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CHAPTER IV.

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And who was Peggy?

She was one of the best and noblest women God ever made. She was a treasury of heaven's own influences.

And yet she wore the form of a servant, and like her divine Master, there was "no beauty" in her that one should desire to look upon her.

She had followed my mother through good report and ill report. She had clung to her in her fallen fortunes as something sacred, almost divine. As the Hebrew to the ark of the covenant—as the Greek to his country's palladium—as the children of Freedom to the star-spangled banner—so she clung in adversity to her whom in prosperity she almost worshipped. I learned in after years, all that we owed this humble, self-sacrificing, devoted friend. I did not know it then—at least not all—not half. I knew that she labored most abundantly for us—that she ministered to my mother with as much deference as if she were an empress, anticipating her slightest wants and wishes, deprecating her gratitude, and seeming ashamed of her own goodness and industry. I knew that her plain sewing, assisted by my mother's elegant needle-work, furnished us the means of support; but I had always known it so, and it seemed all natural and right. Peggy was strong and robust. The burden of toil rested lightly on her sturdy shoulders. It seemed to me that she was born with us and for us—that she belonged to us as rightfully as the air we breathed, and the light that illumined us. It never entered my mind that we could live without Peggy, or that Peggy could live without us.

My mother's health was very delicate. She could not sew long without pressing her hand on her aching side, and then Peggy would draw her work gently from her with her large, kind hand, make her lie down and rest, or walk out in the fresh air, till the waxen hue was enlivened on her pallid cheek. She would urge her to go into the garden and gather flowers for Gabriella, "because the poor child loved so to see them in the room." We had a sweet little garden, where Peggy delved at early sunrise and evening twilight. Without ever seeming hurried or overtasked, she accomplished every thing. We had the earliest vegetables, and the latest. We had fruit, we had flowers, all the result of Peggy's untiring, providing hand. The surplus vegetables and fruit she carried to the village market, and though they brought but a trifle in a country town, where every thing was so abundant, yet Peggy said, "we must not despise the day of small gains." She took the lead in all business matters in-doors and out-doors. She never asked my mother if she had better do this and that; she went right ahead, doing what she thought right and best, in every thing pertaining to the drudgery of life.

When I was a little child, I used to ask her many a question about the mystery of my life. I asked her about my father, of my kindred, and the place of my birth.

"Miss Gabriella," she would answer, "you mustn't ask questions. Your mother does not wish it. She has forbidden me to say one word of all you want to know. When you are old enough you shall learn every thing. Be quiet—be patient. It is best that you should be. But of one thing rest assured, if ever there was a saint in this world, your mother is one."

I never doubted this. I should have doubted as soon the saintliness of those who wear the golden girdles of Paradise. I am glad of this. I have sometimes doubted the love and mercy of my Heavenly Father, but never the purity and excellence of my mother. Ah, yes! once when sorely tempted.

We retired very early in our secluded, quiet home. We had no evening visitors to charm away the sober hours, and time marked by the sands of the hour-glass always seems to glide more slowly. That solemn-looking hour-glass! How I used to gaze on each dropping particle, watching the upward segment gradually becoming more and more transparent, and the lower as gradually darkening. It was one of Peggy's inherited treasures, and she reverenced it next to her Bible. The glass had been broken and mended with putty, which formed a dark, diagonal line across the venerable crystal. This antique chronometer occupied the central place on the mantel-piece, its gliding sands, though voiceless, for ever whispering of ebbing time and everlasting peace. "Passing away, passing away," seemed continually issuing from each meeting cone. I have no doubt the contemplation of this ancient, solemn instrument, which old Father Time is always represented as grasping in one unclenching hand, while he brandishes in the other the merciless scythe, had a lasting influence on my character.

That night, it was long before I fell asleep. I lay awake thinking of the morning's dawn. The starlight abroad, that came in through the upper part of the windows, glimmered on the dark frame and glassy surface of the old timepiece, which stood out in bold relief from the whitewashed wall behind it. Before I knew it, I was composing a poem on that old hour-glass. It was a hoary pilgrim, travelling on a lone and sea-beat shore, towards a dim and distant goal, and the print of his footsteps on the wave-washed sands, guided others in the same lengthening journey. The scene was before me. I saw the ancient traveller, his white locks streaming in the ocean blast; I heard the deep murmur of the restless tide; I saw the footsteps; and they looked like sinking graves; when all at once, in the midst of my solemn inspiration, a stern mocking face came between me and the starlight night, the jeering voice of my master was in my ears, a dishonored fragment was fluttering in my hand. The vision fled; I turned my head on my pillow and wept.

You may say such thoughts and visions were strangely precocious in a child of twelve years old. I suppose they were; but I never remember being a child. My sad, gentle mother, the sober, earnest, practical Peggy, were the companions of my infancy, instead of children of my own age. The sunlight of my young life was not reflected from the golden locks of childhood, its radiant smile and unclouded eye. I was defrauded of the sweetest boon of that early season, a confidence that this world is the happiest, fairest, best of worlds, the residence of joy, beauty, and goodness.

A thoughtful child! I do not like to hear it. What has a little child to do with thought? That sad, though glorious reversion of our riper and darker years?

Ah me! I never recollect the time that my spirit was not travelling to grasp some grown idea, to fathom the mystery of my being, to roll away the shadows that surrounded me, groping for light, toiling, then dreaming, not resting. It was no wonder I was weary before my journey was well begun.

"What a remarkable countenance Gabriella has!" I then often heard it remarked. "Her features are childish, but her eyes have such a peculiar depth of expression—so wild, and yet so wise."

I wish I had a picture of myself taken at this period of my life. I have no doubt I looked older then than I do now.

Ernest Linwood; or, The Inner Life of the Author

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