is standing in front of my door.

Someone is ringing the doorbell.