Читать книгу Art of Chinese Brush Painting - Caroline Self - Страница 9

Introduction

This book introduces you to the art of painting with ink on rice paper using traditional Chinese techniques developed over a thousand years ago. Unlike many other books on Chinese painting available, this book does not teach the use of colored inks, watercolor techniques, or styles of composition influenced by Western traditions. The “colors” here are painted with shades of gray made by diluting the ink, just as black-and-white photography composes with light and darkness.

You will learn to paint the classic subjects that inspired the ancient painters: towering landscapes; the elegant Four Gentlemen: bamboo, orchid, plum blossom, and chrysanthemum; the rugged, steadfast pine; and five fun animals from the Chinese Zodiac: rat, rabbit, rooster, horse, and dragon. Numerous exercises help you to master the brush before you start painting a subject. Since many painters were master calligraphers, you will also learn to paint the basic strokes used in calligraphy to acquire the expressiveness of line that makes a painting energized and eye-catching. The survey of how calligraphy developed over time will teach you to recognize and appreciate the different styles, many of which are still practiced today.

Our first book, Chinese Brush Painting: A Hands-on Introduction to the Traditional Art, was geared for beginners from 9 to 90, as a low-cost, entry-level approach suitable for children in schools and adults just trying out the art. This book addresses the more committed adult beginner willing to invest money in high-quality supplies and time in practicing a larger variety of techniques and subject matter. Instead of the method of using tempera paint and watercolor brushes, this book introduces you to grinding your own ink with an ink stick and an ink stone, and the meditative practice that action introduces into the painting process. You will learn to distinguish the qualities of different types of brushes, ink stones, ink sticks, and paper so you know what to buy. In addition to the free-form or boneless style taught in the previous book, this book teaches the outlined or boned style of painting each subject. You will develop a larger range of techniques and strategies in learning the boned style and will come to appreciate the accomplishments of the artists that practiced it. You will get a sense of the strengths and weaknesses of each style and how to mix them for artistic effect.

One of the larger intentions of this book is to provide an understanding of the historical context from which the art arose and the symbolism in the paintings for the artist. Chapter 1 surveys the history of the Chinese dynasties and the influence of the philosophies of Yin and Yang, Confucianism, Daoism, and Chan Buddhism on the painting traditions. The chapter notes historical situations that provide an understanding of elements introduced in later chapters of the book. You will be able to “get inside” the art of painting and appreciate it more from the point of view of the ancient artist. As “the soft martial art,” brush painting is a meditative discipline with canons, principles, and time-honored practices geared toward achieving the most satisfying aesthetic results. The accomplished artist has trained the body, arm, and brush to move as a unit to create strokes with power and spontaneity. The ways of looking at the subject matter and becoming one with it enable the artist to paint the living essence of the subject and not just its physical appearance. Painting thus becomes the artist’s transcendent experience captured in ink to evoke in the viewer a similar experience.