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Church of S. Aignan.

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Was this Anianus that S. Aignan who founded the church which now bears his name; the S. Aignan who, with his three sisters, Donda, Monda, Ermenonda, endowed it, and was buried in the ancient crypt of that church?[16] On his tomb there was formerly to be read this couplet:—

‘Corpus in his cryptis Aniani præsulis olim

Carnutum recubat, spiritus astra colit.’

(The body of Aignan, once Bishop of the Chartrains, lies in this crypt: his soul is in Heaven.) The crypt (restored sixteenth century) and the windows of this church are well worth seeing. The lower windows have nine of them sixteenth-century[17] glass, and nine of them nineteenth century, chiefly by Lorin of Chartres, whose atelier is in the picturesque Rue de la Tannerie. The upper windows are chiefly seventeenth-century heraldic. The church was often burnt down in the Middle Ages, and for the last time in the sixteenth century.

The architecture is therefore in the style of the Renaissance, though the main entrance belongs to the fourteenth century. The small entrance on the left of the façade is pleasing. The church was sacked during the Revolution and all its artistic treasures stolen. The building itself was used as a magazine, a prison and a military hospital till 1822, when it was restored to religious use by private generosity. The painfully unsuccessful polychrome decorations perpetrated by M. Boeswilwald make it impossible to remember the interior with any pleasure. Perched, as it seems, in the air, the exterior, beheld from the boulevards and bridges south-west of the town, forms, with S. Père and the Cathedral, one of the most prominent features of the most unforgettable view of Chartres. But the tower is destitute of grace, and the building, as a whole, devoid of any beauty of form.

If the nave were worthy of the apse and crypt, it would be another matter, and S. Aignan would be worthy of its place between S. Père and Notre-Dame. Approach it from the Rue Saint-Pierre by the steps of Saint-François, and the east end of the church with the enormous buttresses which support it, and the massive buttressed walls of the street which hold up the old parish cemetery, now the garden of the Presbytère, give you the impression of a mighty fortress frowning above you. But seen from a distance this effect is lost.

There is a legend in connection with this church worth recounting.

A poor tailor of Chartres, the story runs, made a contract to deliver himself body and soul to the Devil at the end of the year if his daughter should recover her health and make the fine marriage on which she had set her heart. At the date fixed when the tailor must fulfil his part of the bargain Satan appeared. It was evening. The man’s wife threw herself on her knees, and by her prayers and entreaties obtained the concession that the infernal treaty should not be enforced so long as the candle burning in the cottage should last. Then the cunning wife rose from her knees, blew out the candle and ran full speed with it to the Church of S. Aignan, where she hid it near the present stoup, in the first pier on the left at which the masons were then working. Wonderful to relate, the pier was immediately completed, and the candle hidden within it safe from the clutches of the Evil One.

Fifty years after the Battle of Châlons, the Franks, under Clovis, established the French monarchy in Gaul. It was not established by the force of arms alone.

The Merovingian King had always allowed his Gallic subjects free exercise of religious worship. Now, at the instance of his wife, Clotilda, niece of the King of Burgundy, he listened to the Bishop of Reims. He and his followers, who were equally ready to follow him to the battlefield or the baptismal font, were received into the Catholic Church at Reims.

This meant that Clovis had on his side the hundred prelates who, under the Roman Empire, had gradually acquired a sovereign power throughout Gaul in matters temporal as well as spiritual. He paid the price in rich gifts to their churches. ‘S. Martin,’ he remarked on a famous occasion, ‘is an expensive friend.’ It was to this alliance with the Church that the establishment of the French monarchy in Gaul was largely due. The valour, policy and seasonable conversion of Clovis soon added the Northern Provinces of Gaul to his kingdom, whilst the great prelates were left free to strengthen their own hold over the people with whose instructions they were entrusted. And with the Franks the social system of nobles and serfs, which was the basis of mediæval life, was introduced.

The Dark Ages creep on. The Frankish conquest of Gaul was followed, says Gibbon, by ten centuries of anarchy and ignorance.

So far as Chartres is concerned, the conversion of Clovis is connected with the name of her first authentic bishop, Solemnis,[18] whom he caused to accompany and catechise him on his campaigns. It is even stated, though without sufficient reason, that Clovis founded the Abbey of S. Père (St. Pierre), of which the extremely interesting fourteenth-sixteenth century church is now all that remains. The rest is cavalry barracks.

Of the secular history of Chartres under the succeeding Merovingian Kings there is nothing worth relating. Whatever there was of sweetness and light in this barbarous epoch survived in the cloister, not the court. One turns with relief from the records of the quarrels and crimes of Clother and his sons to the story of some saintly life like that of S. Lubin, shepherd, monk, hermit, Abbé of Brou, and lastly, Bishop of Chartres in succession to S. Ethère. S. Lubin was a typical and charming saint, whose name and fame still live in the hearts of the people.

His charity to the poor, his compassion for the sick and infirm was without limit. Thus, when Malledegonde, sister of the young Calétric, who lay at death’s door, asked the holy Bishop of Chartres for some drops of oil blessed by his hands, he did at once that which she had not dared to ask. He came in person to the bedside of her dear invalid, bathed his forehead, and prayed that he might be restored to health. Then the young man opened his eyes, and seizing the aged bishop’s hand declared that he was healed. A bas-relief on the south porch of the Cathedral portrays this incident in stone. In glass, a bishop and enthroned, you may see the saint in the second window of the northern clerestory of the nave. From that moment S. Lubin continued to take a paternal interest in the lad, and on his death Calétric succeeded him as Bishop of Chartres. S. Calétric,[19] according to his panegyrist, combined every virtue with every accomplishment, and was, in fact, the personification of that Roman urbanity which the rude manners of the French had almost banished from the Gallic world. His tomb, as we have already seen, is now in the Cathedral crypt, whither it was removed from the Chapel of S. Nicholas, when that building, which was formerly adjacent to the apse of the Cathedral, was destroyed in 1702 to make room for the present bishop’s palace.[20] S. Lubin, like most of the bishops of the sixth and seventh centuries, was still less fortunate in the place of his burial. He was interred in the crypt of

The Story of Chartres

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