Читать книгу Chinese Symbolism and Art Motifs Fourth Revised Edition - Charles Alfred Speed Williams - Страница 10
ОглавлениеList of Illustrations
Shòu Shān, the taoist Paradise (Print with key and reference number plate | Frontispiece |
Sacrificial ploughing | 35 |
Alarm-staff | 36 |
Buddhist priest with alarm-staff | 36 |
Amida Buddha | 37 |
Toy Pedlar | 38 |
Dice and Playing-cards | 39 |
Xiàngqí, or Elephant Checkers, with Board | 40 |
Wēiqí, or Surrounding Checkers. Boards, with Wooden Receptacles for Checkers (conventionally treated) | 40 |
Kite-flying | 42 |
The Dragon Boat Festival | 43 |
Ananda, the favourite disciple of Buddha, and compiler of the Buddhist scriptures | 44 |
Worshipping before the ancestral tablets | 45 |
Emperor Shî of the Qín Dynasty designing the Great Wall of China | 49 |
Chinese house | 50 |
House in process of construction | 50 |
“The Forbidden City,” Peiping | 54 |
Astrologer Casting a Horoscope | 56 |
Ancient battle-axe | 59 |
Buddhist axe | 59 |
Conventional bats | 61 |
Bronze cauldron of the Shāng Dynasty, ornamented with the “cloud and thunder pattern” and the “Beast of Greed” | 63 |
Eared bronze bell of the Zhōu Dynasty | 66 |
The test of the year-old baby to indicate his future tastes | 69 |
Sets of books in covers, conventionally treated for decorative purposes | 72 |
Bronze sacrificial wine vessel of the Shāng Dynasty | 74 |
Bronze wine-pot of the Zhōu Dynasty | 74 |
The cangue | 78 |
Senna knot and Giordes knot | 79 |
Old Chinese temple rug | 80 |
Taoist nostrum curing all diseases | 87 |
Large Míng polychrome vase | 89 |
Kāng Xï “Three Colour” wine pot in the form of the character shòu, longevity | 90 |
Lama chisel-knife | 91 |
Wüzhü coin | 94 |
Coins of the Táng Dynasty | 94 |
Kāng Xï coin | 94 |
Diagram showing principal shapes of Chinese coins | 97 |
The Chinese astrological compass | 101 |
The Duke of Zhōu, the reputed inventor of the compass | 102 |
Confucius in court costume | 105 |
Emperor and Empress in sacrificial costume | 108 |
Yáng Guìfēi, dancing before the Emperor Xuán Zōng of the Táng Dynasty | 109 |
Ancient warriors | 110 |
Official of the first grade under the Manchu regime | 112 |
Cí Xî, Empress Dowager | 113 |
Men’s clothing (modern) | 114-115 |
Women’s clothing (modern) | 116 |
Women’s adornments | 117 |
Cranes and pine-tree | 119 |
Cross-thunderbolt | 120 |
The Great Yû, first Emperor of the Xià Dynasty | 126 |
Funeral banner | 129 |
Funeral procession at Peking | 130 |
The chû or diamond mace | 133 |
Bronze cauldron of the Zhōu period showing example of key-pattern | 134 |
The Wú Zhuān Dîng of the Zhōu Dynasty | 135 |
The evolution of the key-pattern | 136 |
Diaper patterns | 137 |
Dì Zàng Wáng, Ruler of Hades | 138 |
The two door gods, military style | 143 |
The two door gods, civil style | 143 |
Dragon | 145 |
Order of the double dragon as conferred during the Manchu Dynasty | 146-147 |
Dragon of the clouds | 152 |
Dragon of the sea | 152 |
Chinese performers in stage dress | 155 |
Táogû or hand-drum | 158 |
The eight diagrams with the symbol of creation in the centre | 162 |
Zhōnglí Quán | 164 |
Zhāng Guōlâo | 164 |
Lû Dòngbïn | 165 |
Cáo Guójiù | 165 |
Lí Tiêguâi | 166 |
Hán Xïangzî | 166 |
Lán Câihé | 167 |
Hé Xiāngü | 167 |
The eight ordinary symbols | 166 |
The eight Buddhist symbols | 169 |
Lohan No. 1, Bin-du-luo-bo-luo-duo-she, Pindola the Bhãradvãja | 172 |
Lohan No. 2, Ga-no-ga-fa-zuo, Kanaka the Vatsa | 172 |
Lohan No. 3, Bin-tou-lu-e-luo-sui-shi, a second Pindola | 172 |
Lohan No. 4, Nan-ti-mi-duo-luo-qing, Nandimitra | 172 |
Lohan No. 5, Ba-no-ga, Vakula or Nakula | 173 |
Lohan No. 6, Dan-mo-luo-po-tuo, Tãmra Bhadra | 173 |
Lohan No. 7, Ga-li-ga, Kalika or Kala | 173 |
Lohan No. 8, Fa-she-na-fu-duo, Vajraputra | 173 |
Lohan No. 9, Jie-bo-ga, Gobake, the Protector | 175 |
Lohan No. 10, Ban-tuo-ga, Panthaka or Pantha the Elder | 175 |
Lohan No. 11, Luo-hu-luo, Rãhula, the son of Buddha | 175 |
Lohan No. 12, Na-ga-xi-na, Nãgasena | 175 |
Lohan No. 13, Yin-jie-tuo, Angida | 176 |
Lohan No. 14, Fa-na-po-su, Vanavãsa | 176 |
Lohan No. 15, A-shi-duo, Asita or Ajita | 176 |
Lohan No. 16, Zhu-cha-ban-tuo-ga, Chota-Panthaka or Pantha the Younger | 176 |
Lohan No. 17, A-ci-da, Ajita | 117 |
Lohan No. 18, Ba-luo-tuo-she | 177 |
The white elephant with the sacred almsbowl of Buddha on its back | 178 |
Examples of Chinese fans | 185 |
Examples of Chinese lanterns | 189 |
Paper charm known as the five poisons | 196 |
Ancient imperial standard | 198 |
Fly-whisk or chauri | 201 |
Tracings from “Buddha-foot stones” | 202 |
Mólî Qïng, Guardian of the East | 203 |
Mólî Hâi, Guardian of the West | 203 |
Mólî Hóng, Guardian of South | 203 |
Mólî Shòu, Guardian of the North | 203 |
Fú Yì inventing the Eight Diagrams | 210 |
Zhù Róng, the God of Fire | 213 |
God of Literature | 214 |
God of Longevity | 214 |
God of the Kitchen | 216 |
Guān Dì reading the ancient classics | 216 |
The two Gods of Wealth, Civil and Military | 217 |
The money-tree | 220 |
The wild goose as harbinger of good news | 221 |
“A Hundred Colts” | 228 |
The eight famous horses of Mù Wáng | 229 |
Hundred antiques | 230 |
Kuan Yin as protector of children | 243 |
Lama priest attired for worship | 246 |
Insignia and weapons of the Lama gods | 247 |
Lama devil dancers’ masks used in the religious ceremonies celebrated on the 8th of the first moon | 248 |
The philosopher Laocius | 249 |
Lion | 251 |
Lotus flowers | 254 |
Manjusri | 261 |
Wedding procession at Peiping | 264 |
Ancient anatomical chart | 267 |
The philosopher Mencius | 270 |
Mirror of the Táng period | 271 |
Stone and metal instruments | 278 |
Stringed instruments | 279 |
Bamboo and wooden instruments | 281 |
Skin instruments | 282 |
Gourds: Reed organ | 283 |
Clay instruments: Ocarina | 283 |
Nézhā | 285 |
The spring ox and driver | 294 |
A typical Chinese pagoda | 296 |
Landscape in the style of Wáng Wéi | 299 |
Landscape after Xià Guï | 301 |
Pán Gû chiselling out the universe | 304 |
The God of Longevity issuing from a peach | 306 |
Golden pheasant | 312 |
Phoenix | 313 |
Taoist philosopher who has discovered the sacred fungus of immortality | 318 |
Pû Xián mounted on a white elephant | 323 |
The Taoist Queen of Heaven with her two attendants | 325 |
Sceptre and head | 330 |
Scrolls | 332 |
Examples of Chinese seals | 333 |
Seal of the first emperor of the Qín Dynasty | 334 |
Dream of Buddha’s mother of his incarnation | 339 |
The new-born Buddha washed by the nine dragons | 339 |
Buddha, Mahayanistic type | 339 |
Death of Buddha | 339 |
Buddhist monks with rosaries | 340 |
Pawnshop sign | 343 |
The Emperor Shùn | 344 |
The three star gods of happiness, affluence and longevity, with auspicious emblems | 352 |
Mirror of the Táng period | 354 |
Dôu Mû, the mother of the bushel, accompanied by two attendants, Yòu Bì and Zuô Fû | 355 |
The meeting of the Cow-herd and the Spinning-maid on the borders of the Milky Way | 356 |
The Poet Sü Dōngpō | 361 |
Sauvastika with crampons to the left | 364 |
Swastika, or svastika, with crampons to the right | 364 |
Types of swords | 366 |
The tàijí or Ultimate Principle of all things | 364 |
Bodhidharma, the Blue-eyed Brahmin | 368 |
The Three Pure Ones of the Taoist Trinity | 372 |
The Pearly Emperor Yù Huáng seated in his court of justice | 373 |
God of Thunder | 375 |
Tiān Mû, the Goddess of Lightning | 375 |
Léi Gōng, the God of Thunder, assisted by Tiān Mû, the Goddess of Lightning | 376 |
The meeting of the dragon and the tiger, the two great forces of the universe | 377 |
Liú Hâi, the Immortal, sporting with the three-legged toad | 380 |
Twelve ornaments | 386 |
Charm depicting the yïn and yáng, the Eight Diagrams, and the symbolic animals or Twelve Terrestrial Branches | 388 |
Unicorn | 391 |
Mâra the tempter, arch fiend of the Buddhists | 394 |
The Lord of the Rain | 396 |
The spirit of the Yellow River | 397 |
The sacred wheel of Buddhism | 399 |
The Lama Wheel of Life | 401 |
A plate of willow ware | 404 |
Five-fold (cinta) mani, or wish-granting gem | 413 |
The evolution of Chinese writing from ancient to modern form | 416 |
Inscribed bone fragments of great antiquity unearthed in Honan | 418 |
Facsimile of inscription on ancient stone drums in a Confucian temple at Peking | 418 |
The six scripts or categories of written symbols (ancient and modern style) | 420 |
The six forms of writing | 422 |
Xï Wáng Mû mounted on the crane | 424 |
The souls of the dead arraigned before Yama, the God of Hell, and placed before the mirror, which shows the forms under which they will be reincarnated | 427 |
Tortures of the Buddhist Hell | 428, 430-1 |
Emperor Yáo | 432 |
Flags of China, 1931 (in colours) | inside back cover |