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CAST

AGAMEMNON & CHORUS

NIGEL BARRETT – MENELAUS & VOICE

Theatre credits include: Every One (Battersea Arts Centre/Chris Goode & Co.); The Body (Barbican); UR (Festival des Ecrivains du Monde, Paris); Monument (wiretapper); Cyrano de Bergerac (Northern Stage); The Boy Who Climbed Out Of His Face (Shunt); Praxis Makes Perfect (National Theatre Wales, Berliner Festspiele); Mad Man (Theatre Royal Plymouth); There Has Possibly Been an Incident (Royal Exchange Manchester/Soho Theatre); A Conversation (The Yard); Ring (Fuel); The Architects and Money (Shunt); Get Stuff Break Free (Made in China/National Theatre); Babel and The Passion (WildWorks); Pericles (Regents Park); Shelf Life (National Theatre of Wales); Richard III – An Arab Tragedy (Royal Shakespeare Company/Bouffes du Nord); Contains Violence (Lyric Hammersmith); The Unconquered (Traverse Theatre); Hide (Royal Festival Hall); The High Road (Clod Ensemble); Amato Saltone (National Theatre/ Shunt); The Mirror for Princes (Barbican); Tropicana (National Theatre/Shunt); The Al-Hamlet Summit (Zaoum/Sulayman Al-Bassam Theatre); The Cherry Orchard (Young Vic); Melting the Ice (Zaoum/ Sulayman Al-Bassam); Single Spies (Theatre Royal Bath); Playing with Fire (White Bear); Miss Julie (Someone Else Theatre); Incarcerator (Battersea Arts Centre); Tennis Show (Shunt); Macbeth (Zaoum / Sulayman Al-Bassam Theatre); Cymbeline (Bear Gardens); Cami (Gate Theatre) and Everyman (Sulayman Al-Bassam/Cochrane Theatre).

Film and television credits include: Doctors; Cycles (Toynbee film); The Gospel of Us (Michael Sheen); The Boat, Hello You, Casualty, Crimewatch, Meet the Piltdowns, Hairy Eyeball, Dawson’s Creek Special, The Mysteries, Deadline, The Lens, Sexual Healing and England My England.

Radio credits include: The Letters of Pliny, The Liberty Cap, Richard Tyrone Jones’ Big Heart and The Influence and The Life of Edmund Shakespeare (Radio 4).

SHARON DUNCAN-BREWSTER – CLYTEMNESTRA & VOICE

Theatre credits include: A Midsummer Night’s Dream (Liverpool Everyman); Hope, Babies (Royal Court Theatre); The El Train (Hoxton Hall); Yerma (The Gate Theatre); The Swan, There Is A War (National Theatre); Tiger Country, Keepers (Hampstead Theatre); Detaining Justice, Seize The Day, Category B, Let There Be Love, Fabulation, Playboy Of The West Indies (Tricycle Theatre); The Horse Marines (Theatre Royal Plymouth); The Bacchae (National Theatre Scotland/Lincoln Centre, New York); Black Crows (Clean Break/ Arcola Theatre); The Magic Carpet (Lyric Hammersmith); Blues For Mr Charlie (Tricycle/New Wolsey); Dirty Butterfly (Soho Theatre); Peepshow (Frantic Assembly/Plymouth/Lyric Theatre); Crave (Paines Plough); So Special (Royal Exchange); Yard Gal (Clean Break/Royal Court/Mcc Theatre, New York) and The No Boys Cricket Club (Stratford East Theatre Royal).

Television credits include: Unforgotten, Cucumber, Top Boy, The Mimic (Channel 4); The Bible (Channel 4/History Channel) The Bill (Thames); Going Forward, Cuffs, Holby City, Doctor Who, Eastenders, Doctors, Shoot The Messenger, Waking The Dead, Baby Father, Bad Girls and Casualty (BBC).

Short film credits include: A Blues For Nia (Bbc/Eclipse) and The Child (BBC Film).

ANDREW FRENCH – AGAMEMNON & VOICE

Theatre credits include: Bully Boy (Mercury Theatre Colchester); Boi Boi is Dead (West Yorkshire Playhouse); Roundabout Season (Paines Plough); Refugee Boy (West Yorkshire Playhouse); Julius Caesar (Royal Shakespeare Company); Six Characters in Search of an Author (Aquila Theatre USA); Measure for Measure (Almeida Theatre); Monster (Royal Exchange Manchester); I Like Mine With a Kiss (Bush Theatre); As You Like It (Wyndhams Theatre London); Reference to Salvador Dali (Arcola Theatre/Young Vic); The Taming of the Shrew (Nottingham Playhouse); The Merchant of Venice (National Theatre); Troilus and Cressida (National Theatre); The Merchant of Venice (Shakespeare Globe Theatre); Things Fall Apart (West Yorkshire/ Royal Court Theatre); The Tempest (Nottingham Playhouse Theatre) and The Tempest (Shared Experience).

Film credits include: Artificial Horizon (Artificial Horizon Limited); Breaking the Bank (Black Hangar Studios); Song for Marion (WH Films); Exorcist: The Beginning (Morgan Creek); Exorcist: Dominion (Morgan Creek USA); The Merchant of Venice (BBC Films); Doctor Sleep (Kismet Films) and Tailor of Panama (Columbia Pictures).

Television credits include: Capital (Kudos for BBC 1); Eastenders (BBC); Holby City (BBC); Doctors (BBC); Perfect Parents (Granada Television/ITV); Primeval (Impossible Pictures/ITV); Soundproof, Blast! (Films/BBC2); The Bill (Thames Television); Trust (Box TV); In Deep (Valentine Productions); A Touch of Frost (Yorkshire Television); Casualty (BBC); Family Affairs (Pearson Television); Burnside (Thames Television); The Bill (Thames Television) and Tough Love (Granada Television).

Radio credits include: The Mother of… (BBC Radio 4) and The Last Supper (BBC Radio 3).

LOUISE MCMENEMY – MESSENGER & VOICE

Louise is a Scottish Actor and trained at the Italia Conti Academy on the 3 Year BA (Hons) Acting programme.

Theatre credits include: See Bob Run (Bread and Roses Theatre); All Things Nice (White Bear Theatre); Boris Godunov and The Ghost Train (The Jack Studio Theatre).

IPHIGENIA & CLYTEMNESTRA

ANTHONY BARCLAY – AGAMEMNON & DIRECTOR

Theatre credits include: Anna Karenina (The Royal Exchange Theatre); Religion & Anarchy: Line Up and Gas (Jermyn Street Theatre); Dear World (Charing Cross Theatre); Oedipus (Spoleto Festival, USA; Nottingham Playhouse; Liverpool Everyman, and Edinburgh Festival); Coalition/Shotgun Civil Partnership in the Rose Garden (Theatre 503); Biblical Tales (New End Hampstead); Road (Lyric Hammersmith); Twelfth Night (Manchester Royal Exchange); Kiss of the Spiderwoman (York Theatre Royal); Credible Witness (Royal Court Theatre); Vurt (Manchester Contact Theatre); La Strada (National Theatre Studio); The Taming of the Shrew (English Touring Theatre); The Iron Man (Young Vic); Assasins (Donmar Warehouse); Julius Caesar (Regent’s Park) and The Fantastics (Regent’s Park Open Air Theatre).

Television credits include: Vera (BBC); New Tricks (BBC); Judge John Deed (BBC); Coronation Street (Granada); Mersey Beat (BBC); Lock, Stock (Channel 4); Smack the Pony (Channel 4); Casualty (BBC); Birds of a Feather (BBC); Sorry about Last Night (BBC); Common as Muck (BBC); Love Hurts (BBC) and Screaming (BBC).

Film credits include: The Life of Jimmy Horton (Harbourmaster Films); No Humans Involved (SFilms); Job’s Dinner (Caravanserai Productions); A Price Worth Paying (Area 17 Films); Devil in Your Details (Rolling Media/Roll 7); Road (Cheeky Pictures); Prix de Rome (PDR Productions); Citizen vs Kane (Streetlight Films) and Red Black (Booblah, Brick and Pin).

SHANNON TARBET – IPHIGENIA & MAID

Theatre credits include: The Edge of Our Bodies (Gate Theatre); Hotel (National Theatre); A View from the Bridge (Liverpool Everyman Playhouse); Circle Mirror Transformation (Royal Court/Rose Lipman Centre); To Kill A Mockingbird (Manchester Royal Exchange); Spur of the Moment (Royal Court Theatre); 66 Books – When You Left I Thought I’d Die But Now I’m Fine (Bush Theatre); The Flooded Grave (Bush Theatre/Latitude Festival); Mary Shelley (Shared Experience); Mogadishu (Manchester Royal Exchange/Lyric Hammersmith); Rapture, Blister, Burn and Skane (Hampstead Theatre).

Her television credits include: Virtuoso, River, Lewis, Inspector George Gently, Monroe and Silk.

Her film credits include: Leavey, Look Away, Winter Song and A Promise.

SUSIE TRAYLING – CLYTEMNESTRA & PROFESSOR

Susie trained at Drama Studio London, & St Catharine’s College, Cambridge.

Theatre credits include: The Odyssey: Missing Presumed Dead (Liverpool Everyman/ETT Tour); Arthur Miller’s The Hook (Northampton Theatre Royal/ Liverpool Everyman); Vast White Stillness (Brighton Festival); The Crucible, Twelfth Night (West Yorkshire Playhouse); Thomas Tallis (Globe); Idomeneus, Vanya (Gate Theatre); The Seagull (Manchester Library Theatre); Sons Without Fathers (Platonov) (Belgrade Theatre/Arcola); King John, Richard III, A Soldier in Every Son (Royal Shakespeare Company); The Constant Wife, Private Lives, The Waters of the Moon (Salisbury Playhouse); Anthony & Cleopatra (Nuffield Theatre); Mary Goes First, The Mob (Orange Tree); Love’s Labour’s Lost (Rose Theatre); A Doll’s House, The Portrait of a Lady, Habeus Corpus, Measure for Measure (The Peter Hall Company); Women of Troy, Dream Play, Iphigenia at Aulis, The Forest (National Theatre); Don’t Look Now (Sheffield Lyceum & Lyric Hammersmith); Skylight (Stephen Joseph Theatre); The Importance of Being Earnest, Closer (Theatre Royal, Northampton); Camera Obscura (Almeida); Hamlet (Northcott Theatre); Edward II (Sheffield Crucible) and Anna Karenina – nominated, Best Actress, Manchester Evening News Awards (Bolton Octagon).

Film and television credits include: Midsomer Murders – A Christmas Haunting (ITV); Holby City (BBC); We’ll Take Manhattan (BBC); Vera – The Crow Trap (ITV); Doctors (BBC); Emma (BBC); Casualty (BBC); Heartbeat (ITV); Inspector Lynley Mysteries (BBC); The Bill (ITV); Fragile (Just Films); Fog Bound (Mullholland Films) and All The Queen’s Men (Streamline Productions).

DWANE WALCOTT – ACHILLES & SOLDIER

Dwane trained at the Italia Conti Academy.

Theatre credits include: Hamlet (Barbican); The Twits (Royal Court); Venice Preserv’d (Spectators Guild); Coriolanus (Donmar Warehouse); Titus Andronius, A Mad World My Masters, Candide (Royal Shakespeare Company); Damned by Despair (National Theatre) and Romeo and Juliet (Stafford Castle).

Television credits include: Tut (Spike TV) and Doctors (BBC).

Film credits include: Mindhorn (Scottfree/ BBC).